V&A exhibition and TS Eliot Prize readings

January 19, 2017

A delay in the blog this week as we were in London for a few days. We both went to the outstanding Victoria and Albert Museum to see the exhibition entitled You Say You Want a Revolution? Records and Rebels 1966 – 1970 . This is a fascinating exhibition, particularly for people who remember the 1960s and the bands such as The Beatles, The Animals and The Who, amongst many others. When you go into the exhibition, there is a free audio provided. This is not your usual audio guide to exhibits, but is a soundtrack  (list of songs here)of the music of the middle and late 1960s. Some people found this distracting e.g. looking at John  Lennon’s written lyrics to Help while the soundtrack is playing Barry McGuire’s Eve of Destruction. The exhibition covers the 1960s revolutions in music, protest, fashion and consumption. It has a vast number of exhibits, perhaps too many to take in during one visit, including photographs, letters, TV coverage, film, clothes and consumer items. It is a very stimulating exhibition, taking in the trivialities of some pop music to the horrors of the Vietnam war and civil rights violence. The V&A of course is always a pleasure to visit, with its numerous rooms and hallways full of statues. Even if you only visit the ornately decorated tea room (good photos), with the William Morris room adjacent to it, you are assured a superb aesthetic experience. No photos were allowed in the exhibition but I took one on my mobile phone’s (not very good) camera of the entrance.

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The Beatles’ at the entrance to the V&A

My treat on Sunday evening was to go to the Royal Festival Hall for the T S Eliot Poetry Prize readings. The competition for the best collection is worth £20,000 to the winner. One of the best things about this event is that, while the 10 poets read from their collections, the winner is not announced until later – no annoying Masterchef  pauses here. The readings were compered by the irrepressible Ian McMillan whose amusing but very perceptive introductions to each poet added much to the occasion. In one introduction, he referred to his Uncle Harry who had “sticky-out false teeth  – like a pub piano”. He also summed up the quality of the evening by pointing out that despite the vast hall and the hundreds of people in the audience, when each poet spoke, it was like being in a small room with only a few people. Two of the poets, J O Morgan and Alice Oswald (the favourite to win) recited their poems from memory and made a substantial impact on the audience. The winner, announced on Monday, was Jacob Polley’s collection Jackself which the judges called “a firecracker of a book” in which the main character can change into different shapes and things. I intend to buy this book, so more on this later.

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Jacob Polley’s collection entitled Jackself

 

 

Auld Year’s Night and A Walk on New Year’s Day

January 7, 2017

We had Australian friends staying over New Year. They arrived on 31st December which is known locally as Auld Year’s Day. This expression is, I think, restricted to the south eastern part of Scotland, while other parts use the term Hogmanay, the meaning of which is disputed, but it may be Scandinavian or Flemish. The term New Year’s Eve is used in other parts of Britain. Until the 1950s, New Year was the major festive event in Scotland, with people still working on Xmas Day. Bringing in the New Year in Scotland is seen as attractive by people across the world, as the cosmopolitan crowd in Edinburgh’s Princes Street on Auld Year’s Night will testify. Dunbar Running Club organise a short run on Auld Year’s Night at 7pm and my wife Val and our visitors took part, while I helped with timing. The race is known as the Black Bun Run after the tradition of giving people whisky and black bun to bring in the New Year, to ensure that people would have enough to drink and eat for the following year. I was the (non-running) President of  Dunbar Running Club for 14 years and the local paper, the East Lothian Courier would print my reports of the race – known then as The Auld Year’s Night Race, until one year the paper’s reporter used the headline Black Bun Run a Success. Thereafter, we used this title for the race. After the race, we joined the other runners (23 in total) in the nearby Masons Arms pub, for a pint of Belhaven Best ale, which is brewed just around the corner at Belhaven Brewery. Back home, we had a meal – a tasty Beef’n Beer (photo below) and brought the New Year in with rather less traditional champagne and red wine.

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Beef’n Beer done in Le Creuset pan (Click to enlarge)

On New Year’s Day, we took our friends on one of our favourite walks – to Seacliff Beach (good photos). We parked the car about a mile away from the beach. As you leave the car, just past the farm buildings, you get a magnificent view of Tantallon Castle (good photos)  and the Bass Rock and the view is enhanced (photo below) with the foreground of the emergent spring wheat’s subtle green.

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Tantallon Castle and the Bass Rock

You walk down a fairly muddy path to get to the beach but you are rewarded with a view of a long stretch of sandy beach to the right and left. We went left towards the tiny harbour – claimed to be the UK’s smallest – where there was quite a swell here with the white sea caressing the rocks.

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Swell at Seacliff Beach

On the harbourside, you can still see the remains of old iron winding gear, which, with the backdrop of Tantallon Castle (see below) makes for an intriguing view.

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Winding gear at Seacliff and Tantallon Castle

We walked back along the east side of the beach and up the sandy slope to the path/road where cars can exit. At the top of the hill, you pass under an archway and when you look back, the Bass Rock is framed by the archway. The photo below was taken on a frosty afternoon a few years ago.

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Arch at Seacliff Beach

As you walk back past the farm buildings at Seacliff Farm, you pass many horses as there’s a riding school there. I managed to catch one horse having a feed and another peering at me through the bare hawthorn hedge (see below). So, an excellent walk on a bright, sunny if cold day gave us an exhilarating start to 2017.

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Horse feeding at Seacliff

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Horse through a hawthorn hedge

 

 

 

 

 

 

Highlights of 2016

December 31, 2016

I was going to give myself a festive break from the blog but, every day in the paper there is some sort of review of 2016, so coming back from my walk today I thought I might do one as well. This is what went through my head: best photo, best meal cooked, best restaurant, best visit, best novel read, best book of poems read, best …. Not to mention major highlights such as the arrival of our new grandson Zachary Buddy in June and in the previous month, the glorious victory – the Hibees won the cup after 114 years! So I started to read the blog from the beginning of January and realised that it was going to take a long time to read all of the posts. So this is a flick through, fairly randomly and not covering all the categories mentioned above.

In January, we went down to London as I was going to the T S Eliot Prize poetry readings at The Royal Festival Hall. I’m going again in January, so more of that later. A highlight of the visit was a meal at The French Table in Surbiton. The meal was delicious and one of the dishes on offer was monkfish which was served with crispy samphire and truffle froth – photo below sent to me by staff at TFT.

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Monkfish served at The French Table (Click to enlarge)

Flowers feature often in the blog and I’m always trying to improve my close up photography in my garden and other gardens and wood lands. So here’s some examples (photos below) – snowdrops at Pitcox, tulips in my garden and the multi-coloured and delicate honeysuckle, also in my garden.

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Snowdrops at Pitcox

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Tulips in my garden

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Honeysuckle in my garden

Best picture I took this year? A hard one this as there’s such as variety of photos that I like – of favourite places like St Abbs Head or Dunbar harbour, but I’ve settled on one from my garden again, except the focus this time is not on the flower but on the bee. This is from a post entitled Summer flowers. Bees are not obedient. They move constantly and their wings beat even when they are attached to flowers. This one must have been enjoying the nectar so much that it momentarily stopped moving, allowing me to capture the bee’s complex physical structure, its vivid colours and its wing, which looks like a piece of ornate glassware you might find in an art gallery.

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Bumble bee on a hebe flower.

The best visit we did this year undoubtedly to the stunning Guggenheim Museum in Bilbao. From the moment you walk towards the outside of the building, you are in for a series of eyebrow raising moments and you lose count of the times you say “Wow!”. The external and internal structure of the museum represent a triumph of modern architecture, so impressive is the design and flow of the building. The two photos below can’t capture the wonder of this building but if it inspires you to visit, my efforts will have been worthwhile.

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Back of the Guggenheim Museum in Bilbao

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Front of the Guggenheim Museum in Bilbao

So that’s (part of) the old rung out and next week/year, I’ll ring in the new – more travel, more novels, more poetry, more photos – and anything else that comes in to the mind of this (at times) Bear of Little Brain – even if my favourite word is crepuscular.

 

 

 

Chris Rose exhibition and a scene he might have painted

December 21, 2016

The latest exhibition at Waterston House in Aberlady, home of the Scottish Ornithologists’ Club is by Chris Rose, whose previous exhibition was featured on this blog in 2014. With no disrespect to  the other excellent wildlife artists who have exhibited at Waterston House, Chris Rose is – by a country mile – the most accomplished. This is another stunning exhibition, featuring new work as well as prints of his previous work. Chris very kindly sent me photos of 3 of the works which are available for purchase at the exhibition. The first is entitled Little Egret and if you think that the clarity in the photo below is very impressive, when you see the painting itself, it is one of these moments in an art exhibition when you find yourself staring at the picture and admiring the beauty of it. There is much to take in when looking at this painting. Firstly, there is the photographic realism – this is a perfect depiction of a little egret, a statuesque bird about to strike an unassuming fish. The shimmering reflection suggests that the water is not quite still. I love the angles in this picture – look at the beak and the legs – and the bird’s patient poise. Like herons, the egret has an admirable ability to wait, then angle its head toward the water, then wait again, then strike lethally. It was interesting to watch other people’s reactions when they entered the main room of the exhibition and saw this painting. They had the same raised eyebrows and staring eyes as I had, the same smile of appreciation and the same slight shake of the head- how does he do this?

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Little Egret by Chris Rose (Click for a larger, and better, image)

The second painting (below) is entitled Shrimping and features a black-headed gull (which in fact has a brown head) but when I first saw this painting at the exhibition, it was the delicate colours and contours of the sand which caught my attention. Then you look at the gull again and its reflection and the eddies in the pool made by the bird paddling furiously to get the shrimps to surface – all so expertly done. Then you see the bird’s shadow and the shadows cast by the seaweed. So what at first looks like a simple depiction of a black headed gull paddling for its meal, becomes a multi-faceted picture whose elements draw your eyes up and down and across the frame.

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Shrimping by Chris Rose

I usually only feature 2 paintings by exhibiting artists but the chance to show three examples of Chris Rose’s work is too good to miss. The 3rd painting (below) is Silver Light which is a magnificent display of light on water and seaweed. Again, there is birdlife which is superbly portrayed, but the painting’s title is very apposite i.e. you see the shimmering light on the water first. I’m not sure how long it takes Chris to perfect these images – I would think it’s a very long time – but this veritable display of talent and skill could not be achieved quickly, this layman assumes. We will certainly go back to see this exhibition before it closes in January as it’s impossible to appreciate the variety of images and the mastery on show in one visit. If you can get to the exhibition, you will be richly rewarded.

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Silver Light by Chris Rose

A few days ago, in mid afternoon, just before the onset of the crepuscular light which I so much enjoy, I went for a walk from our house along to the nearby Dunbar Golf  Course  which stretches next to the seashore all the way out to the White Sands. I walked along the side of the 4th fairway to the little beach just around the corner and when I got there, a pair of elegantly coloured shelduck flew off across the water. On the way back, I could see (and hear) redshanks and oystercatchers taking refuge in rocks further away from this transgressing human. Then the Chris Rose moment – about 8 curlews appeared out of nowhere and landed on rocks in front of me. The birds’ long beaks could be seen as they stood on the rocks and below them, the light was shining on the still wet rocks – an image seen in some of Chris Rose’s paintings (e.g. here). I didn’t have my camera and I would have needed the long lens to capture the scene – another great photo that might have been. It was a startling image, having been to Chris’ exhibition recently. I’m lucky to live near the sea and come across vivid examples of wildlife just along the road.

 

Harbour reflections and making Minestrone

December 14, 2016

I took my camera for a walk along to Dunbar Harbour (good photos) last week. The day was so wind free that the water in the harbour hardly moved and the wee boats, which are usually swaying gently to an unheard waltz tune on the accordion, were statuesque. It’s very unusual not to have any kind of wind in Dunbar and at one point, it looked as if the sea had given up coming into the harbour, as the water appeared – very briefly – to be motionless. Then a gentle ripple spread from the entrance to the harbour across to the boats.

The two photos below are taken at the east end of the harbour and the perfect reflection in the 1st photo shows how calm the water became. There’s a hint of movement in the water in the 2nd photo and the wee boat looks isolated. This is because all the small yachts that lie in the harbour in the summer have been removed for safety. I like the way the harbour walls are reflected in the water in the 2nd photo.

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Calm day at Dunbar Harbour

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Calm day at Dunbar Harbour

The next 2 photos are taken at the castle end of the harbour. In the first photo, the reflections look as if they might come from an impressionist painting e.g. the squiggly lines in the castle walls’ reflection. It was a cold day but the colours in the boats and in the fish boxes on the quayside inserted a warm feature into this walker’s experience. In the both photos, the castle ruins still show the white patches left by the nesting kittiwakes, who visited in the summer. The kittiwakes have featured on this blog more than once e.g. here. In the 2nd photo, the wider angle shows the castle ruins and the narrow entrance to the harbour. Another unusual feature of this visit to the harbour was the absence of birds on the water, as you often get small groups of eider duck. On this RSPB site, you can listen to the gurgling, whoo-hooing of the eider duck, and you can usually hear this from the harbourside.

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Fishing boats near Dunbar Castle

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Reflections of the ruins of Dunbar Castle

Having made lentil and vegetable, tomato and lentil, and parsnip and pear soup recently, I thought that it must be the turn of minestrone. The term minestrone comes from the Latin minestra meaning soup with pasta (and/or other ingredients) and one as a suffix meaning large, thus giving us a soup with big vegetables. The soup is mentioned in a cookbook by Apicus (the whole book from Project Gutenberg here) published in 30CE, so it has ancient traditions. You could spend the rest of your life looking at the myriad of minestrone recipes on the web i.e. almost anything goes as long as you have vegetables and pasta in it. Almost all recipes include tomatoes. Today, my minestrone has a large leek, 3 stalks of celery, diced turnip (aka swede) and carrot, dried basil and oregano, a tin of tomatoes, 2 tbs tomatoes puree and a litre of chicken stock. I put a little oil in the bottom of my large soup pan and added the basil and oregano. I then sweated the leeks and celery, and added the turnip and carrot until it looks like this:

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Sweating the vegetables in the making of minestrone

I then added the tomatoes, tomato puree and broken spaghetti, brought it  to the boil and simmered it for c20 minutes. I always find that you should never eat minestrone soup right away – let the flavours develop for at least 8 hours or preferably overnight. You can then have a colourful, tasty and winter warming soup which served up will look something like this photo from last year. Have it for lunch with crusty bread and if you are lucky like me, go for a walk along to the harbour with your camera afterwards.

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A plate of minestrone soup with basil leaves

The Bone Seeker, views of St Abbs and the Number Four gallery

December 6, 2016

I’ve just finished reading M J McGrath’s  The Bone Seeker, a crime novel set in the Canadian arctic. This is a crime novel with interesting characters, including the heroine Edie Kiglatuk, a teacher who is seconded to help the police solve the mystery of a local girl’s murder. One the key “characters” in this novel is the arctic itself as well as the local Inuit culture. McGrath introduces us to Inuit words like  qualunaat – white people and avasirnguluk – elder, to create a convincing environment for her story. The history of the exploitation of the Inuit by outsiders, such as the US and Canadian governments, is  covered but with a light touch. McGrath is a story teller and the plot is well-paced. The reader does get a real sense of how people live in this (to most of us) extreme climate. Most of the novel is set in the summer where darkness is absent and the endless light can prevent people from sleeping, but winter approaches fast near the end of the novel and the transformation of the land and sea is well portrayed. Perhaps the ending features too much action in a short space of time in this book where the story builds to a complex conclusion. This is not just a book for readers of crime novels, so get it if you can.

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The Bone Seeker by M J McGrath

Regular readers will know that my wife and I visit St Abbs Head on a regular basis and these visits have featured on this blog many times. This visit was on a very cold and frosty Sunday morning but the sky was huge and Australian blue. Leaving the car parked at the number four art gallery (of which more later), into which my wife ventured, I walked along the path which leads to another path, which leads to one of the cliff-top walks. In this photo, you can see the cliffs in the distance, with sheep in the field and before that rows of winter wheat, which are a delicious green in the winter sun.

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Looking towards the cliff-tops at St Abbs Head

I crossed the road towards the village, with a large field on my right and the disused church at the top of the hill. What I liked about the field (photo below) was the bright yellow of the grasses at the edge of the field, and the way your eyes are drawn to the lines in the field, both the narrow crop lines and the wider tractor tracks. All seem to lead to the now abandoned church on the hill. The pink-tinctured clouds are also attractive.

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Stubble field at St Abbs Head

Across the road is the imposing Northfield House, with its head of St Ebba above the gates. I’ve photographed the gates from front-on and the head in close up before, but I’ve never taken a side-on shot of the entrance. In this photo, the impressive stone entrance is shown off by the field and sky. There is a large walled garden here, part of which is in view.

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Side view of the entrance to Northfield House in St Abbs Head

I walked to the St Abbs Visitor Centre (open March-October) and looking down to the harbour, I saw a strange sight – a tractor was reversing into the harbour. On a second look, I could see that the two yellow poles behind it were part of a platform. One of the wee fishing boats reversed and sailed gently on to the tractor’s trailer.

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Tractor in St Abbs Harbour

I walked back to the car in the fading afternoon light and you could feel the cold deepening, ready to freeze anything that didn’t keep moving. We’ve been to the number four art gallery many times over the years and have bought paintings and glassware for our home and for presents. With my camera at hand (and this blog already in mind) I took some photos, with permission. The gallery is part of a very well maintaned stone built row of what presumably were farm buildings and has a very attractive entrance – photo below.

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number four gallery in St Abbs

The inside of the gallery (photos below) is bright, well laid out and encourages you to walk around to view the paintings – some superb landscapes were on view on our visit – prints, glassware, ceramics, sculpture and jewellery. See examples here.  One of the reasons many people revisit this gallery is the warm welcome given by the staff, who are very helpful, informative but unobtrusive. The original works available here are of excellent value, so pay a visit if you are in the area.

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Inside number four gallery in St Abbs

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Inside number four gallery in St Abbs

Frosty days and Pitcox farm

November 29, 2016

Last week, we had a series of very frosty days in Dunbar. When you get frosts in November, there are always gloom merchants around who see this as a sign of a bad winter to come. Likewise, if you get a comparatively warm day in November, there will always be someone in the street saying “Aye, we’ll peye (pay) for this!”. This view of life of course, sees the world in simplistic terms, for every gain ( a sunny day), there will be pain ( a frosty day). We optimists argue that you should enjoy both sunny and frosty days – if you can. I was out cycling last week on 2 of the frosty days and I took my camera on the second one. Unlike last week, both these cycle rides were very enjoyable – sunny days, with big Australian clear blue skies, on my mountain bike and hitting the occasional thick patches of ice en route in the countryside. The thick tyres on this bike mean that you can crunch through icy puddles on the road. The key thing is never to touch your brakes on the ice, as you inevitably end up lying on the said ice and looking up to the big sky, and feeling an ever-growing pain in your knee.

I stopped the bike at Pitcox Farm, of which more later. On the roadside, the fallen leaves had been highlighted by the 3 days of frost. I took these close up photos and looking at them when enlarged, I’m sure we may see different things. What do I see? What strikes me most are the patterns on the leaves, some like splayed fingers, others like branch lines of a metro system, some like a child’s drawing of a tree and others like protruding veins, which are white, unlike their varicose counterparts. There are also twigs, leading your eye from line to line.

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Frosted leaves in November (Click to enlarge

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Frosted leaves in November

Back home, I went out to the back of the house to catch the thick frost on the beach. There looks like a confrontation in the photo below. The frost has marched out from the stone wall towards the incoming tide and the two armies are separated by the Independent Republic of Sand, upon which the sun shines. The tide receded, the frost stayed put and then it was completely annihilated by the invisible Thaw. The following day, there was high tide and the jubilant sea laughed its way up to the wall. There’s a lovely image in Amy Lowell’s poem The Hoar Frost, with these lines: “And when I came into my garden,/My silken outer-garment/ Trailed over withered leaves”.

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Frosted East Beach in Dunbar

Back to Pitcox Farm, which usually makes an appearance here in late January, early February when the first snowdrops for miles around can be seen. The farm, with its impressive house and farm cottages is 4.5 miles (7.2K) from Dunbar and you get there on quiet country roads. I was on my way back when I took the photos here – of where I’d come from and the road down to the cross roads.

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The Pitcox to Stenton Road

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Approaching the Pitcox crossroads

At the place in the photo above, the roadside was frost-filled, the leaves static, the air cold and my breath steamy. At the bottom of the road, just past the crossroads sign, the sun was out and the frost had been banished, with the leaves enjoying the temporary heat, as in this photo, which appears to contain unknown stick insects.

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Autumn leaves in the sun

There were also magnificent shadows cast by the now leafless trees in the garden of Pitcox House. In this photo, the shadows look animated as if engaged in mid morning tree shadow aerobics and the trees themselves stretch out as far as they can.

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Trees and shadows at Pitcox House

 

Late autumn trees and the woes of cycling

November 22, 2016

When I came back from my cycle this morning, having passed a field of frozen sprout plants standing motionless in the field, their now yellow lower leaves stuck to the ground, and also having gone past an exquisitely coloured avenue of trees and roadside leaves at Bowerhouse (local pronunciation Boorhoose), my intention was to add to my photos of late autumn trees and early frosts here. This plan was thwarted as the wind from the east got up and the rain arrived, meaning leaden skies and rising temperatures. A walk last week through Lochend Woods in Dunbar (about 1K from our house) was particularly enjoyable because of the variety of colours in the trees and on the floor of the woods – a hundred shades of yellow, brown and green. So I went back with my camera.

The first photo is of rose hips. I have now learned that you can make rose hip syrup although it looks like it might be too sweet for me. Also, rose hips can be cultivated from sophisticated garden roses and not just the dog roses you get in the wild. I like the contrast between the bright red of the hips and the leaves, which are in various stages of maturity i.e. from green to pale yellow.

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Rose hips in Lochend Woods (Click to enlarge)

The next photo takes in a range of trees. In this photo, I like the way the leaves contrast with the dark trunks of the trees. The erect trunks draw your eye up and down the photo and when you look closer, many of the trunks are not straight but bent at various angles, and they are of various girths. The sun on the woods here actually makes some of the trunks look darker than they are.

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Autumnal trees in Lochend Woods

Contrast this photo with the one above. In this photo, the sunlight is making the tree trunks lighter and the trees take on the look of gum trees in Australia. This photo is deceiving as you might think that it was taken on a very hot day if you only look at the shining trees. I also like the shadows on the ground which are extensions of the trees and often lead your eye from one tree to another.

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Sunlight on trees in Lochend Woods

I also liked this photo. Firstly, there is the startling colour of the yellow leaves, made paler by the sun and they show off the smooth tree trunk behind. Secondly, there is the real sense of height and I think the photo makes these trees look taller than they actually are. There are many lines to follow in this photo – up, down, to the right and left and back again.

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Autumnal trees in Lochend Woods

On the way home, at a house on the edge of the woods, I passed this copper beech hedge, shown in close-up below. This is purely accidental on my part but when I look at this photo, I have the impression that the leaves are in motion and are falling although they are not. Also, the shadows of the leaves appear to increase the number of leaves on show. The colours and leaf patterns are fascinating the more you look.

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Copper beech hedge leaves in autumn

So to cycling, at least last Friday’s cycle. There are some days you go on a bike and no matter how flat the road or how light the wind, it’s a struggle. It was a very cold but bright morning and I was well rugged up in my winter gear. One thing about late Autumn/winter cycling is that it takes a long time to get ready. In the summer, on go the shorts and top and shoes and helmet and half finger covered gloves – and off you go. At this time of year, it’s top and shorts and leggings and another top and a jacket and head cover like a monk’s cowl and a buff and a helmet and shoes and overshoes, which are tight and hard to get on. 5 minutes later – off you go. I was about a mile into the bike ride on Friday and started to feel my legs heavy and my back sore. Now, in these situations, to what extent your legs and back are  actually sore is open to question. What happens is that your mind takes over. Then there’s the good angel and the bad angel. The bad angel says “Well, you were going for 20 miles (32.4K) but, hey if you turn at 6 miles, who’s going to know?”. The good angel says “Who will know? YOU will know! Are you  a man or a mouse? Forget 6 miles pal, 10 is the turning point – if not further”. The nearer I get to the 6 mile mark, the voices get louder. Which one will win? I nearly turn at the roundabout at 6 miles but keep going and – this always happens – once I’m on my way, my legs are lighter and my back is not sore. What you need to do when cycling on these kind of days is to detach your mind from your body and just let your legs take over. On these days, there much more sense in your legs than in your weak and complaining brain.

 

The Clematis and the Bee; St Armand Canal Paper and Cornflower seeds; and The Patient Who Had No Insides.

November 14, 2016

Before checking my email this morning, I turn the page on my poetry calendar – still the one from 2013 as there appears to be no replacement. One day (next life?) I will do my own poetry calendar which will probably have to be online, but don’t hold your breath. Today’s poem is called The Search by Eamon Grennan and it begins “It’s the sheer tenacity of the clematis clinging to/ rusty wire and chipped wood-fence that puts this/ sky-blue flare and purple fire in its petals”. It’s an interesting concept that “tenacity” rather than natural growth is what makes the clematis grow. The poet praises the plant for “lasting and coming back” despite the autumn weather. There’s another poetic observation “.. the way the late bee lands/ on its dazzle, walks the circumference of every petal” before “.. drinking/ the last of its sapphire wine”. You can easily envisage the bee as it skirts the petals before feeding on the “sapphire wine” – a startling combination of words. Next time you see a clematis, think about its tenacity.

An enchanting birthday present last month from my sister in law and brother in law. They had visited Gilbert White’s Garden in Selbourne, Hampshire and brought me 2 presents. The first is a book of poetry by the Canadian Julie Berry. The poems are based on the diaries of Gilbert White who was the local parson but also a very keen gardener and naturalist. The little book is beautifully produced.

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Cover of “I am, &c.” by Julie Berry

The cover is of soft paper and made of St Armand Canal paper for which the makers use “fibers left from clothing industry offcuts, white tee-shirts, blue denim and flax straw from farmers”. The book cover has a lovely soft feel to it. At each end of the book, there is a flyleaf which is made of Thai Tamarind paper which is tissue like. As you see in the photo below, this delicate paper contains dried (and dyed) tamarind leaves and bits of grass which makes it very attractive. This small, 24 page book is an artwork in itself.

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Flyleaf in Julie Berry’s book “I am &c.”

Along with this beautifully produced book was this.

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Cornflower Seed packet

The packet of seeds is inside this creamy coloured and very attractive wrapping. I will sow the seeds in the Spring and get an eye-catching display of what the packaging tells me will be “Dark blue flowerheads born from late Spring to Early summer”. I like the use of the word “born” here.

I am still working my way slowly through Denise Riley’s remarkable book Say Something Back. There is a five-part poem in the book entitled The patient who had no insides and this relates to the author’s illness and hospitalization – not a subject which you think might be expressed poetically, but Riley does this with aplomb. Part of the poem shows her acquired knowledge of terminology which all hospitalised patients pick up, due to repetition by clinicians. For example “Enzymes digesting tissue grind/ In rampant amylase and swollen lipase counts” send the reader to the dictionary but to patients suffering from liver disease, these are everyday words. Riley’s description of parts of our insides are both graphic and imaginative. The liver is “A plush nursery for the vegetal spirit”. The spleen is “sole-like” and “roughened, its shoe-shape/ Splayed into an ox tongue”. The poem also covers the potential thoughts of doctors about the disease they treat. The patient is released from hospital even though “Your liver tests are squiffy Mrs R..”. Once outside, the patient reflects “A smack of post-ward colour shoves us back to life”. This is a very impressive book of poetry which covers topics which can be unsettling for the reader, but you cannot help being full of admiration for Ms Riley’s poetic talents. Still another 20+ poems to read.

 

 

Dirleton Kirk and the Dunbar Creel Loaders sculpture

November 7, 2016

A recent walk in the attractive village of Dirleton which is up the coast from Dunbar, took us around the village green, past the impressive Dirleton Castle (good photos) and on to the local church yard. In Scotland, a Presbyterian church is called  a kirk which originates from the Old Norse kirkja or the Old English cirice. The word kirk was used – I assume – after the Reformation to distinguish these Protestant churches from their Catholic counterparts, called chapels. When you turn the corner to see the kirk, it is the tower that first catches your eye. On the day we visited, the RNLI flag was flying. There’s an extensive graveyard with many old headstones, some of which tell the occupations of the people buried there. As with all churchyards, the people seen to be the most important – usually the wealthiest – in the area, got the biggest headstones. There are 3 books on the headstones available.

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Dirleton Kirk (click to enlarge)

One of the most attractive features for me in the kirkyard is the presence of well coiffured yew trees (see below) whose proper name is Taxus Baccata, probably derived from the Greek for bow and the Latin for berry. The yew trees have the look of green headstones and perhaps, if you knew where to look, there might be a secret inscription inside.

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Yew trees in Dirleton Kirkyard

As you walk from the kirk back to the village green, you get a superb view of the village trees, the wide open green and the castle walls in the background. This view (photo below) was greatly enhanced on our visit by the magnificent tree with its autumn finery on display and its random scattering of leaves the ground adding to the colourful scene. We’ve had very strong NW winds this weekend in East Lothian, so it’s likely that this tree will now be fairly bare, but the elegance of its structure and branches will remain.

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Dirleton village green in the autumn

We have a new sculpture here in Dunbar. The Creel Loaders (photos below) is the work of sculptor Gardner Molloy who has done a number of public sculptures in East Lothian. This work sits at the junction of Victoria Street (on right in photo below) and Castle Gate. This is very near the harbour and the sea can be seen in the middle left.

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The Creel Loaders by Gardner Molloy

Gardner Molloy writes “My carving style is vigorous, simple and strong and I relish the use of textural tool finishes to provide contrast. I feel that neat chisel marks enhance the finished surface”. The words “vigorous, simple and strong” could be applied to the Creel Loaders on first looking at this very impressive piece of sculpture, but there is a complexity to work that emerges on closer examination. The woman’s head, which reminded me of an Egyptian goddess, is delicately carved and there is a determined (and maybe resigned) look on the woman’s face.

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The Creel Loaders – detail of the woman’s head – by Gardner Molloy

The sculpture was built to remember the harbour women of Dunbar who put a wicker creel/basket on their backs and waited while two men loaded the creel with fish – herring in particular in the early 20th century. The women then walked many miles into the countryside along the Herring Road (good photos) to sell their fish. This was backbreaking work and a perilous journey in the winter. What is often forgotten is that the women not only carried the fish as far as Lauder (33 miles/54K away) but they also often bartered their fish for fresh vegetables, which were in short supply in the poor harbour area, and carried the vegetables back home. This may account for the determined and resigned look on the woman’s face.

Of course, there is more to this sculpture than a realistic representation of an historic event. In the photo below, you can see the elegant lines, flowing curves and intricate patterns in the bodies of the people (and the cat), in the woman’s headband and in the wicker creel. There is much to admire in this superb addition to Dunbar’s public art works and repeated visits will, I’m sure, reveal even more complexity in the work.

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The Creel Loaders – side view – by Gardner Molloy