Archive for the ‘boats’ Category

All that Man Is and Cliveden House, near Windsor

November 10, 2017

In most cases, when I buy a book in a bookshop – I try to do this mainly, although I do order online as well – and read the blurb and the recommendations from reviewers, I enjoy the book, and mostly agree with the positive reviews on the cover of the book. I have just finished David Szalay’s novel All that Man Is but I found myself not agreeing with most of the review quotes. In the book, there are 9 stories of men of different ages and nationalities telling the reader their woes – often related to romance or the lack of it. There are some quite humorous scenes and there is no doubt that Szalay writes very well for the most part. I agree with the Guardian reviewer that 9 stories do not a novel make, despite the fact that there is a common theme of men in some sort of trouble and doing a lot of soul searching. I imagine that many female readers – as well as male readers – might find that some of the men in the stories are pathetic and need a good shake, although some female reviewers praised the novel. There are some very good passages in the stories and in the last one, the man reflects on how, to him, the present often seems to be impossible to define, that indeed impermanence is the only permanent factor in  our lives. Szalay writes “How little we understand about life as it is actually happening. The moments fly past, like trackside pylons seen from a train window”. On the other hand, this guy thinks he is old  and not long for this world as he is 73. My cycling pal  John is 74 and he floats up hills on his bike. The book was shortlisted for the Man Booker Prize 2016 and you can read a very positive review of the book here,  so don’t let me put you off trying it. If you’ve read it and enjoyed it – post a comment.

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In mid-October, we went down to by train to Thames Ditton for my sister-in-law Hilary’s significant birthday celebrations. We had a charming walk along the Thames, going through part of the impressive Hampton Court. On the Thames, we passed numerous house boats which were reflected in the river, and enhanced by the  backdrop of autumnal trees, as shown here.

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House boats on the River Thames

On Hilary’s birthday, we all went to Cliveden House (pronounced Cliv-den) with its magnificent grounds and luxury hotel. The property was built by the famous American millionaire William Waldorf Astor, who passed it on to his son Waldorf. The grounds are extensive and on a sunny day, you can enjoy a peaceful, rural walk past the modern sculptures, seen here in the context of the grounds and then, closer up, looking back to Cliveden House.

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Sculptures and maze at Cliveden House

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Sculptures with the back of Cliveden House

Cliveden House is historically best known for the infamous Profumo Affair, the repercussions of which brought down the Conservative government in the early 1960s. When you walk down to the river, you pass the cottage where the affair took place. It was a lovely autumn day when we visited and we saw some startlingly beautiful trees by the river, such as the one below. You can also walk by the pond which has a pagoda, a range of trees and on this day, a very calm heron, seen below. Cliveden House and its gardens are well worth a visit if you are in the area.

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Autumnal splendour at Cliveden House gardens

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Heron at the pond near Cliveden House

 

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Robert MacFarlane’s “Lost Words” and the Thyssen-Bornemisra Museum

October 21, 2017

In a recent Guardian Review article, Robert Macfarlane – the well known writer on the British landscape – argues that children need to be reacquainted with the natural world. In the article, Macfarlane cites a Cambridge University study that showed how children aged 4 to 11 were much more likely to identify Pokémon characters (80% accuracy) than common plants and animals in the UK (50% accuracy). One of the conclusions of the report stated “What is the extinction of the condor to a child who has never seen a wren?”. Other studies cited show that adults’ knowledge of wildlife is not much better but 9 out of 10 adults wanted children to have much more knowledge of plants and animals. Macfarlane’s reaction to the reports was that he wanted to write a book for children which might increase their appreciation of the living world, as opposed to the digital world of Pokémon. The reasons for children’s lack of experience and knowledge of nature is well known – more children live in cities and more children spend more time online than out of doors.

The result is what looks like a beautiful book, written by Macfarlane and illustrated by Jackie Morris.

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New book by Robert Macfarlane and Jackie Morris (Click to enlarge all photos)

The article concluded with “The bird which became the guiding, gilding spirit of The Lost Words is the goldfinch. Goldfinches flit across its cover and gleam from its pages”. Macfarlane notes that the collective word for goldfinch is a charm which can also mean the singing of a group of children. Below is a close up of a goldfinch, taken by Harry Scott. This book would make a wonderful present for anyone – adult or child – and if you can combine this with a trip to the countryside or the seaside for the children, Dr Macfarlane would be most pleased. I have just come back from the beach near our house where my nearly 6 year old twin grand daughters saw oystercatchers, plovers and redshanks on the shore, feeding on what was coming in on the tide. So, I’m doing my bit.

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Goldfinch by Harry Scott

One of the highlights of our trip to Madrid was the Thyssen-Bornemisza Museum which can be found opposite the more famous Prado Museum. The Thyssen-Bornemisza has much more modern painting and is less focused on religious painting. It is a very extensive art gallery, with numerous rooms and would take more than one visit to do it justice. I have always been impressed by the American  painter Edward Hopper and there are four of his works here. The first of my selection is Hotel Room (below) and what strikes you is the rather lonely looking woman, sitting on the bed, in her underwear, reading a book. Then there are the colours – the green chair, the black hat, and the white bed which contrasts with the woman’s undergarment. The museum has a short video on this painting which is well worth viewing.

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Hotel Room by Edward Hopper

The 2nd Hopper painting is The “Martha McKeen” of Wellfleet  which is intriguingly named after someone who took Hopper and his wife sailing i.e. there is no yacht with this name. Although the sandbank looks rather fanciful, this is a painting with delicate shades of blue, white and cream, with the movement of the boat emphasised by the undulating waves. I see a spirit of freedom and enjoyment in this painting, on the part of the humans. The seagulls look away, unimpressed and the small, bubbly clouds on the horizon are dominated by a clearer sky above, suggesting a warm summer’s day.

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The “Martha McKeen” of Wellfleet by Edward Hopper

I’ve seen Hopper’s lighthouse paintings before, but Martin Johnson Heade is a new artist for me. His painting Orchid and a Hummingbird Near a Mountain Waterfall was one of the highlights of our visit. It is a stunningly original painting, with its combination of dark and light and the colours of the orchid are reflected in the hummingbird. There is so much to see in this work – shapes, patterns, the real and what I see as the surreal combined – that you can find yourself standing in front of the painting for quite a while. The detail on the plant and the bird are superb.

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Orchid and Hummingbird near a Waterfall by Martin Johnson Heade

So an exhilarating visit to this museum in Madrid which is not to be missed if you are in the city. No blog next week as I’m off to Pisa and Florence with my pal to take in the sights and a football (aka soccer) game.

Dunbar Battery redeveloped

June 22, 2017

Following the award of a grant of £700,000, Dunbar Harbour Trust has been instrumental in transforming part of the harbour site. The Battery has a long history, being built in 1781 as a fort to defend the existing Cromwell Harbour from attack by American privateers and also from a possible French invasion. In the 1870s, the Battery became an isolation hospital and at the start of the First World War, the hospital was taken over by the Red Cross and revamped. In the 1930s, it was the site of housing for a time but this was abandoned when the roof blew off. Until this year, the Battery has been an open space for visitors to look out from its walls out to sea or back to the south and the Lammermuir Hills. The Battery  (good photos) has now been transformed into an amphitheatre and coastal garden, with areas for public art. I took my trusty camera along to take a personal look. When you go through the stone arch, what first catches your eye is the wooden seating which is part of the new amphitheatre.

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Seating in the amphitheatre at the Dunbar Battery (click to enlarge)

On closer inspection, you see that on the lovely wooden steps, there are the names from the Shipping Forecast which can be heard on Radio 4. There’s an excellent video available on why people love the Shipping Forecast. The forecast has a lyrical quality to it, as many of the names could be from a poem – North Utsire, (pr Ootseeri) South Utsire, Cromarty, Forth, Tyne, Dogger. As the Battery is next to the sea, this was an inspiring idea. The Shipping Forecast is also a poem by Seamus Heaney from his Glanmore Sonnets and you can hear Heaney reading the poem here  – a wonderful experience.

The public art on display at the moment is The Sea Cubes by Scottish artist Donald Urquhart.  In the photos below, you can see the steel cubes on display and a close up of one of the fossils engraved into the cubes. The cubes are attractive to look at and people of all ages can use their imagination to decide what they look like – ice cubes which have floated down from the North Pole or steel mirrors which have landed from space? They are a very peaceful sight. When you look closely at the intricate nature of the engraved fossils, you can see the complex structure of these fairly basic creatures. This one also reminded me of a map of an archipelago, with a thousand islands.

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Sea Cubes by Donald Urquhart at the Dunbar Battery

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Fossil engraving on a Sea Cube by Donald Urquhart

The Coastal Garden section is also very interesting and pleasant on the eye. The photo below shows the pebbles, the wooden blocks and the range of plants which can survive in the harsh seaside conditions. The plants include sea pinks (aka thrift), red valerian and Caradonna Meadow Sage. It will be interesting to see the plants develop and spread and bring more colour to the site in the future.

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Coastal garden at the Dunbar Battery

As you leave the Battery, you see Dunbar Harbour and Dunbar Castle through the archway as in the photo below. I’ve featured Dunbar Harbour on this blog a few times and it is an ever-changing view, as the light differs or there are different boats in the harbour. The 1st photo shows the magnificent stone wall and arch which gives solidity to the entrance and frames the harbour very well. After you walk down the slope from the battery, you are on the harbour quayside and you are looking across the harbour to the castle, as in the 2nd photo below. This is the view on a calm summer evening at the harbour. In October, the small yachts are taken out for the winter as the winter tides turn the harbour into a turbulent rush of water.

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Dunbar Harbour and Dunbar Castle from the Battery.

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Dunbar harbour from near the Battery

Mantel on history and Constable and McTaggart exhibition

June 14, 2017

A very interesting article in The Guardian Review section by well known author Hilary Mantel. In the article, Mantel discusses “Why I became a historical novelist” and writes “My concern as a writer is with memory, personal and collective: with the restless dead asserting their claims”. The author cites her great grandmother as an example of a historical figure and there is evidence of where her relative grew up, who she married and of her 10 children. However, Mantel, argues “I have no access to her thoughts” and it is in expressing the thoughts and words of historical characters – real or imagined – that the work of the historical novelist is involved. Mantel also discusses what we call history and states that “history is not the past – it is the method we have evolved of organising our ignorance of the past. It’s the record of what’s left on the record”. My first degree was in history and I’m now doing an oral history project on my home town of Dunbar in the 1950s, so definitions of history intrigue me. I remember having lectures in 1st year at university where the lecturer posed the question “What is history” and referred to E H Carr’s book with that title. Much of Carr’s arguments about what constitutes history has been revised since the 1960s when it was published. In my own educational research and in my current local history research, I take a constructivist view i.e. that historians construct their versions of history from evidence that is also constructed. For example, in my oral history project, when I was interviewing people about visiting the whales stranded at Thorntonloch in 1950, I was not expecting the people (aged between 70 and 95) to report what they saw, but to construct the scene from their memory. My job was then to interpret what I heard in the interviews and newspaper reports and construct a version of events in my book. So history for me is an interpretation of events in the past, not a reporting of them.

An exhibition currently on at the National Gallery in Edinburgh features the work of John Constable and William McTaggart. This is a small but powerful exhibition with 2 outstanding paintings at its core. The first is Constable’s Salisbury Cathedral from the Meadows shown below.

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Salisbury Cathedral from the Meadows by John Constable (Click to enlarge)

This is a very large painting and in the booklet helpfully provided by the National Gallery at the exhibition, Constable is quoted as stating “I do not consider myself at work without I am before a six-foot canvas”. At the time of this painting, landscape was not seen as a proper subject for artists and Constable was also criticised for his use of both brush and knife when paintings were supposed to be smooth. It is also very detailed and worth close study at the exhibition or online. At first, you notice the rainbow, the church, the large tree and the cart being hauled across the river by horses. Then you see the dog in the foreground, the birds on the water and another church to the left. What is striking of course are the clouds and their various colours and the threat of rain. Constable was criticised for his depiction of the clouds as it was a departure from the painting norms at the time. The booklet states “Constable created a varied surface where dense, craggy areas alternate with passages of subtle translucence and movement is created by the dynamic application and flecking of paint”. The more you look at this picture, the more you do see movement in the horses, the swaying trees and the clouds.

The exhibition seeks to show how McTaggart was influenced by Constable, particularly in his painting The Storm shown below.

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The Storm by William McTaggart (Click to enlarge)

This painting is not as clear as Constable’s and deliberately so. The first impression you get is of the flow of the water and light and landscape, like a lava stream. Then you see the figures at the bottom left who look desperate and frightened. Look again and in the mid to top right a small boat looks in peril on the sea. The notes at the exhibition comment on McTaggart’s “remarkably dynamic brushwork” which was influenced by Impressionism. There are other paintings in this exhibition by Constable and McTaggart which makes a visit to the National Gallery well worth while. As a footnote, my lifelong friend Tam, on a recent visit to Dunbar, recalled that my current interest in form and shape in art did not match my inability to create art at school. Despite the advice of our excellent art teacher Carnegie Brown, my attempts were hopeless. I still can’t draw for toffee but I have learned to appreciate some aspects of art, including how it is constructed.

 

Bordeaux visit (1) and The Black Eyed Blonde

May 24, 2017

We are not long back from a week’s holiday in Bordeaux, the beautiful city on  the river Garonne in the south west of France. It’s only a two hour flight from Edinburgh and we got through customs quickly. The hotel recommended that we get the Lianes 1+ bus, so we got that. We hadn’t realised that this bus stops everywhere and it took us 1 hour 10min to get to where we changed for the tram, because of rush hour traffic. So we just had to thole it. There is always an element of uncertainty when you travel to a new place and you never quite relax until you get to where you are staying. Where we did stay – the Hotel Vatel – was excellent in terms of comfort, staff and location.

From our hotel, we could see the River Garonne which flows around the city. It’s a wide river and some cruise liners (not the huge ones) parked on the quayside. There are a number of bridges across the Garonne, with the oldest being Le Pont de Pierre (good photos) which was ordered to be built by Napoleon and opened in 1822. It is a very impressive piece of engineering, with 17 spans, most of which you can see in the first photo below. You can walk or cycle across the bridge or cross it by bus or tram. Bordeaux has an excellent tram/bus service and you can get a ticket, which you can use on the tram and/or bus for 1Euro 50cents – this takes you anywhere you want in the city and lasts for an hour. There is a new bridge in Bordeaux, Le Pont Jacques Chaban Delmas (good photos) down river from Le Pont Pierre and it is a stunning example  of modern design, engineering and architecture. Unusually, the bridge has a vertical lift (see website) to allow the larger ships to pass under. You can see the bridge’s elegant towers in the second photo below and also, in the background, in the drum band photos below. The towers reminded us of the modern architecture we were used to seeing in Dubai when our son, daughter in law and twin granddaughters lived there.

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Le Pont de Pierre, Bordeaux (click to enlarge)

 

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Le Pont Chaban Delmas in Bordeaux

Another feature of the riverside is the promenade or quayside (good photos) where hundreds of people walk, cycle, roller blade and run every day. You have to watch carefully as some of the cyclists and roller bladers go at high speed, weaving their way in between walkers and runners. On the Sunday morning, we could hear the sound of drums further up the river, away from the centre. The drumming got louder and louder and the first of the drum bands approached. All the bands were brightly dressed and drummed with passion – it looked very hard work, so they must have been very fit to do the drumming.  This was a great addition to our Sunday morning stroll and very much appreciated by the many people on the quayside. Two of the bands are shown below.

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Sunday morning drum band on the quayside in Bordeaux

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Drum band on the quayside in Bordeaux

On the plane home, I finished reading Benjamin Black’s (aka John Banville) The Black Eyed Blonde, given to me by my good friend John. The book is written in the style of Raymond Chandler (podcast by John Banville) and features Chandler’s world-weary detective Philip Marlowe. It is a wonderful read, with a well-paced plot, interesting and believable characters, sharp dialogue and Marlowe’s accurate and often witty observations on people he meets and the world in general. Like the Chandler novels, this is one of these books that you can open at random and find something quotable. Marlowe is asked by a Miss Cavendish to find a man called Nico Peterson. Miss Cavendish is (like many women in Chandler novels) beautiful and Marlowe reflects on “.. the tip of her nose – and a very nice tip it was, to a very nice nose, aristocratic but not too narrow or too long, and nothing at all like Cleopatra’s jumbo snozzle”. This is typical of a Marlowe reflection – detailed and often containing wit. It turns out that Peterson was found dead but, on Marlowe’s second meeting with Miss Cavendish, she claims to have seen him alive. Marlowe follows a number of leads and meets a range of flawed (and sometimes unsavoury) characters and is subjected to serious violence at times in the story, like many detectives in novels. The ending is neat and not melodramatic. My (very literate) friend John argues that many crime novelists lose their nerve when it comes to ending their books and go for wildly dramatic and often violent scenes. Neither Chandler nor Black is ever likely to do that. This is a memorable novel, so get a hold of it any way you can.

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The Black Eyed Blonde by Benjamin Black

 

Back to St Abbs and Spring flowers (2)

March 26, 2017

On Sunday, another visit to one of our favourite places, St Abbs Head (good photos), featured many times on this blog. It’s a small village but you can vary your walks and views nearby and always see something just a bit different from the last time. We parked at the National Trust car park and walked down past the farm on our left, which had a shed full of sheep just about to lamb. We saw some lambs in a nearby field and I managed to capture them amongst some shapely reflections of the trees.

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Lambs at St Abbs (Click to enlarge)

We went up the first part of the cliff top walk – going west to east – but only wanted a short walk, so we didn’t go any further. On the way back, you look across the to village of St Abbs Head, past the ragged shaped outcrop of rock (Photo below). It made me wonder whether, in a hundred or two hundred years, that rock column, sculpted by the weather, will still be there. It’s a superb view, taking in the harbour and all the houses built on the once empty cliffs above. There was only a gentle swell on the sea that day, with the waves edging slowly around the rocks, and not crashing over them as they often do.

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Rock column and St Abbs Head village

The next photo is from an angle I don’t think I’ve taken a shot from before. It is looking back across the edge of the harbour towards the clifftop walk, with the impressive Northfield House prominent on the cliff. The rock column in the photo above is just to the top right of this photo. Behind the house on the left with the red roof, with chimneys at either end (like the house to its right), there is a wooden staircase which leads you up to the impressive St Abbs Visitor Centre, which is well worth a visit.

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View across St Abbs Head arbour to the cliff walk

We walked back to the car park and, at the end of the farm buildings, I came across a trailer load of neeps – see photo below. In Scotland, we call them neeps or turnips. In England, they are called Swedes. What people in other parts of Britain call turnips, which are much smaller than neeps, we call white turnips. Around Dunbar, you will also hear people referring to Tumshies, another name for neeps/Swedes/turnips. Very confusing? For your amusement, but maybe not illumination, read this excellent Guardian article on the subject.

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A trailer load of neeps at St Abbs Head.

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Close up of neeps at St Abbs Head

And so to the second reflection on Spring flowers. In many towns in Scotland, councils in recent years have greatly expanded the planting of Spring flowers and it is not unusual to see great swathes of bright yellow and white crocuses at the entrance to these towns. Councils also planted thousand of daffodils and it is they which now take centre stage, as the crocuses have faded. There is something uplifting about seeing large groups of daffodils and I think Wordsworth had something to say on the topic in two versions (see website). I took a photo of daffodils on a banking at The Glebe in Dunbar. This small park overlooks the sea and the harbour entrance. The photo looks towards the remains of Dunbar Castle(good photos).

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Daffodils on a banking The Glebe, Dunbar

My aim every year is to take very clear close-up photos of flowers, to get to the heart of them and look at them as abstract shapes as well as attractive flowers. In the first photo below, I took two contrasting daffodils, one with white petals and one with yellow petals. They are both enchanting flowers but maybe the white petals emphasise the yellow, choir boys’ ruff of the flower’s centre more. Both have delicate stigma which thrust out to attract the pollen seekers. They are like mini corn on the cob with extensions.

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Two daffodils in my garden

In the final photo, I like the delicate folds in the prawn cracker petals and the ragged edge of the flower is similar to the rock face above at St Abbs. Also, the colour in the flower is not uniformly yellow but contains various shades, making it even more attractive.

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Yellow and white daffodil in my garden

 

Harbour reflections and making Minestrone

December 14, 2016

I took my camera for a walk along to Dunbar Harbour (good photos) last week. The day was so wind free that the water in the harbour hardly moved and the wee boats, which are usually swaying gently to an unheard waltz tune on the accordion, were statuesque. It’s very unusual not to have any kind of wind in Dunbar and at one point, it looked as if the sea had given up coming into the harbour, as the water appeared – very briefly – to be motionless. Then a gentle ripple spread from the entrance to the harbour across to the boats.

The two photos below are taken at the east end of the harbour and the perfect reflection in the 1st photo shows how calm the water became. There’s a hint of movement in the water in the 2nd photo and the wee boat looks isolated. This is because all the small yachts that lie in the harbour in the summer have been removed for safety. I like the way the harbour walls are reflected in the water in the 2nd photo.

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Calm day at Dunbar Harbour

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Calm day at Dunbar Harbour

The next 2 photos are taken at the castle end of the harbour. In the first photo, the reflections look as if they might come from an impressionist painting e.g. the squiggly lines in the castle walls’ reflection. It was a cold day but the colours in the boats and in the fish boxes on the quayside inserted a warm feature into this walker’s experience. In the both photos, the castle ruins still show the white patches left by the nesting kittiwakes, who visited in the summer. The kittiwakes have featured on this blog more than once e.g. here. In the 2nd photo, the wider angle shows the castle ruins and the narrow entrance to the harbour. Another unusual feature of this visit to the harbour was the absence of birds on the water, as you often get small groups of eider duck. On this RSPB site, you can listen to the gurgling, whoo-hooing of the eider duck, and you can usually hear this from the harbourside.

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Fishing boats near Dunbar Castle

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Reflections of the ruins of Dunbar Castle

Having made lentil and vegetable, tomato and lentil, and parsnip and pear soup recently, I thought that it must be the turn of minestrone. The term minestrone comes from the Latin minestra meaning soup with pasta (and/or other ingredients) and one as a suffix meaning large, thus giving us a soup with big vegetables. The soup is mentioned in a cookbook by Apicus (the whole book from Project Gutenberg here) published in 30CE, so it has ancient traditions. You could spend the rest of your life looking at the myriad of minestrone recipes on the web i.e. almost anything goes as long as you have vegetables and pasta in it. Almost all recipes include tomatoes. Today, my minestrone has a large leek, 3 stalks of celery, diced turnip (aka swede) and carrot, dried basil and oregano, a tin of tomatoes, 2 tbs tomatoes puree and a litre of chicken stock. I put a little oil in the bottom of my large soup pan and added the basil and oregano. I then sweated the leeks and celery, and added the turnip and carrot until it looks like this:

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Sweating the vegetables in the making of minestrone

I then added the tomatoes, tomato puree and broken spaghetti, brought it  to the boil and simmered it for c20 minutes. I always find that you should never eat minestrone soup right away – let the flavours develop for at least 8 hours or preferably overnight. You can then have a colourful, tasty and winter warming soup which served up will look something like this photo from last year. Have it for lunch with crusty bread and if you are lucky like me, go for a walk along to the harbour with your camera afterwards.

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A plate of minestrone soup with basil leaves

The Bone Seeker, views of St Abbs and the Number Four gallery

December 6, 2016

I’ve just finished reading M J McGrath’s  The Bone Seeker, a crime novel set in the Canadian arctic. This is a crime novel with interesting characters, including the heroine Edie Kiglatuk, a teacher who is seconded to help the police solve the mystery of a local girl’s murder. One the key “characters” in this novel is the arctic itself as well as the local Inuit culture. McGrath introduces us to Inuit words like  qualunaat – white people and avasirnguluk – elder, to create a convincing environment for her story. The history of the exploitation of the Inuit by outsiders, such as the US and Canadian governments, is  covered but with a light touch. McGrath is a story teller and the plot is well-paced. The reader does get a real sense of how people live in this (to most of us) extreme climate. Most of the novel is set in the summer where darkness is absent and the endless light can prevent people from sleeping, but winter approaches fast near the end of the novel and the transformation of the land and sea is well portrayed. Perhaps the ending features too much action in a short space of time in this book where the story builds to a complex conclusion. This is not just a book for readers of crime novels, so get it if you can.

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The Bone Seeker by M J McGrath

Regular readers will know that my wife and I visit St Abbs Head on a regular basis and these visits have featured on this blog many times. This visit was on a very cold and frosty Sunday morning but the sky was huge and Australian blue. Leaving the car parked at the number four art gallery (of which more later), into which my wife ventured, I walked along the path which leads to another path, which leads to one of the cliff-top walks. In this photo, you can see the cliffs in the distance, with sheep in the field and before that rows of winter wheat, which are a delicious green in the winter sun.

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Looking towards the cliff-tops at St Abbs Head

I crossed the road towards the village, with a large field on my right and the disused church at the top of the hill. What I liked about the field (photo below) was the bright yellow of the grasses at the edge of the field, and the way your eyes are drawn to the lines in the field, both the narrow crop lines and the wider tractor tracks. All seem to lead to the now abandoned church on the hill. The pink-tinctured clouds are also attractive.

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Stubble field at St Abbs Head

Across the road is the imposing Northfield House, with its head of St Ebba above the gates. I’ve photographed the gates from front-on and the head in close up before, but I’ve never taken a side-on shot of the entrance. In this photo, the impressive stone entrance is shown off by the field and sky. There is a large walled garden here, part of which is in view.

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Side view of the entrance to Northfield House in St Abbs Head

I walked to the St Abbs Visitor Centre (open March-October) and looking down to the harbour, I saw a strange sight – a tractor was reversing into the harbour. On a second look, I could see that the two yellow poles behind it were part of a platform. One of the wee fishing boats reversed and sailed gently on to the tractor’s trailer.

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Tractor in St Abbs Harbour

I walked back to the car in the fading afternoon light and you could feel the cold deepening, ready to freeze anything that didn’t keep moving. We’ve been to the number four art gallery many times over the years and have bought paintings and glassware for our home and for presents. With my camera at hand (and this blog already in mind) I took some photos, with permission. The gallery is part of a very well maintaned stone built row of what presumably were farm buildings and has a very attractive entrance – photo below.

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number four gallery in St Abbs

The inside of the gallery (photos below) is bright, well laid out and encourages you to walk around to view the paintings – some superb landscapes were on view on our visit – prints, glassware, ceramics, sculpture and jewellery. See examples here.  One of the reasons many people revisit this gallery is the warm welcome given by the staff, who are very helpful, informative but unobtrusive. The original works available here are of excellent value, so pay a visit if you are in the area.

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Inside number four gallery in St Abbs

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Inside number four gallery in St Abbs

Trip to Tokyo (2):National Museum of Japan and National Museum of Western Art

September 10, 2016

While in Tokyo, I had the chance to visit two of the many museums in the city. The first visit was to the splendid Tokyo National Museum. It is a beautiful building and has a very attractive entrance – a large pond with water lilies and on the day I visited, the building was reflected in the water.

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Tokyo National Museum

This is a very large museum with separate buildings for some collections, so I only got to see the collections in the main building. There is a useful YouTube video of the museum. At the start of the permanent collection, there is some early pottery on show, as well as some sacred statues which are very elegantly designed and have intricate detail.

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Early Japanese pottery

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Religious statue in Tokyo National Museum

One of the most striking artefacts in the museum is the range of 18th and 19th century kimonos. Kimonos change according to the seasons and the one below is a 19th century hitoe which was worn in June and September. The kimonos on display in the museum are very ornate and  were presumably worn by the richer women in Japan.

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19th century hitoe kimono

In the ceramics section, there are many examples of beautiful plates, many featuring flowers, as in the one shown below, also from the 19th century. The photo shows the range of colours on the plate but when you see this plate close up, the colours are far more striking and makes you appreciate the quality and precision of the artwork.

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19th century large dish with flowering plants

My next venue was the National Museum of Western Art which is also in the vast Ueno Park. The museum’s building was designed by Le Corbousier and is a stunning example of modern architecture. As with the other museum, there are many rooms to visit and you can only appreciate part of the collection in one visit. I always find that spending one hour in an art gallery is long enough if all the paintings are not to blur into each other. If you need to see more, make a return visit. As you would expect, there were many memorable paintings and pieces of sculpture but the first one  that stood out for me was Rodin’s St John the Baptist Preaching. This presents you with a tall, imposing, muscular figure with one arm outstretched. The detailed bearded face and the strong body show why Rodin’s sculptures are so widely admired, not just as craft but also as art.

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Rodin’s St John the Baptist Preaching

The second piece was a painting by the French artist Andre Bauchant entitled Canal in Alkmaar. What attracted me to this painting  was the clarity of the depiction of the canal. The photo below can’t capture the stunningly clear canal, trees and boats. This is one of these paintings that when you stand really close, you can see the myriad daubs of paint on the canvas, and it is only when you stand back that you appreciate the way the artist has captured the view and the brilliant reflections in the water.

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Andre Bauchant Canal in Alkmaar

I would highly recommend both museums to visitors to Tokyo and on a hot and very humid day in Tokyo, they were not only a haven of culture but also an escape into welcome air conditioning.

Parma ham dishes and East Lothian Life

March 21, 2016

We bought some Parma ham which is defined in the OED as “A strongly flavoured Italian cured ham, eaten uncooked and thinly sliced”. Parma ham can only be reared from pigs in selected farms around the city of Parma. There are numerous recipes available which used Parma ham and I’ve followed some of them to an extent and then added my own variations. The first dish was chicken fillet with Parma ham and I used the Jamie Oliver recipe as the basis for my dish. There is a video version of this but it’s 7+ minutes long and I’d rather just read a recipe. One key difference between this recipe and others using Parma ham is that you do NOT wrap your chicken in the Parma ham – I find that it won’t crispen up under the chicken. Instead, you lay the ham on top of the chicken breast and pound it with a rolling-pin to flatten it out. Mr Oliver uses parmesan cheese and thyme leaves. My own version goes like this. Lay your chicken breasts on a chopping board and gently score the top of the breast. Cover the top with grated parmesan cheese and then add 2 heaped teaspoons of crème fraiche on each one. Add one teaspoonful of wholegrain mustard to the crème fraiche – or mix both ingredients together in a bowl and then add them. I then lay two slices of Parma Ham on each chicken breast, cover them with cling film and bash them flat. I brush an enamel dish with olive oil and lay the chicken in, adding cherry tomatoes in some balsamic vinegar. Into the oven at 180 degrees for no longer than 25 minutes. If you cook them for longer, the chicken will dry out.

The second dish is cod with Parma ham and again, I laid the ham over the fish, after adding the parmesan cheese, crème fraiche and mustard ( half a teaspoon this time). Obviously, you don’t bash your cod. Cook the fish with the tomatoes for no longer than 15 minutes – or again it will dry out. I served both dishes with a packet of Ainsley Harriet’s cous-cous (yes, yes, I should make my own) on to which I added grill-panned peppers, with green beans as well. A bit too much on the plate for some tastes I would think – see below and judge for yourself – but we enjoyed it.

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Cod with Parma ham – straight from the oven

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Cod with Parma ham, cous cous, peppers, cherry tomatoes and green beans

When I retired, I promised myself that I’d continue writing. I write a full page in my diary each day and this weekly blog. I’ve also been writing up my local history research. The other writing I intended to do was of a more journalistic nature and – aye, it’s taken quite a while – but this week, I had an article published in a local journal East Lothian Life (my home town of Dunbar is in the county of East Lothian) which contains an eclectic mix of articles on local housing, farming, gardening, cooking and history. My article was about Dunbar Harbour and it is to be published in two parts. The article is my personal reflection on the harbour and while it contains aspects of history and nature, it also has my own images – and my interpretation of these images. For example, I always notice the still manual nature of the work done by the fishermen and this has changed little in hundreds of years. While the boats themselves have modern equipment such as radar, when a boat brings in a load of prawns, the shellfish are sorted by hand in the boat. The initial article looks at Dunbar Castle (good photos), the fishing boats and the kittiwakes, which have just arrived back on to the castle walls. I know I might say this and I would certainly have said it whether I had an article in the magazine or not, East Lothian Life is a very well written and extremely well produced journal which is enjoyed not only by local people but by many people who have emigrated (e.g. to New Zealand). The editor and publisher Pauline Jaffray makes a great contribution to the county in keeping this quarterly magazine going and maintaining such a high standard. Two photos similar to those in the article are shown below.

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Kittiwake chick on Dunbar Castle walls

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Fishing boats in Dunbar Harbour