Archive for the ‘buildings’ Category

More Sinead Morrisey poems and Madrid’s magnificent architecture

October 12, 2017

 I have just finished reading Sinead Morrisey’s remarkable book of poems entitled On Balance”. In a previous post, I focused on the first poem in the collection The Millihelen which has been widely praised. For the rest of the book, Morrissey maintains this high standard with telling insights and memorable phrases. In Nativity which is about parents watching children in such a play, has these lines:

“mums and dads on loan from their workaday offices;/ littler brothers and sisters crashed out in pushchairs/ and parked along the aisle like outsize baggage”

The imagery continues later in the poem “… we are left/ with a row of just-licked-by-a cow-looking boys/ in dressing gowns, Mary in a dress, Immanuel/ in his cradle, low-key and ineffable …”.

In Meteor shower, “..and the stars in behind/ shining steady as lighthouses/ and yes, not once but twice/ – there and then there -/ dust on fire at the edge/ of Earth’s flaying atmosphere,/ scoring its signature”. The word “flaying” makes these lines, suggesting chaos. There are a sequence of poems entitled “Whitelessness” which looks at how different scientists might view Greenland. The Geologist finds ” .. the ridges of human teeth:/some early Palaeolithic adolescent caught/ grinning at the moment of death/ in a stone photograph”. The Photographer observes: “The red earth holds up/ a rainbow in its outstretched hands”. As The Geographer studies the earth, “Ridiculously/ overdressed, two musk ox trundle past. / We must sound enormous – / …. but they blank us nevertheless”. These are just a few examples from the book, which rightly won The Forward Prize for Poetry in 2017. It also has a beautiful cover. Get a hold of it if you can, preferably by buying it from the Poetry Book Society.

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On Balance by Sinead Morrissey (Click to enlarge all photos)

Where to begin with Madrid’s magnificent architecture? I’m concentrating on the older buildings and monuments, but there’s an excellent slide show of modern architecture here (good photos). Our apartment, with its high ceilings and cornices, beautiful parquet flooring in different designs, had two large windows, each with a small balcony which looked across the to Palacio Cibeles. You can sit in the outside bar at the top of the building for 4 euro per person and we enjoyed a glass of wine there one evening, as well as the stunning views across the city, in the photos below. The first photo looks down on the Casa America (good photos) and on to one of the modern art deco influenced buildings behind.

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Looking across Madrid from the Palacio Cibeles

The 2nd photo looks down on the extensive army headquarters, known as the Buenavista Palace and we were unfortunate to miss the Changing of the Guard (good photos).

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Looking towards the Buenavista Palce and woods from the Palacio Cibeles

Not far from the Palacio Cibeles, you come across one of the many puerta or gates to the city of Madrid. The photos below show the Puerta de Alcala, a magnificent structure ordered to be built by Carlos III, King of Spain in 1778. Carlos was obviously not a man to do things by half and the puerta dominates this part of the city. On the right of the puerta is the Retiro Park, featured here last week.

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Puerta de Alcala, Madrid

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Top of the Puerta de Alcala, Madrid

Madrid city centre is teeming with stunning buildings, from the apartments on the Gran Via (good photos) – 2 photos below – to the umpteen churches and palaces – too many to mention here. The Gran Via is Madrid’s busiest street, best avoided at weekends.

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Apartments on the Gran Via, Madrid

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Apartments on the Gran Via, Madrid

The Plaza Major is often described as being at the heart of Madrid and it certainly is beautiful square, comparable in terms of the buildings/apartments, to St Mark’s Square in Venice. Again, if you go at weekends, you might never see the square properly, as there are so many tourists, but go midweek and you’ll be able to appreciate its grandeur to the full.

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Plaza Major, Madrid

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Plaza Major, Madrid

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Trip to Durham: the Cathedral and the Cellar Door restaurant.

September 30, 2017

I forgot to say at the end of the last post that we were off to Madrid for a week, so no more posts for a fortnight. At the beginning of September, we went to Durham for a couple of days. We had been before but only for the day. The cathedral city of Durham (good photos and short video) is in the north east of England, so for us it was only a 2 hr drive. We stayed in a hotel next to the River Wear, a short walk from the city centre. Durham has a famous castle, with a fascinating history but we did not have time to visit as we went to the coast as well. We did go to Durham Cathedral (good photos) and it certainly is an impressive sight, both from the exterior and interior. The first photo below shows part of the outside walls of the cathedral and there is a fascinating array of structures here – the round towers, arched windows and varied stonework. As I  have said here before, it must have been strange for the local inhabitants to see the construction of something so huge on their doorstep, as they worked in the fields. Also, the workmanship is astounding, given that the cathedral would have been build using, by modern standards, fairly basic tools. Imagine being a stonemason working at the top of one of the towers, standing on wooden scaffolding, with no thought given to health and safety.

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Part of the exterior from outside the cathedral (Click to enlarge all photos)

The interior of the cathedral has cloisters (good photos) and the next 2 photos show part of the cloisters and more of the cathedral’s exteriors. Cloisters were important to the monks who lived in the cathedral and as you walk along the cloisters, you can see how such an environment would provide a peaceful and contemplative atmosphere.

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Looking up from the cloisters in Durham Cathedral

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Looking across the green from one part of the cloisters to another in Durham Cathedral

We visited the Open Treasures exhibition (good video) which provided a fascinating insight to the lives of the monks, as well as showing some intricately carved stonework from the cathedral and elsewhere, and examples of manuscripts and jewellery. You can’t take photos inside the exhibition or inside the cathedral but you can see some excellent photographs here.

As you leave and pass through the magnificent external doors of the cathedral, you can see the dramatic Sanctuary Knocker (photo below) which could be used in the past by those seeking protection in the cathedral from the law. It looks more frightening than welcoming and maybe it was meant to. My thoughts on seeing it were of masks worn by South American tribes or carvings on totem poles. Whether you are religious or humanist, the cathedral is an inspiring building and well worth a visit.

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The Sanctuary Knocker on Durham Cathedral.

One of the highlights of our visit was to the exquisite Cellar Door restaurant and it turned out to be a real treat. It is an exquisitely furnished dining room, as the photo below shows. The service was helpful, attentive and unfussy and customers were made very welcome.

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The Cellar Door, Durham dining room

The restaurant offers a varied and interesting menu. For starters, I had the “Courgette flower, yellison goat’s cheese, Yemeni wild flower honey and hazelnuts” and my wife had “Mushrooms on toast – cep parfait, shemeji, girolles, mushroom ketchup and sourdough”. Both looked and tasted exceptional and my wife’s comment was that this was the best mushroom starter that she’d ever had. The courgette flower was delicately cooked in a light batter, with the goat’s cheese inside. For main, I had “Sea trout, avocado, heritage tomato, crab and potato crisps” and this was a generous serving of fish, cooked to perfection, complimented nicely by the light crab meat. My wife had “Scottish halibut, beans, grapes, elderflower and verjus”, and again the fish was perfectly cooked with a crispy skin. I contacted the restaurant and they gave me permission to download the photos of the restaurant above, one of their desserts and the halibut. For dine dining of this quality, we both thought that the meal was excellent value and would recommend the restaurant to anyone visiting Durham.

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Mouth watering dessert from The Cellar Door, Durham

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Crispy halibut from the Cellar Door, Durham

Lucy Newton exhibition and walking up to Arthur’s seat

July 5, 2017

At Waterston House in Aberlady, the current exhibition (until 26 July) is by well known wildlife artist Lucy Newton. I reviewed Lucy’s last exhibition at SOC here almost exactly 2 years ago. If you had asked me in 2015 whether the then exhibition could be surpassed in quality, I would have doubted it, but along comes Lucy Newton in 2017 and produces an even more stunning exhibition than the last one. I again requested two images for the blog and Lucy kindly sent me four. The first one on view below is Brown Hare and I found the detail of the animal’s fur amazingly delicate, especially the whiskers around the mouth. You have a feeling from the hare’s eye that it is sensing something – danger perhaps and getting ready to run. The alert hare looks comfortable in her/his environment – sprigs of heather  and maybe snow? You can see how the hare might blend in nicely and use the heather as camouflage. I occasionally see hares while out cycling and the hare will often stop on the road, look at you from a distance, as if daring you to catch it. As soon as you get anywhere near it, the hare speeds down the road and disappears through a hedge. Even Chris Froome would not catch a hare.

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Brown Hare by Lucy Newton (Click to enlarge)

Choosing the 2nd photo of Lucy Newton’s work was difficult. There is a superb painting of a woodpecker on a moss laden tree, in which the moss and the bark flow down the trunk, and contrast with the vibrant colours of the bird. I chose the painting below of a barn owl in flight. You can see in the photo below that there is an energetic sense of movement about this piece of art. It is more stunning at the exhibition itself, as when you first see it, there is a fleeting feeling that the owl might really be in flight. In the background to the bird here, the series of abstract shapes also suggest movement to me and they reflect the swish of the bird’s wings, which are drawn with such detail that you see and feel action in the depiction of flight. This is an exhibition not to be missed if you are in the area.

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Barn Owl in Flight by Lucy Newton

My good friend an ex-colleague from Charles Sturt University Bob Pymm visited us recently from Australia. Unlike the rest of June in Dunbar, it was a gloriously sunny and warm weekend, with a flat calm sea. On the Monday, we got the train up to Edinburgh and walked up Arthur’s Seat (good photos). We walked from the Scottish Parliament along part of Holyrood Park (good photos in Gallery) and then up the direct route. It’s quite a climb up the rough steps and there are some parts where the scree is slippery. However, you get great views of the city as you climb higher. The first photo looks over to Fife, with eastern part of the city in view.

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View from half way up to Arthur’s Seat, Edinburgh

In the 2nd photo, Edinburgh Castle (good photos) is prominent on the right of the photo, with the spire of St Giles’ Cathedral half obscured by the Salisbury Crags. At the very top of Arthur’s Seat, there were crowds of visiting tourists, many of them young people, and we heard many languages going up and down the track. Edinburgh is now a very cosmopolitan city all the year round an there is great pleasure to be had in seeing so many people from different nations enjoying this outdoor environment.

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View across Edinburgh city centre from near the top of Arthur’s Seat

Going back to town, for lunch in the famous World’s End pub with its range of Belhaven beer, brewed here in Dunbar, we walked around the back of the Scottish Parliament, with its exquisite use of wood outside the offices of the MSPs. The photos below show firstly the wide view of the so-called “think pods” in the offices. In theory, these were designed to help the members as they contemplated developing policies to help the Scottish people. More cynical views see the pods as places where plots are hatched against the opposition.

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“Think pods” at the Scottish Parliament in Edinburgh

The second photos shows a closer view of the pods and their external wooden facades. The pods are elegantly designed and the wooden poles, set at angles to become an abstract feature, add to the aesthetic quality of the building’s exterior.

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“Think pods” and wooden facades at the Scottish Parliament in Edinburgh

 

 

Paul Bartlett paintings, St Emilion and Paul’s Place

June 6, 2017

A recent exhibition (now closed) at Waterston House in Aberlady featured the intriguing work of wildlife artist Paul Bartlett. I was rather late in contacting Paul Bartlett, but he kindly sent me two examples of his work to use in this blog. He uses a mixture of media, in particular collage and papier mache with acrylic paints. From a distance, the works look like paintings but as you approach, you see the often stunning effects of the use of different media together. For example, in the first work below, it’s not clear that this is not a “normal” painting i.e. using only paint. Oystercatchers are a very familiar sight on the rocks near our house and I often watch them through my scope, as they poke with intent at limpets on the rocks. Once the limpet has been eased off the rock, the oystercatcher will scoop out of the flesh and dip this tasty ( I assume) snack in a rockpool before eating it. They are also very disputatious birds and you can hear them often before you see them. The ones in the picture below look at ease with the world and Bartlett captures their orange beaks and legs very well, although his aim is not to reproduce a copy of an oystercatcher. This is a representation of the bird and its seaside environment, which is cleverly depicted by the blues and greens in the background and the various colours of seaweed, sand and rocks beneath their feet. When you see the actual picture, the effects of the mixed media enhance the quality of the colours and the flowing shapes in the birds’ feathers.

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The Roost by Paul Bartlett

The second work shown here depicts a shoal of rainbow trout swimming determinedly upstream to spawn. You can see the determination in the eyes of the fish, intent on one purpose only. It looks a glum business but maybe in real life, this is an exhilarating process for the fish, in their communal venture. Rainbow trout have the intriguing official name Oncorhynchus mykiss  which comes for the Greek for hooked snout, with mykiss being a name the fish are given in Russia. A romantic fish? As with the oystercatchers above, the colours in this work are very impressive and you find yourself going from fish to fish to see the multitude of colours on display. This work is so detailed that it must have taken the artist a long time to create and paint. There is also great motion in the work and when you look away and look back, you think that another group of trout have swum into the picture. Bartlett’s work will shortly be seen at the annual Pittenweem Arts Festival, so if you can get  to see his work there or in the future, don’t miss it, as you will be very impressed.

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Rainbow by Paul Bartlett

On our trip to Bordeaux, we took the train to the lovely village of St Emilion, famous for its surrounding vineyards and world famous chateaux, which produce superb wines. There’s a distinct classification of the wines, with Premier Grand Cru Classe A deemed to be the best and of course this is the most expensive. For example, a bottle of Chateau Ausone from 2011 can set you back £835. I did buy a bottle of wine in one of the many wine shops in St Emilion but it was a Grand Cru and not a Classe A. Would I know that the Chateau Ausone 2011 was worth over £800 if I tasted it? I doubt it but give me a few free lessons and tastings and I will learn quickly.

The village itself is charming – once you get there. When we got off the train, we and the other passengers looked around to see vineyards all around us, which was a bit perplexing. We then saw a sign saying that the village of St Emilion was a 20 min walk – we did it in 15 min in 28 degrees and sunshine. You walk up cobbled streets past the old houses and the never ending succession of wine shops. It’s a steep climb but at the top you get great views across the village. We climbed the church tower to see the two views in the photos below.

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St Emilion from the church tower

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View of St Emilion vineyards from the church tower

The village is over looked by the huge Monolithic Church (includes short video) originally built in the 12th century. The church is so-called because the hillside was excavated and the church built upon the catacombs to form one building. It’s a very impressive sight as the photos below show. In the first photo, you can see the magnificent carvings on the entrances as well as on the bell-tower and your eye is taken from the older, rounded parts of the church up to the bell-tower. The 2nd photo shows how the church was built to dominate the village and to remind the population of the power of the church, as well as being a tribute to Saint Emilion, an 8th century hermit.

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The Monolithic Church in St Emilion

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St Emilion and the Monolithic Church

A final note on Bordeaux. There are some excellent restaurants in the city and the three most memorable are shown in the business cards below. From the right, Chez Dupont (good photos)was a real find on our first night in Bordeaux. The hotel suggested the Rue Notre Dame, where you’ll find a number of good restaurants away from the city centre and Chez Dupont provided us with an excellent meal, the sea bream being delicious. Near the river, but not on the quayside, the Restaurant Au Bouchons de Chartrons was another great find. We had swordfish with vegetables served in neatly tied plastic, see through bag. This method is known as sous vide and is popular in France. The third restaurant Paul’s Place proved to be more than just a restaurant. On leaving the Chez Dupont, we passed Paul’s Place and saw that on the Saturday evening, there was a singer performing Bob Dylan songs, so we booked a table. This turned out to be a great evening, with Andy Jefferies playing a range of early Bob Dylan songs – and singing them very well – accompanied by a slide show of Dylan photos and video. The food in Paul’s Place is rustic, very tasty and extremely good value for money. The co-owner Paul is a friendly and welcoming host, formerly of Cambridge. The restaurant has bohemian (but fascinating) décor e.g. the ceiling is papered with the front pages of the Times Literary Supplement. This restaurant is certainly worth a visit.

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Bordeaux restaurants

Bordeaux visit (2) – architecture, statues and concert at Le Grand Theatre

May 30, 2017

As with all the cities we visit, I took photos of the main tourist attractions, such as La Place de la Bourse (photo 1), with its magnificent frontage, large open square and the intriguing  Three Graces Fountain (photo 2) which features the daughters of Zeus.

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Place de la Bourse in Bordeaux (Click to enlarge)

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La Fontaine de Trois Graces in Bordeaux

Opposite La Bourse is a modern feature – Le Mirroir D’Eau (The Water Mirror). which is the world’s largest reflecting pool. This is a fascinating concept. Firstly, there are wonderful reflections of parts of the city e.g. in the photo below. Secondly, this is somewhere open to all and children and adults splash in the water. Thirdly, at intervals, a mist arises from the water and this is also enjoyed by the public, who walk through it, and by photographers. Le Mirroir is an excellent of a piece of public sculpture and landscaping which is both aesthetic and utilitarian, giving joy to many people.

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Le Mirroir D’eau in Bordeaux

It’s a very photogenic city, with some very interesting architectural features e.g. Le Grosse Cloche (good photos) and impressive statues e.g. La Fontaine des Girondins (good photos).

On the penultimate day of our holiday, we planned to do a tour of Le Grand Theatre (more below), visit Le Palais Rohan (short video) and the Basilique San Michel (good photos). We had a walk around the magnificent church but we didn’t have time to climb the tower, which is recommended for the views across the city (see website). As with cathedrals across Europe and beyond, the stonework is stunning and you have to admire the craftsmanship of the workers who built it, with medieval equipment i.e. no health and safety and not stone cutting machines. We had been to the tourist information office where the staff are friendly and generally excellent. However, they told us that we could get tickets to tour Le Palais Rohan at the palace itself. We went along and a sign said it was open at 2.30pm. We went back at the appointed time, only to be told that we needed to get tickets at the tourist information office! So, we walked back to Le Grand Theatre(short video), the home of Opera Bordeaux. When we went to book the tour, there was more frustration as the very helpful young lady told us that all the tours were full that day and the next day. Then our luck changed, as she told us that on that evening, there was a concert – and it only cost 10 euros. This was a great opportunity not only to see the interior of the theatre but to attend a performance. Going to Le Grand Theatre is normally a very expensive business.

The concert we attended featured a choir of men and women, a pianist, a conductor and three soloists. Here is the cover of the programme.

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Concert programme at Le Grand Theatre in Bordeaux

Le Choeur de L’Opera National de Bordeaux (video of choir performing around Bordeaux) are led by the enthusiastic Salvatore Caputo and highly talented pianist Martine Marcuz. For this event, the choir, in 2 sections of males and females, were in superb form and performed the songs with great feeling and obvious enjoyment, and the two female and one male soloists were outstanding. The evening consisted of 18 songs related to wine and beer drinking and cafes. Examples are Verdi’s Fuoco di Gioia (video) and although the the choir were accompanied only on piano and not with an orchestra (as in the link above), they were just as effective and in some ways, the lack of an orchestra made the choir more accessible to the audience. They also performed Vaughn Williams’ Wassail Song (video) which was described in the programme as a Chanson a boire (drinking song) and they gave a lively version of it. This was a real piece of luck on our part and a very memorable evening in a grand setting. The two photos below were taken on a mobile phone, so are not the best but they do show the stage as we saw it and some of the balconies.

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Stage at Le Grand Theatre I Bordeaux

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Balconies of Le Grand Theatre in Bordeaux

Visit to Glamis Castle and Promotion!

April 24, 2017

On our visit to Alyth, after our delightful stay at Tigh Na Leigh, we headed for the historic Glamis Castle. The castle and the Thane of Glamis (pr Glams) is referred to in Shakespeare’s play MacBeth but the bard’s story is set in the 11th century and the castle was not built until much later. However, you will still be told that Duncan was indeed murdered in Glamis Castle, such is the longevity of myth. Glamis is not one of Scotland’s strongly fortified castles, it’s more of a grand house, property of a range of aristocrats over the centuries. The extensive gardens are certainly worth visiting, starting with a riverside walk. On our visit, the trees were just coming into bud and some of the rhododendrons were bursting into flower. We passed this bridge, with its elegant railings (photo below) on the way into a path leading into the woods.

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Railings on a riverside walk bridge at Glamis Castle (Click to enlarge)

There are some huge trees in the woods and many of them are multi-limbed, and look as if they might consist of more than one tree. There are certainly some very elegant shapes to be seen amongst the trees. In the photo below, the sunlight on the hump-backed tree trunk enhanced the smoothness of its shape and I like the shadows on the trunk. The footpath is wide in the woods and the trees are spread out, so it’s an enjoyable walk with plenty of light.

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Trees at Glamis Castle

At the end of the woods, is the Italian Garden (good photos) which is enclosed by thick hedges and contains a number of statues, as well as “two pleached alleys of beech” shown in the photo below. Pleached is a new word to me and it means that the branches of the trees are interwoven. As you walk through this alley and look up at the entangled branches, they have  a surreal quality, like an abstract sculpture.

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Pleached alley of beech at Glamis Castle

As you approach the front of the castle, you can view the original castle and the wings and turrets built by successive owners. I don’t find it a very attractive building, as it’s rather squat and there are too many turrets but I’m probably in a minority here. I do of course like the stonework but there is no mention of the people who actually built the castle.

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Glamis Castle front

Just outside the castle, there is a modern sculpture of Macbeth’s three witches, sitting around their cauldron, chanting “Double, double toil and trouble; Fire burn, and cauldron bubble”, although you have to listen carefully to hear it. The sculptures (photo below) were made from fallen trees on the castle’s estate.

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The three witches outside Glamis Castle

We went on the tour of the castle but you can’t take photographs. However, you can see many interior pictures of the rooms – many ornately decorated and furnished, here. The tour is informative and you get to see a mixture of the old and the modern. As the late Queen Mother stayed here often as a child, there is a lot of emphasis on royalty near the end of the tour. As this is of little interest to me, I concentrated on the décor.

You might be wondering why Promotion! is in the title of this post. Those people who have had an email from me will know that the strapline at the end of the message and my signature is “It’s hard tae be a Hibee”. My older son and I are long suffering season ticket holders at Easter Road in Edinburgh, home of Hibernian FC and for the last 3 years, we have endured the humiliation of being in the 2nd tier of Scottish football (aka soccer). This all changed just over a week ago, when we were promoted back to the top division. At the end of the game, Joy was not so much unconfined but beside herself. There was what some people might describe as a religious experience as 17,000 Hibees (as we are known) sang out “Sunshine on Leith”. This rather dirge-like song by The Proclaimers (fellow Hibees) contains a rousing chorus, with “Sunshine on Leith” as the key part. This is because the football ground is in Leith (good photos), a suburb of Edinburgh – and yes – the sun really did shine on Leith as we sang. So, when I use my season ticket (below) next season, we’ll be back.

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My season ticket

 

 

Redhouse Castle, walls and daffodils, and honeywort

April 11, 2017

Sometimes you get to places by accident. Recently, we were visiting the Carol Barrett exhibition and there was a huge queue of traffic going into Aberlady (good photos), we headed west, through Longniddry  and ended up at Redhouse Castle (good photos). There is a new garden centre next to the ruin of the castle, which is a late 16th century building originally standing 4 storeys high. The first photo shows the ruin from the edge of the garden centre. It is perhaps not one of the most attractive castles which have survived but, given the technology available in the late 16th century, it is an impressive site.

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Redhouse Castle., East Lothian (Click to enlarge)

The 2nd photo shows the arched entrance into what would once have been an impressive courtyard of the Douglas family who built the original castle. It was acquired by the Laings (good photos) in 1607.

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Entrance to Redhouse Castle, East Lothian

The final photo is a close up of the doorway into the castle. Above the wooden door, on the pediment, can be seen the Laing family coat of arms and the initials MIL for Master John (Ioannes) Laing and RD for his wife Rebecca Dennistoun or Deenistoun. The motto on the lintel is Nisi Dominus Frustra – one translation being without the Lord, all is in vain, although like many Latin mottos, other translations exist. The stonework around the doorways is smooth, unlike the rougher – but more attractive, sandstone of the building itself.

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Doorway into Redhouse Castle, with the Laing family arms

On to stonework which is on a much lesser scale but, as I built most of it myself, remains attractive and has been enhanced by the array of daffodils now in flower above the walls. The first photo is of the first wall which I built with much advice and help from former stonemason Ian Sammels. This remains – unsurprisingly – the most impressive wall.

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The Sammels/Herring all and Spring flowers

The 2nd photo is of the latest – and final(?) stonewall, which I built myself. The mixture of daffodil types – white or yellow petalled – with the different shades of red sandstone, plus the shadows of the bushes behind, make this – I think – a well composed photos.

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The Herring wall with a variety of daffodils

A new plant in my garden is honeywort, given to me by my lifelong friend and fellow blogger Tam Bruce and his wife Sandra. Tam gave me two cuttings from their impressive garden in Edinburgh. This plant, shown below, has the wonderful name of Cerinthe major “Purpurascens”. It is a long established plant which attracts bees – thus its name – and one source quotes Virgil as ” using this plant as an offering to swarming bees in order to entice them into a new hive”.  As the photo shows, the plant has very colourful  tubular bell flowers, and at the moment, the leaves are starting to change colour and will develop into brilliant blue leaves or, more precisely, bracts which are defined as “leaf like structures”. So there is more to come from this plant, which seeds itself vigorously and has to be controlled. Tam and I had some fun in email exchanges, suggesting a modern update of the Beatles’ song Honey Pie, with a new line of “Honeywort, you are driving me crazy..”. I like the shadow of the plant against the stone and its intriguing shapes.

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Honeywort in my garden

 

Highlights of 2016

December 31, 2016

I was going to give myself a festive break from the blog but, every day in the paper there is some sort of review of 2016, so coming back from my walk today I thought I might do one as well. This is what went through my head: best photo, best meal cooked, best restaurant, best visit, best novel read, best book of poems read, best …. Not to mention major highlights such as the arrival of our new grandson Zachary Buddy in June and in the previous month, the glorious victory – the Hibees won the cup after 114 years! So I started to read the blog from the beginning of January and realised that it was going to take a long time to read all of the posts. So this is a flick through, fairly randomly and not covering all the categories mentioned above.

In January, we went down to London as I was going to the T S Eliot Prize poetry readings at The Royal Festival Hall. I’m going again in January, so more of that later. A highlight of the visit was a meal at The French Table in Surbiton. The meal was delicious and one of the dishes on offer was monkfish which was served with crispy samphire and truffle froth – photo below sent to me by staff at TFT.

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Monkfish served at The French Table (Click to enlarge)

Flowers feature often in the blog and I’m always trying to improve my close up photography in my garden and other gardens and wood lands. So here’s some examples (photos below) – snowdrops at Pitcox, tulips in my garden and the multi-coloured and delicate honeysuckle, also in my garden.

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Snowdrops at Pitcox

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Tulips in my garden

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Honeysuckle in my garden

Best picture I took this year? A hard one this as there’s such as variety of photos that I like – of favourite places like St Abbs Head or Dunbar harbour, but I’ve settled on one from my garden again, except the focus this time is not on the flower but on the bee. This is from a post entitled Summer flowers. Bees are not obedient. They move constantly and their wings beat even when they are attached to flowers. This one must have been enjoying the nectar so much that it momentarily stopped moving, allowing me to capture the bee’s complex physical structure, its vivid colours and its wing, which looks like a piece of ornate glassware you might find in an art gallery.

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Bumble bee on a hebe flower.

The best visit we did this year undoubtedly to the stunning Guggenheim Museum in Bilbao. From the moment you walk towards the outside of the building, you are in for a series of eyebrow raising moments and you lose count of the times you say “Wow!”. The external and internal structure of the museum represent a triumph of modern architecture, so impressive is the design and flow of the building. The two photos below can’t capture the wonder of this building but if it inspires you to visit, my efforts will have been worthwhile.

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Back of the Guggenheim Museum in Bilbao

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Front of the Guggenheim Museum in Bilbao

So that’s (part of) the old rung out and next week/year, I’ll ring in the new – more travel, more novels, more poetry, more photos – and anything else that comes in to the mind of this (at times) Bear of Little Brain – even if my favourite word is crepuscular.

 

 

 

Milan (2) and my gladioli

October 23, 2016

One of the most striking historical places to visit in Milan is the Sforza Castle. It has very impressive battlements, huge moats and you get a real sense of the builders of this castle wanting to show the strength of their power as well as their aesthetic design. There were numerous drawbridges around the castle walls and you can see the remains of them quite clearly. The castle has many museums but on our visit, we found that notice saying that the museums were open from 9am to 5.30pm meant nothing as the ticket office was closed at 1.30pm! It is still an experience to walk around the walls and the numerous courtyards in the castle.

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Drawbridge at the entrance to Sforza Castle

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Inside the walls of the Sforza Castle

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The clock tower in the Sforza Castle

The history of the castle is long and complicated, from the original castle to the marvellous extensions built by Francesco Sforza Duke of Milan, to the foreign occupation including that of Napoleon.

Napoleon Bonaparte’s conquest of Milan was obviously a major victory for the French emperor and there is an interesting legacy to Napoleon’s time in Milan. Far from wanting to be seen as a conqueror, Napoleon built a very impressive arch not far from Sforza Castle which portrays him as a peacemaker. The arch, set at the end of the beautiful grounds of Sempione Park, (good photos) is a stunning piece of architecture seen from a distance, and close up the detailed sculptures, smooth arches and commanding figures on the top are fascinating. It takes quite a time to see all the parts of the arch.

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Napoleon’s Arch of Peace, Milan

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The top of Napoleon’s Arch of Peace in Milan

One of Milan’s worldwide claims to being of cultural importance is of course the La Scala Theatre. The front of La Scala is, by Milan’s architectural standards, fairly plain but the inside is much more impressive. On the day of our visit, the theatre itself was closed as there was a rehearsal of the ballet Giselle (click on videos), but we could see the rehearsal through a little window, thus the lack of clarity in this photo. There is an extensive museum inside the theatre which contains many busts of composers, paintings of famous singers and musical instruments, such as Liszt’s piano, shown below. The La Scala visit was entertaining and educational and we watched a superb video of Riccardo Muti the famous conductor.

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Giselle rehearsal in La Scala, Milan

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Liszt’s piano in the La Scala Museum, Milan

Earlier this year, I came across an online offer for 150 gladioli bulbs for only £10 – it was a clearance as the bulbs should have been planted earlier if people had wanted summer gladioli. I prefer my gladioli to come out in the early to mid autumn, as they give an outstanding display of colour and texture when most of the other plants are starting to fade. Gladioli are also known as sword lilies because of their sword like structure and a flowering sword is a nice image – used to appeal to the aesthetic and not to violence. I like the variety of shapes and patterns of colour in gladioli, especially when you look close up. In this photo, the swirls of pink in the flowers are complimented by the deeper pink veins in some petals and the white of the stamen.

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Close up of gladiolus flower

I also like to photograph the gladioli after it has been raining as the raindrops appear to enhance the range of subtle colours and the more prominent stamens as in this photo. The stamens look like the tentacles of a creature reaching out from inside the flower to capture an unsuspecting passing fly.

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Gladiolus after the rain

Against the background of what was a hugely enthusiastic incoming tide, the gladioli and the fuchsia became even more attractive to the eye.

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Gladioli, fuchsia and rushing tide

 

 

 

Lisa Hooper exhibition and Milan (1)

October 14, 2016

It’s 2 years and 11 days ago since I posted a review of an exhibition by the artist Lisa Hooper. Interestingly, Lisa calls herself “a printmaker, specialising in wildlife/bird art” and I’m sure we could have a long conversation about whether she is primarily an artist (her talent, her chosen profession) who uses print techniques or a printmaker (her craft and an aspect of her chosen profession) who produces works of art. I recognise that I may be belittling printmakers here – not the intention. Lisa’s new exhibition at Waterston House in Aberlady, HQ of the Scottish Ornithologists’ Club is an outstanding collection of prints, mainly of birds but it also includes some rural landscapes. I contacted Lisa and she kindly sent me examples of her work, shown below. What attracts me to these prints are the shapes and the patterns which the artist/printmaker produces to such telling effect. When you first look at a Lisa Hooper work, you can see that there are a series of patterns which are repeated. However, when you pay more attention, you see that the patterns (and indeed the shapes within the patterns) are not exactly repeated. The first print below portrays my favourite birds – curlews. I’m lucky enough to live by the sea in Dunbar and I can watch the curlews land on the rocks through my scope. Curlews have a great ability to poke their beaks under stones and seaweed to feed. What I particularly like about this work is that the beaks have been slightly exaggerated by the artist and are black. This gives an abstract quality to the work and I think that it makes the curlews look even more magisterial than they are in real life. I also admire the way that the artist has reflected the shapes of the birds in the rocks on which they stand.

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Curlew by Lisa Hooper

The second example of Lisa Hooper’s work shown below is her impression of a short eared owl. This bird has eyes to make small mammals shiver and humans to note the presence of a fierce intelligence. Again, the shapes are exquisite and intriguing, individual but collective, both in the bird and in the representation of the stone wall behind. I also think that there’s a surreal quality to this print – the black round the eyes, the misshapen nose and the stripes on the head.

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Short Eared Owl by Lisa Hooper

Two years ago, my wife bought me Lisa Hooper’s book First Impressions for my upcoming birthday and last week, while at the exhibition, my wife bought me Lisa’s new book  Printing Wildlife. So I’m looking forward to putting the new book on my little easel and turning a page every day. If you are able to get to this exhibition, you cannot fail to be impressed by the quality of the work on show here. Lisa Hooper’s prints should be viewed and then looked at more closely.

My pal Roger and I make an annual trip to a European city to see a top class football (aka soccer) match, to see the sights and enjoy the food and wine in the restaurants. This year, we went to the impressive city of Milan, with its wide streets, stunning piazzas with elegant statues, monumental architecture in the cathedral and many churches, and balconied buildings. We went to an excellent match where A C Milan won 4-3 against Sassuolo in the magnificent San Siro Stadium (scroll down for photos). Milan, as other cities, is best seen by walking through the streets, laid out on a grid system. On many occasions, you look up (as you should always do in cities) to see statues on the buildings, like this one near the arch in Porta Venezia, one of the gates into this formerly walled city.

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Statues in Milan’ Porta Venezia

The most famous building in Milan and the one to which tourists throng in their thousands, is the Duomo (good photos) – the breath-taking cathedral in the city centre. There are always long queues, so it is better to book online in advance, which we failed to do, so no inside view. The Duomo sits in a large square and you are reminded of St Mark’s Square in Venice. The cathedral is so big that you need to walk around it to appreciate its true size. When it was being built in the 14th and 15th centuries, the peasants living in the area nearby would have been amazed to see this huge structure rise from the ground. The Duomo would have been hundreds of times the size of the peasants’ houses and it would have struck awe and fear into the local population. The two photos below show this multi-spired, multi-statued work of architecture/art which remains an inspiring sight today for people who take a religious or a secular view of life.

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The Duomo in Milan

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The Duomo in Milan

Just off the square is the Gallery Vittorio Emanuele which was built in 1877 and named after a king of Italy. It has a striking glass roof, beautiful murals and a wonderful mosaic floor. It now houses upmarket shops, cafes, a hotel and the very helpful Milan Tourist Office. The photos below show the entrance and interior of the Gallery. This area is always crowded with tourists but it is certainly worth seeing.

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Arched entrance to Galleria Vittore Emanuele

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Murals in the Galleria Vittore Emanuele

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Balcony, statues and mural in the Galleria Vittore Emanuele