A double dose of author Colm Tóibín this week. Firstly, I finished reading Tóibín’s remarkable novel Nora Webster. On the face of it, this is a simple tale of a woman whose husband has died and is struggling to cope with the too early onset of widowhood. A lesser writer than Tóibín might have presented Nora Webster, a woman living in a small town in the Irish Republic, in a sentimental and melodramatic way. However, Tóibín writes a compelling story, taking episodes from the lives of Nora and her family, their relatives, friends and (sometimes unwished for) acquaintances, and identifying the complexities of their lives. As the novel progresses, Nora becomes stronger and more independent, having to a certain extent lived in the shadow of her late husband Maurice, a popular school teacher. The author describes apparently small events in her life in detail but the prose is never dense, and the reader gains an understanding of Nora as a person e.g. her developing love of music, and not just as a mother or sister. There are some very moving scenes in this book, both in Nora’s recollection of her time with her husband and in her relationship with her two sons and (to a lesser extent) two daughters. This is a book of high quality and if you haven’t read it, then you surely must.
This week, we went to the cinema to see Brooklyn, based on Colm Tóibín’s novel of the same name. The film also has a very strong female character. Eilish is a young woman growing up in (like Nora Webster) a small Irish town in the Republic, but unlike Nora, she is due to emigrate to the USA at the start of the film. The story follows her to Brooklyn and highlights her homesickness and then her growing maturity and relationship with a young Italian. Eilish returns to Ireland when her sister dies and the film develops into a tale of the complexities of love and morality. I haven’t read the novel but I’m sure that Eilish’s character is more fully drawn in prose. The actress Saoirse (pr Seer – sha) Ronan is superb in the part. There is also humour in the film and while, at times, it veers on the edge of tweeness and sentimentality, it nevertheless tells a powerful story and it is certainly worth seeing.
November is nearly gone and we’ve had a taste of winter in Dunbar already with ice lining the sides of the country roads on my cycle ride last weekend. We’ve also had strong winds and big tides and this was reflected on my walk on Sunday morning. I stopped at the Old Harbour aka The Cromwell Harbour, which was built in the late 17th century. In summer, the occasional fishing boat is moored, often for work to be done. On Sunday, it was packed with fishing boats, sheltering from the heavy swell that affects the main harbour at this time of year. The boats nestled together in this sheltered haven.
By contrast, the Victoria Harbour which was built in the 1830s, was nearly empty. It’s an unusual sight to see so much of the water in the harbour and on Sunday, it looked abandoned, as if a storm (or malevolent sea serpent) had arrived and driven all the boats out to sea. The photos below show the harbour last Sunday and in the summertime.
In my poetry calendar this week, these lines appeared:
“The ocean’s grey today, like someone’s dingy laundry,/ the flop and slosh of sudsy waves agitate on the sand,/ and the sky’s like the inside of an ashtray at some salty dive”.
They are from the poem “The Winter Sea” by the Pennsylvanian poet Barbara Crooker and I like the laundry metaphor. As I walked back from the harbour, I passed the east beach, which used to be covered in pristine sand but over the past 5 years or so, the sand has gone to be replaced with stones and often large mounds of seaweed. The waves were rushing to the shore and there was certainly a distinct “flop and slosh”.