Archive for the ‘cities’ Category

Lincoln in the Bardot and the Danish National Art Gallery

August 9, 2018

All the winners of the Man Booker Prize come with lavish reviews from across the world. Most of the Booker winners which I have read have deserved much praise, but often I’ve found that some of the reviews are a little too praiseworthy. I have just finished George Saunders’ astonishing novel Lincoln in the Bardo, which won the Man Booker Prize in 2017. This books deserves all the praise it can get. Having said that, there is a leap of the imagination to be done when reading this novel. Most of the science fiction and fantasy novels I have read have been disappointing, as I’m unwilling or unable to make this leap. Saunders’ novel – his first as he is globally recognised as a fine short story writer – begins with a ghost/spirit speaking from a place where bodies are stored and recounting how he died. The OED defines bardo as ” (in Tibetan Buddhism) a state of existence between death and rebirth, varying in length according to a person’s conduct in life and manner of, or age at, death”. So the story is set in a type of bardo, as Saunders does not define this space as being related to any specific religion.

The main story then emerges and it is a sad and often poignant account of the death of Willie Lincoln, the son of Abraham Lincoln. Willie is still in his sick-box, which is the termed used for coffin by the multitude of ghosts/spirits, who describe the place they are in and how macabre and often dangerous it can be. Lincoln, worn down by the civil war in which casualties are increasing dramatically, visit his dead son and there appears to be historical evidence of this, although we are not sure. Saunders appears to be quoting from books and articles about Lincoln, his son and his distraught wife, but there is no bibliography at the end of the book. This does not matter as the novel is convincingly and at times vivaciously written, and the reader is carried along. Just when you think Saunders is dwelling too long on one aspect of the story, he continues another part. The book also focuses on aspects of society at this time – the civil war, race issues and class differences – but never in a didactic way. It is at times a very funny book, with some bawdy exchanges, and there are aspects of the surreal as the ghosts/spirits try to survive attacks. The main memory of this book will be Lincoln and his son. I cannot recommend this book highly enough. It is a compulsive novel. Go out and buy it.

Lincoln in the Bardo

Click on all photos to enlarge

On our visit to Copenhagen, we went to see the collections in the Danish National Art Gallery (Statens Museum for Kunst). I have to admit to knowing nothing about Danish art, so the walk around the extensive gallery was a learning experience as well as an aesthetic one. The gallery is an impressive stone building and has recently added a beautiful extension at the back. The extension (photo below) is much more open to the light than the existing structure and has walkways leading to the new exhibition spaces.

IMG_0533

The Danish National Gallery’s extension

The gallery has a wide range of paintings and installations ranging  from the 13th to the 21st centuries. I was particularly attracted to the late 19th and early 20th century paintings and include a selection below. Firstly, a painting by Theodor Philipsen of Cattle on the Isle of Saltholm. The national gallery regard Philipsen as an innovator in his time, especially in relation to light and colour and state that he was Danish impressionist, focusing on his nation’s countryside. This is a dramatic painting when you see it and your eyes are drawn to the movement of the cattle, but especially to the effect of the light on cattle’s bodies and the shadows cast. The painter catches the variety of colours of the cattle and the brightness of the sky in the sunshine. Saltholm is an island in the Oresund (famous for its bridge), the strait between Denmark and Sweden.

IMG_0535

Long shadows. Cattle on the Isle of Saltholm by Theodor Philipsen

The second painting is by Laurits Andersen Ring and depicts a labourer working in the fields at harvest time. The painting is simply called Harvest and represents the hard work done by farm workers in the fields at this time. Again there is movement in the painting and your eye is drawn to the swirl of the hay as the man turns it into a stook. The metal tool is obviously designed for this purpose and we can see that the man has to be strong to wield such a tool. The sun on the uncut barley behind the worker turns part of the crop’s top white and the light shines directly on part of the emerging stook. The man’s clothes are ragged but there are many shades of blue in his top. As the gallery notes, this is a monumental painting and it takes centre stage on one of the gallery walls. I liked it for its boldness and vigour. It is harvest time around here at the moment, so this painting was very timely.

img_0542.jpg

Harvest by Laurits Andersen Ring

The final painting here attracted my attention because of its size, its colours, its characters and also because it resonates with my local environment in Dunbar. Michael Ancher’s painting The Lifeboat is Taken through the Dunes  is a large painting which dominates the room in which it is hung. The gallery notes that it has a photographic quality and like the Harvest painting above, this is an active scene. Your eyes are drawn up the line of men preparing to launch the lifeboat, but having to pull it through the dunes – not an easy task, even with the horses at the front. The men are talking and maybe discussing the rescue about to take place and the man on the far right is calling back – for more assistance? Launching and rowing a lifeboat in these times was a hazardous task for these volunteer fisherman, but Ancher portrays these ordinary men – heroes to some – as calm and purposeful. What adds to the potential danger is the snow on the dunes and we can just see the crashing winter waves above the dunes. We have a lifeboat here in Dunbar and some old photos show men hauling the non-mechanised boat over the beach.

IMG_0547

Michael Ancher’s The Lifeboat is Taken through the Dunes

If you are in Copenhagen, the national gallery has paintings to suit all tastes and it is a very relaxed space in which to wander about and select what you want to see.

Advertisements

Bernard MacLaverty’s “Midwinter Break” and Scottish Birds’ photos

July 10, 2018

The literary output of the author Bernard MacLaverty stretches over many years and has always been of the highest quality. For MacLaverty fans, a 16 year wait for a new novel is a long time to wait but his new book Midwinter Break is certainly worth waiting for. It should be noted that MacLaverty has produced superb books of short stories in between the novels. This is a book that can be read and appreciated by readers of any age, but it will be particularly poignant to older – but definitely not old – readers in their 60s. The protagonists of the book are Stella and Gerry, who have been married for many years and are spending a weekend in Amsterdam in the winter. The couple live in Edinburgh but originate from Northern Ireland, where they lived during the Troubles. In a number of flashbacks, MacLaverty brilliantly presents key moments in their lives, such as  their early romance and Stella’s trauma and Gerry’s visits to the hospital. In Amsterdam, Stella is seeking solace in her life as she feels unaccomplished. She considers joining a group of women who share her religious faith, but this would mean leaving Gerry.

A key feature of the book is Gerry’s love of – and struggle with – alcohol. MacLaverty cleverly – and often humorously – shows how Gerry tries to hide his whisky drinking from Stella, but he also writes about how much pleasure Gerry gains from his first dram, then his second and then – what the hell? – his third. Of course, the hungover Gerry regrets his drinking, but not for long. There is a superbly written confrontation between Stella and Gerry about his drinking near the end of the novel. MacLaverty writes in detail about the couple’s daily habits and makes this intriguing to the reader. The novelist’s ear for conversation is sharp and the dialogue between the couple is utterly convincing.

MacLaverty also has his two protagonists referring to literature and Stella recalls Thomas Hardy’s poem on snow, following a storm in Amsterdam. The poem begins

Every branch big with it,
Bent every twig with it;
Every fork like a white web-foot;
Every street and pavement mute:

The last line above is particularly observant – how snow takes away some of the noise we normally hear. It is one of the best novels I’ve read recently – buy it and you will not be disappointed.

Bernard MacLaverty’s new novel. (Click on all photos to enlarge)

 

In the latest edition of Scottish Birds, which I receive as a member of the Scottish Ornithologists’ Club, the front cover (below) shows a high-flying and imperious-looking glaucous gull, taken by Iain Leach. It has the equally imperious Latin name of Larus Hyperboreus. I had to look up glaucous which means having a “dull, greyish-green or blue colour” according to the Oxford Dictionary. It is by no means a pretty bird but its magnificent wing span has a multi-patterned elegance.

Scottish Birds cover

Glaucous gull on the front cover of Scottish Birds

On the back cover, an extraordinary photo of a raven (Corvus Corax), taken by Jim Smith. In the notes above the photo (see below), Smith writes that the raven flew down to pick up a piece of bread on the ground, but “It would then rise up higher in the thermals, before flipping on to his back and floating back down”. This appears to me like a raven having fun and laughing at the world, in a look-at-me pose. Note the sharpness of the beak and the feet, appropriate for this often aggressive carnivore. Who would have thought that you might see a raven doing the Fosbury Flop?

Raven

Raven flying on its back by Jim Smith

A more gentle and much more colourful bird can be seen in the photo (see below) by Harry Scott, which featured in an article by R Craig and T Dougall on siskins in a small garden. The siskin (Carduelis Spinus) is a resident bird across the UK but particularly in Scotland. You can see a small flock feeding here. This is a very colourful little bird, with its range of blues and yellows across its body. As it clings to the feeder, its body is compact, with the wing and tail feathers neatly tucked in, but ready for flight at any second. The successive layers of feathers have an abstract look to them and resemble layers of stone that you see on beaches. You can hear more about the siskin and its call in this Tweet of the Day from Radio 4.

Siskin 1

Siskin by Harry Scott

Seagull feast and Sydney Opera House Vivid

June 17, 2018

Another grey day last week. The jet stream was still stuck out in the Atlantic and while most of the UK was in warm sunshine, the east coast of Scotland and England suffered from a strongish NE wind which brought haar in the morning and heavy cloud all day. The wind also whipped up the tide and the gun metal water was only enlivened by the fleeting white of the waves being dragged in by the wind. When the sun is out and the sea reflects the sky’s blue, the tide seems joyous as the waves cavort towards the shore. When it is cold and a dull grey permeates the sky and the sea, the waves still come in but it looks like hard work. For the gulls, however, this was a time of plenty. In the first photo, you can see the herring gulls (adult and juvenile)  and some female eider duck in the water. The gulls are constantly nodding as they feed on a variety of worms, small molluscs and larvae. There is constant action, with the gulls flying up to avoid the incoming waves. The eider duck – the larger dark birds in the water – are unperturbed by the waves and float serenely on the water and then dive at regular intervals to feed. At the bottom of the photo, two gulls take a rest from the action on the stone wall that separates the road from the promenade.

IMG_0391

Gulls feeding on the incoming tide (Click on all photos to enlarge)

In the second photo, the waves cause more action amongst the gulls.

IMG_0393

Seagulls feast on the incoming tide

I did a short video of this scene.

In the centre pages of The Guardian this week, a photo from Guardian Witness section showed the Sydney Opera House during the Vivid Lighting Festival (Photos and video). You can see the vibrant colours that the Opera House takes on during the festival and light show on the Opera House and in the harbour at Circular Quay looks amazing.

Sydney Opera House

Sydney Opera House during the Vivid festival – submitted to Guardian Witness

I have never been in Sydney during the festival, which has been running for 9 years, but we had many good experiences at the Opera House when visiting Sydney. You can look at the Opera House from many angles when you are there, taking in the whole of the building or just parts of it. The photo below is taken at the back of the building and you would not know, from this angle, that the other “sails” existed. The glass structure is very impressive and contrasts with the opacity of the concrete roof. At the right side, you can see some of Sydney’s skyscrapers which overlook the Opera House.

IMG_1463

A section of Sydney Opera House taken from the rear

Opposite the Opera House is the world famous Sydney Harbour Bridge and when you first see both the Opera House and the bridge, it is hard to say which is the more impressive structure. With its striking towers and solid steel structure, the bridge imposes itself on the harbour and dominates the scene. Sitting at the Opera House when the sun is setting – with a nice glass (or two) of Margaret River Sauvignon Blanc – and looking over to the bridge is a wonderful experience.

IMG_1452

Sydney Harbour Bridge

In the final photo, you can see part of the bridge from the Opera House. From this angle, the bridge looks much smaller, but when you climb the steps and walk to the front of the Opera House, it looms impressively in front of you. No matter how many times you turn the corner from the botanic gardens area and see the Opera House and the bridge, it is still a thrilling sight.

IMG_1461

 

Art in Florence and autumn in Binning Wood

November 24, 2017

So on to Florence for culture and an exciting football match at Fiorentina‘s stadium, with the home team winning 3-0 against Torino, having survived a potentially calamitous first 20 minutes. When you say to people that you’ve been to Florence, their eyes light up and many tell you how often they’ve been. It’s a culture-stuffed city to visit, with numerous art galleries, museum and public sculptures. This was my second visit to Florence – previous visit here. I hadn’t been to Florence’s most famous art gallery, the Uffizi, so I booked tickets in advance (a wise move, given the queues even in late October) for my pal and me. The Uffizi gallery is, like the Prado in Madrid, huge and has multiple rooms – 101 shown on the floor plan, each with many stunning paintings. If you started at the beginning and worked your way through, it could take weeks. The gallery helpfully provides a free “highlights” brochure and we followed this. The Uffizi is, again like the Prado, heavy on religious paintings, many of them dark and fairly morbid, although the artwork is unquestionably superb. One of the key themes highlighted is how artists over the 14th to 18th centuries portrayed the Madonna and Child, with Giotto’s interpretation (see below) being one of the most famous. Giotto was praised for making the figures appear more human than had been seen in previous interpretations and this was seen as a new style in painting.

IMG_2193

Giotto’s Madonna and Child in the Uffizi Gallery (Click to enlarge all photos)

The gallery’s best known work of art perhaps is Botticelli‘s exquisite Birth of Venus (below) and it is a stunning work of art. There is myth and fantasy in this painting as Venus is shown being carried on a shell to an island. There is so much to see in the painting that you can stand for a long time, admiring the colours, the figures, the sea and the trees. Venus herself is portrayed as a beautiful young woman and Botticelli’s use of nudity was controversial at the time, as eroticism was not approved of in many artistic and political circles.

IMG_2199

Botticelli’s Birth of Venus in the Uffizi Gallery

The 2nd major gallery we visited was the equally extensive Palacio Pitti which houses the massive collections of the Grand Dukes of Florence from the 15th to the 17th centuries. As well as the many works of art on display in the various museums, the Royal Apartments are lavishly decorated (check website) with ornate carpets, curtains, wall hangings and beautifully made furniture (good photos). Once again, religious paintings predominate, as was the main style of the times but there are also some eyebrow raising works, such as Marina by Salvator Rosa. The photo below does not do justice to the impact that this very large painting makes on the viewer. It is full of intriguing elements, from the light house on the right, to the ships in the middle, to the people at the bottom of the painting and the brilliant effect of the sun shining across the scene.

IMG_2258

Marina by Salvator Rosa

Back home and a walk through Binning Wood to delight in the autumn colours and experience the splendour of the leaves still on the trees, although they were falling as we  walked. If there was colour, contrast, light and shade in Florence’s museums, then there is an abundance in this East Lothian wood, which lies just over 6 miles (c11K) from Dunbar. I had cycled past the woods two days before and was determined to take my camera before this autumnal outpouring of colour, shape and texture would disappear as quickly as it appeared. We began our walk on the west side of the woods and walked through to a point where the paths diverge (photo below). In the winter, my pals and I cycle through here on our mountains bikes and would follow the path on the right of the picture. On our walk, my wife and I took the left path, which goes deeper in to the woods. This reminded me of Robert Frost’s great poem “The Road Not Taken” which begins “Two roads diverged in a yellow wood,/ And sorry I could not travel both/ And be one traveler, long I stood/ And looked down one as far as I could/ To where it bent in the undergrowth;”.

IMG_2271

The path divides in Bnning Wood

Frost’s “yellow wood” could be Binning Wood at this time of year, with trees still holding on to leaves of different shades of green and yellow, as in the photo below. The path at this point in the wood was covered with fallen leaves, providing a contrast in colours, with the fresh yellow leaves on the trees and the now orange/brown of the fallen leaves, as well as the various colours on the tree trunks.

IMG_2276

Trees and a leaf strewn path in Binning Wood

The wood continues across the road which leads to nearby Whitekirk (good photos) and I crossed to try and capture the thinner trees here and their shadows on the floor of the wood. The sun was still high enough to hit the smooth and elegant trunks of the trees and cast shadows, which appear to be fallen trees on the ground. Passing the same woods yesterday – 10 days after taking these photos – I could see more branches and much fewer leaves. Another 10 days and they’ll all be gone, so it’s good to be able to capture this fleeting burst of colour.

IMG_2288

Tall trees and shadows in Binning Wood

Called for jury service and Piazza dei Miracoli

November 20, 2017

Note The previous post has been fixed, using Google Chrome, which I am maybe being forced to use for editing?

I was recently called  for jury service at the Sheriff Court in Edinburgh and, although I was not actually selected to serve on the jury, it was a strange experience. Firstly, I arrived at the court to be sent to the Jury Room. Here sat about 50 people, all in a strange environment. Few people spoke to each other and most either checked their mobile phones, read books or stared into space. This was a formal setting, not a social one and it was clear that no-one had any idea how long we would be there, as little information was forthcoming. After an hour, a clerk appeared to tell us that there might be two trials on today and that she would be back in 10 minutes. Half an hour hour later, the clerk reappeared and took us through to court ten, shown here. After another 10 minutes, the phrase “Court rise” was heard and we all – the potential jurors, the court staff and lawyers present – stood up and sat down again. The judge/sheriff talked to one of the lawyers and we could just about her the lawyer say that the trial could not go ahead. The judge thanked us for our attendance and our patience and said that normally, lunch was 1-2pm but there was good news. We all looked up expectantly. The good news was that we could go for lunch early and come back at 2pm as there was definitely another trial to be heard and a jury was needed. This was beginning to appear like the crime novel I’d taken along – too much padding and too little action.

So we all returned at 2pm. Another clerk said that she would be back in 5 minutes to take us through to court 12 for a jury to be selected. One advance in the tale was that there was now only 15 jury members to be selected from the 50 of us and not 2 x 15. The chances of being selected was reduced by 50%. As no-one in the jury room knew how long a trial would last or when we could start making plans again for the next few days, I got the feeling that few people wanted to be selected. 25 minutes later, the clerk took us in to the court and the ballot began. As each name was called out, the picked juror went forward and a collective sigh could be heard amongst the rest of us. Eventually 15 were picked. People started looking at their watches, as in it’s 2.30pm so we’ll be released soon. Hopes were dashed when one juror recognised the accused and was excused. Another selection, another collective sigh. The judge ordered that the clerk read out the charges – sexual assault with details given – again. Then another juror said he could not hear the judge and this man was excused, to whispers amongst the still potential jurors that he might be trying it on. The final selection was made and final sigh of relief uttered, and the great unpicked left the court room and the court. What was interesting was that, by the time the ballot was taking place, I was ready to be picked, having earlier hoped that I could not be. So, an odd day spent in an environment where I had very little control over what I could do, apart from the lunch break.

Edinburgh Sherriff Court (Click on all photos to enlarge)

My pal Roger and I went on our annual trip to a European city to a) see the sights and b) go to a football (aka soccer) match. This year’s holiday started in Pisa, where we stayed 2 nights before going on to Florence to see the game (next blog post). While Pisa is best known for the leaning tower – La Torre Pendente – I think that the other buildings in the Piazza dei Miracoli (includes video), the Square of Miracles in English, are more fascinating. There’s no doubting the uniqueness of the Tower but its attraction is mainly because of a mistake. It is, of course, worth seeing.

IMG_2153

La Torre Pendente, Pisa

Also within the Piazza, is the magnificent cathedral, seen below. It is famous for its marble exterior, Giovanni Pisano’s intricately carved pulpit (close up photos) and high, vaulted ceilings which are brilliantly decorated. Whether you have religious leanings or not, you cannot fail to appreciate the superb artwork and interior design on display.

IMG_2159

Pisa Cathedral

You can also visit the  hugely impressive Battistero (Baptistry), with its high dome and a balcony from which you can look down on the large baptismal font and exquisitely carved pulpit, photo below. The official website refers to the “women’s balcony”, so perhaps women were excluded from the ceremonies below?

IMG_2161

Pisa Battistero

My own favourite building in the Piazza was the Camposanto (good photos). This is the cemetery and inside there are many statues to famous university teachers and members of the powerful Medici family. The most fascinating part of this huge complex are the frescoes which line the walls, as in the photo below. Some of the frescoes are still quite fresh looking, even though they date from the 14th century. The frescoes are of course, mainly religious although there are some battle scenes. A common theme in the range of frescoes is the battle between going to heaven or hell, and you can see why 14th century people might be terrified by the depictions of hell, where the devil is seen as eating humans amid  a scene of torture. It was the violence in so many of the frescoes that intrigued me – designed to inspire but also to threaten. As works of art, these are impressive in their range of colour and detail and well worth a visit.

IMG_2166

Frescoes in the Camposanto, Pisa

Making soup and the Crystal Palace in Madrid

November 3, 2017

Back to normal after a very successful trip to Pisa and Florence, of which more later. There’s an old Scottish saying relating to being on holiday and returning to the usual routine – “It’s back tae auld claes and parritich” i.e. back to old clothes and porridge. It’s not cold enough yet for me to have porridge in the morning but a new pot of soup is welcome all the year round. Today, I was making courgette, and basil soup. It’s fairly straightforward with the following ingredients: 1 medium leek, 4 good sized courgettes, one large potato and dried basil. Now I know that a good many people who read this blog will call courgettes zucchinis. This source claims that there are differences between the two e.g. that courgettes are smaller than zucchinis, but I think that the only real difference is in where the terms are used – courgette in France, the UK and (so the website claims) South Africa and New Zealand; zucchini in Australia and North America. I’m not sure about New Zealand, so a comment on that would be good. To start, sweat your chopped leek in a little oil, to which you have already added the dried basil – amount according to taste. In your solid soup pan, it should look like this i.e. a thing of beauty that might be submitted for the Turner Prize as a work of contemporary art, signifying the integration of human thoughts and deeds across the newly green world. On the other hand, it’s still a thing of beauty but a photo of leeks.

IMG_2266

Leeks sweated in oil and basil. (Click to enlarge all photos)

I never use a processor to chop my vegetables. There is something calming about washing your leek, cutting it into 3 and then slicing it up, although this obviously has overtones of violence. Add the chopped courgette and, magically, you have another potential submission to the prize, representing …mmm you tell me. It now looks and smells very good.

IMG_2267

Chopped courgettes and leeks in basil and oil.

To this, you add the peeled and chopped potato and one litre of the stock of your choice – I used chicken stock cubes. Simmer for about 20 min and take off the heat. I then mashed it down with a potato masher and then liquidised it with my hand-held blender, one of the best kitchen implements in which I have ever invested.

Here is one serving of the soup, with the chopped end of a 70% wholemeal loaf from Dunbar Community Bakery.  This raises another philosophical issue – what do you call the last slice in a loaf of bread? My wife would say heel, while in my family when I was growing up, it was always called the outsider. A relative called it the Tommy – rhyming slang for Tommy Steele perhaps? What did your family call the last slice? Another Turner Prize entrant – the four islands in the speckled green sea: the post-nuclear world. Discuss.

IMG_2268

Courgette and basil soup with fresh bread croutons

For the final posting on Madrid, I swithered between the magnificence of Madrid’s cathedral – especially the internal colours – and the Crystal Palace in El Retiro Park, featured here recently . Having been out cycling this morning in the cool, fresh air and enjoying the autumnal spectacle of the countryside at the moment, I chose the latter. While walking through the large park, it’s easy to miss the sign to the Crystal Palace  or Palacio de Cristal, to give it its proper name. Once you see not only the palace itself but the setting, you cannot be unimpressed. The first photo shows what you see approaching the palace – a light filled building on 3 levels, with beautiful arches over the windows and ornate decoration around the bottom, a close-up of which is shown in the 2nd photo – here is a swan – like, mythical bird, with no feet and a tail of flowers.

IMG_2050

Palacio de Cristal in El Retiro Park, Madrid

IMG_2054

Decoration on tiles at the Palacio de Cristal in El Retiro Park, Madrid

Once you pass the entrance to the palace, which has been closed for a long time for internal redecoration, you can walk around the large pond, with its fountain. You pass the tall, thick-trunked trees whose leaves differed in colour,  from light green to dark green to reddish-brown. You can then see across the pond to the palace. It’s a very peaceful place, made even more pleasant by the late September sunshine and 25 degrees. The final 2 photos show the palace from the side of the pond and from the opposite side of the pond to the palace. This is a slice of remote countryside which has been picked up and placed near the centre of one of Europe’s busiest cities. The Madrilenos are lucky to have it.

IMG_2055

The pond, the trees and the fountain at the Palacio de Cristal in El Retiro Park, Madrid

IMG_2057

Looking across the pond to the Palacio de Cristal in El Retiro Park, Madrid

Robert MacFarlane’s “Lost Words” and the Thyssen-Bornemisra Museum

October 21, 2017

In a recent Guardian Review article, Robert Macfarlane – the well known writer on the British landscape – argues that children need to be reacquainted with the natural world. In the article, Macfarlane cites a Cambridge University study that showed how children aged 4 to 11 were much more likely to identify Pokémon characters (80% accuracy) than common plants and animals in the UK (50% accuracy). One of the conclusions of the report stated “What is the extinction of the condor to a child who has never seen a wren?”. Other studies cited show that adults’ knowledge of wildlife is not much better but 9 out of 10 adults wanted children to have much more knowledge of plants and animals. Macfarlane’s reaction to the reports was that he wanted to write a book for children which might increase their appreciation of the living world, as opposed to the digital world of Pokémon. The reasons for children’s lack of experience and knowledge of nature is well known – more children live in cities and more children spend more time online than out of doors.

The result is what looks like a beautiful book, written by Macfarlane and illustrated by Jackie Morris.

lost words

New book by Robert Macfarlane and Jackie Morris (Click to enlarge all photos)

The article concluded with “The bird which became the guiding, gilding spirit of The Lost Words is the goldfinch. Goldfinches flit across its cover and gleam from its pages”. Macfarlane notes that the collective word for goldfinch is a charm which can also mean the singing of a group of children. Below is a close up of a goldfinch, taken by Harry Scott. This book would make a wonderful present for anyone – adult or child – and if you can combine this with a trip to the countryside or the seaside for the children, Dr Macfarlane would be most pleased. I have just come back from the beach near our house where my nearly 6 year old twin grand daughters saw oystercatchers, plovers and redshanks on the shore, feeding on what was coming in on the tide. So, I’m doing my bit.

Goldfinch

Goldfinch by Harry Scott

One of the highlights of our trip to Madrid was the Thyssen-Bornemisza Museum which can be found opposite the more famous Prado Museum. The Thyssen-Bornemisza has much more modern painting and is less focused on religious painting. It is a very extensive art gallery, with numerous rooms and would take more than one visit to do it justice. I have always been impressed by the American  painter Edward Hopper and there are four of his works here. The first of my selection is Hotel Room (below) and what strikes you is the rather lonely looking woman, sitting on the bed, in her underwear, reading a book. Then there are the colours – the green chair, the black hat, and the white bed which contrasts with the woman’s undergarment. The museum has a short video on this painting which is well worth viewing.

IMG_2073

Hotel Room by Edward Hopper

The 2nd Hopper painting is The “Martha McKeen” of Wellfleet  which is intriguingly named after someone who took Hopper and his wife sailing i.e. there is no yacht with this name. Although the sandbank looks rather fanciful, this is a painting with delicate shades of blue, white and cream, with the movement of the boat emphasised by the undulating waves. I see a spirit of freedom and enjoyment in this painting, on the part of the humans. The seagulls look away, unimpressed and the small, bubbly clouds on the horizon are dominated by a clearer sky above, suggesting a warm summer’s day.

IMG_2103

The “Martha McKeen” of Wellfleet by Edward Hopper

I’ve seen Hopper’s lighthouse paintings before, but Martin Johnson Heade is a new artist for me. His painting Orchid and a Hummingbird Near a Mountain Waterfall was one of the highlights of our visit. It is a stunningly original painting, with its combination of dark and light and the colours of the orchid are reflected in the hummingbird. There is so much to see in this work – shapes, patterns, the real and what I see as the surreal combined – that you can find yourself standing in front of the painting for quite a while. The detail on the plant and the bird are superb.

IMG_2100

Orchid and Hummingbird near a Waterfall by Martin Johnson Heade

So an exhilarating visit to this museum in Madrid which is not to be missed if you are in the city. No blog next week as I’m off to Pisa and Florence with my pal to take in the sights and a football (aka soccer) game.

More Sinead Morrisey poems and Madrid’s magnificent architecture

October 12, 2017

 I have just finished reading Sinead Morrisey’s remarkable book of poems entitled On Balance”. In a previous post, I focused on the first poem in the collection The Millihelen which has been widely praised. For the rest of the book, Morrissey maintains this high standard with telling insights and memorable phrases. In Nativity which is about parents watching children in such a play, has these lines:

“mums and dads on loan from their workaday offices;/ littler brothers and sisters crashed out in pushchairs/ and parked along the aisle like outsize baggage”

The imagery continues later in the poem “… we are left/ with a row of just-licked-by-a cow-looking boys/ in dressing gowns, Mary in a dress, Immanuel/ in his cradle, low-key and ineffable …”.

In Meteor shower, “..and the stars in behind/ shining steady as lighthouses/ and yes, not once but twice/ – there and then there -/ dust on fire at the edge/ of Earth’s flaying atmosphere,/ scoring its signature”. The word “flaying” makes these lines, suggesting chaos. There are a sequence of poems entitled “Whitelessness” which looks at how different scientists might view Greenland. The Geologist finds ” .. the ridges of human teeth:/some early Palaeolithic adolescent caught/ grinning at the moment of death/ in a stone photograph”. The Photographer observes: “The red earth holds up/ a rainbow in its outstretched hands”. As The Geographer studies the earth, “Ridiculously/ overdressed, two musk ox trundle past. / We must sound enormous – / …. but they blank us nevertheless”. These are just a few examples from the book, which rightly won The Forward Prize for Poetry in 2017. It also has a beautiful cover. Get a hold of it if you can, preferably by buying it from the Poetry Book Society.

Morrissey

On Balance by Sinead Morrissey (Click to enlarge all photos)

Where to begin with Madrid’s magnificent architecture? I’m concentrating on the older buildings and monuments, but there’s an excellent slide show of modern architecture here (good photos). Our apartment, with its high ceilings and cornices, beautiful parquet flooring in different designs, had two large windows, each with a small balcony which looked across the to Palacio Cibeles. You can sit in the outside bar at the top of the building for 4 euro per person and we enjoyed a glass of wine there one evening, as well as the stunning views across the city, in the photos below. The first photo looks down on the Casa America (good photos) and on to one of the modern art deco influenced buildings behind.

IMG_1922

Looking across Madrid from the Palacio Cibeles

The 2nd photo looks down on the extensive army headquarters, known as the Buenavista Palace and we were unfortunate to miss the Changing of the Guard (good photos).

IMG_1928

Looking towards the Buenavista Palce and woods from the Palacio Cibeles

Not far from the Palacio Cibeles, you come across one of the many puerta or gates to the city of Madrid. The photos below show the Puerta de Alcala, a magnificent structure ordered to be built by Carlos III, King of Spain in 1778. Carlos was obviously not a man to do things by half and the puerta dominates this part of the city. On the right of the puerta is the Retiro Park, featured here last week.

IMG_1932

Puerta de Alcala, Madrid

IMG_1933

Top of the Puerta de Alcala, Madrid

Madrid city centre is teeming with stunning buildings, from the apartments on the Gran Via (good photos) – 2 photos below – to the umpteen churches and palaces – too many to mention here. The Gran Via is Madrid’s busiest street, best avoided at weekends.

IMG_2020

Apartments on the Gran Via, Madrid

IMG_2022

Apartments on the Gran Via, Madrid

The Plaza Major is often described as being at the heart of Madrid and it certainly is beautiful square, comparable in terms of the buildings/apartments, to St Mark’s Square in Venice. Again, if you go at weekends, you might never see the square properly, as there are so many tourists, but go midweek and you’ll be able to appreciate its grandeur to the full.

IMG_2047

Plaza Major, Madrid

IMG_2048

Plaza Major, Madrid

Keith Brockie exhibition and El Retiro Park in Madrid

October 6, 2017

The latest exhibition at Waterston House in Aberlady is by the renowned Scottish wildlife artist Keith Brockie. I featured Keith’s work on the blog  two years ago, having visited his last exhibition. The new show of paintings is equally stunning and there is a superb display of artistry here, particularly in the detailed portrayal of lapwings and hares. Keith kindly sent me 2 samples from this exhibition. The first painting features a lapwing  which is also called a Peewit, due to its call which you can listen to here (scroll down to audio). The painting perfectly captures the lapwing’s delicate colours and instantly recognisable tuft on its head. There are many superb paintings of lapwings in the exhibition and I particularly liked the ones with the lapwing sitting on its nest. The portrait of the ram is equally eye-catching and you have to admire the sheer tenacity of the painter to capture the detail of the hairs on the sheep’s face and what look like carvings on its magnificent horns. When the rutting season comes, I’m sure that this individual would emerge victorious.

Brockie 1

Lapwing and ram by Keith Brockie (Click to enlarge all photos)

The second painting is what I have entitled “Determined hare” as there is a steely look in the hare’s eyes. A close up of view of this and other hare portraits in the exhibition demonstrates Keith Brockie’s ability to capture the finest features of this beautiful animal. Look at the white whiskers, the oval nose and the small, puckered mouth and the brilliant contrast between the light and dark patches on the hare’s skin. The use of light and dark has challenged painters down the centuries and Keith Brockie makes superb use of this feature here. The exhibition is on until 15th November, so go and see it if you possibly can. We’ll be revisiting Waterston House before then.

Brockie 2

Determined hare by Keith Brockie

We recently spent a week in the Spanish capital Madrid (good photos) and what an impressive city it is. Madrid is a busy metropolis and the city centre is heavy with traffic for most of the day. However, just around the corner from the busy roundabout at the Palacio de Cibeles (video) is El Retiro Park (good photos), a vast green space which is easily accessible. The park has a 4k perimeter and is a favourite place for runners at all times of the day. It’s also a very peaceful place during the week when it is quieter. Most of the park consists of avenues of trees, bushes and hedges with walkways in between. Here we met a man playing a large harp.

IMG_1934

Harp player in El Retiro Park, Madrid

And we passed a puppet show where a group of children sat enthralled by the singing, storytelling and puppetry of a white haired, smiling puppet master.

IMG_1948

Puppet show in El Retiro Park, Madrid

Inside El Retiro Park are more formal gardens e.g. the Los Jardines de Cecilio Rodriguez (good photos). I made a short video on my mobile phone which you can download here. This is a very relaxing area, with its neatly trimmed hedges, little fountains, covered walkways and beautiful flowers, as in the photo below, taken on a lovely sunny day in Madrid with the temperature at a very pleasant 26 degrees. The topiary in the gardens is very impressive, with avenues of neatly shaped columns.

IMG_1950

Inside Los Jardines de Cecilio Rodriguez, Madrid

There are peacocks and peahens strolling around the gardens, ignoring the photographers and looking haughtily away from what I’m sure they regard as uncouth human onlookers. The peahen below is a good example. It could well have come straight out of a Keith Brockie exhibition, with its keen eye, exquisitely shaped feathers and a tuft that a lapwing would die for.

IMG_1958

Peahen in Los Jardines de Cecilio Rodriguez, Madrid

 

Trip to Durham: the Cathedral and the Cellar Door restaurant.

September 30, 2017

I forgot to say at the end of the last post that we were off to Madrid for a week, so no more posts for a fortnight. At the beginning of September, we went to Durham for a couple of days. We had been before but only for the day. The cathedral city of Durham (good photos and short video) is in the north east of England, so for us it was only a 2 hr drive. We stayed in a hotel next to the River Wear, a short walk from the city centre. Durham has a famous castle, with a fascinating history but we did not have time to visit as we went to the coast as well. We did go to Durham Cathedral (good photos) and it certainly is an impressive sight, both from the exterior and interior. The first photo below shows part of the outside walls of the cathedral and there is a fascinating array of structures here – the round towers, arched windows and varied stonework. As I  have said here before, it must have been strange for the local inhabitants to see the construction of something so huge on their doorstep, as they worked in the fields. Also, the workmanship is astounding, given that the cathedral would have been build using, by modern standards, fairly basic tools. Imagine being a stonemason working at the top of one of the towers, standing on wooden scaffolding, with no thought given to health and safety.

IMG_1867

Part of the exterior from outside the cathedral (Click to enlarge all photos)

The interior of the cathedral has cloisters (good photos) and the next 2 photos show part of the cloisters and more of the cathedral’s exteriors. Cloisters were important to the monks who lived in the cathedral and as you walk along the cloisters, you can see how such an environment would provide a peaceful and contemplative atmosphere.

IMG_1869

Looking up from the cloisters in Durham Cathedral

IMG_1871

Looking across the green from one part of the cloisters to another in Durham Cathedral

We visited the Open Treasures exhibition (good video) which provided a fascinating insight to the lives of the monks, as well as showing some intricately carved stonework from the cathedral and elsewhere, and examples of manuscripts and jewellery. You can’t take photos inside the exhibition or inside the cathedral but you can see some excellent photographs here.

As you leave and pass through the magnificent external doors of the cathedral, you can see the dramatic Sanctuary Knocker (photo below) which could be used in the past by those seeking protection in the cathedral from the law. It looks more frightening than welcoming and maybe it was meant to. My thoughts on seeing it were of masks worn by South American tribes or carvings on totem poles. Whether you are religious or humanist, the cathedral is an inspiring building and well worth a visit.

IMG_1874

The Sanctuary Knocker on Durham Cathedral.

One of the highlights of our visit was to the exquisite Cellar Door restaurant and it turned out to be a real treat. It is an exquisitely furnished dining room, as the photo below shows. The service was helpful, attentive and unfussy and customers were made very welcome.

TCD 1

The Cellar Door, Durham dining room

The restaurant offers a varied and interesting menu. For starters, I had the “Courgette flower, yellison goat’s cheese, Yemeni wild flower honey and hazelnuts” and my wife had “Mushrooms on toast – cep parfait, shemeji, girolles, mushroom ketchup and sourdough”. Both looked and tasted exceptional and my wife’s comment was that this was the best mushroom starter that she’d ever had. The courgette flower was delicately cooked in a light batter, with the goat’s cheese inside. For main, I had “Sea trout, avocado, heritage tomato, crab and potato crisps” and this was a generous serving of fish, cooked to perfection, complimented nicely by the light crab meat. My wife had “Scottish halibut, beans, grapes, elderflower and verjus”, and again the fish was perfectly cooked with a crispy skin. I contacted the restaurant and they gave me permission to download the photos of the restaurant above, one of their desserts and the halibut. For dine dining of this quality, we both thought that the meal was excellent value and would recommend the restaurant to anyone visiting Durham.

TCD 4

Mouth watering dessert from The Cellar Door, Durham

TCD 2

Crispy halibut from the Cellar Door, Durham