Archive for the ‘New books’ Category

London trip: Victoria and Albert Museum and T S Eliot prize readings

January 13, 2016

This posting is rather late as we went down to London for the weekend last Thursday. We stayed in a hotel just around the corner from the London Eye, the huge Ferris wheel overlooking the River Thames. It’s an impressive piece of modern engineering but you do wonder what those who built Big Ben across the river might have thought if they could see into the future and look across to the Eye.  The photo below was taken on the manual focus setting as my camera has a problem – it will not take photos with the  automatic focus on.

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The London Eye on the Southbank

On Friday, we went to the Victoria and Albert Museum which is one of our favourite haunts when visiting London. It’s a vast complex of rooms with ” unrivalled collections of contemporary and historic art and design” and you can go from huge castings of Roman columns to miniature paintings and jewellery within a few minutes. We elected to go to the exhibition of the mid 19th century photography of Julia Margaret Cameron. There’s an excellent video on her on the Vimeo site by the curator of the exhibition. Cameron was a wealthy woman who took photographs of her family, her friends and acquaintances (some famous such as  Charles Darwin) and her servants, who posed for many photographs in which Cameron tried to combine art and photography. The photos below – reproduced under Creative Commons from the National Media Museum – show examples of Cameron’s remarkable work and, given that the photos are 150 years old, the clarity is remarkable.

Darwin

Charles Darwin by Julia Margaret Cameron

Cameron 1

Miss Philpott or May Hillier by Julia Margaret Cameron

We also went to see the Europe 1600-1815 exhibition and there were some beautiful rooms on display as well as some remarkably detailed pieces of furniture such as The Endymion Cabinet (very good silent video). Another outstanding feature was the Mirrored Room with its centrepiece a harp. You can see the room and listen to an audio description here. There are endless visits to the V&A and you’ll never live long enough to see them all, but what a wonderful place to go back to.

It was a busy weekend and coincided with my nephew Sid’s 21st birthday on Sunday. On Friday evening, we went to the excellent The French Table restaurant in Surbiton and this will be featured in the next posting. The original purpose of going to London was for me to go to The Royal Festival Hall for the T S Eliot Prize for Poetry readings, featuring many of the shortlisted poets. The evening was hosted by the distinguished poet and excellent presenter Ian McMillan who joked that his taxi driver had summed up an evening of poetry readings as “Another bloody do for people who wear cravats”. As McMillan said, although the Royal Festival Hall is a huge venue, when the individual poets were reading there was an intimate feeling in the hall. It was an inspiring evening as well as being entertaining, with McMillan’s introductions and anecdotes from Don Paterson. Below is the cover of the booklet given to the audience. The winner – announced the following day at the V&A – was Sarah Howe for her collection A Loop of Jade.

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T S Eliot Prize for best collection of poetry 2015

 

 

Barns Ness and The Last of the Light

December 23, 2015

A walk on Sunday along the beach at the White Sands, which is about 2 miles (3.2k) from Dunbar. The wind was in the south-west, so the sea was calm although rippled by the wind. If the wind is in the north, there can be breakers on this beach, but on Sunday, there was only Philip Larkin’s onomatopoeic “the small hushed wave’s repeated fresh collapse” from his poem To the Sea. At the east end of the beach, you find a series of limestone pavements, which were formed “with the scouring of the limestone by kilometre thick glaciers during the last ice age”. It’s hard to imagine a glacier being one kilometre thick. One of the most interesting features of limestone pavements are the visible fossils, of plants and animals, on the pitted surface of the hard rock.

 

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Limestone pavement at the White Sands

Once you reach the end of the beach, Barns Ness Lighthouse comes into view and there are alternative paths which take you to the lighthouse. We walked through the gorse bushes (some of them had unseasonable flowers), and then along the edge of the beach where the oystercatchers (includes video) were in a constant search for food at the waves’ edge.

Oystercatcher_(Haemotopus_ostralegus)_-_geograph_org_uk_-_786915

Oystercatcher. Photo by Mike Pennington and reproduced under the Creative Commons licence

Barns Ness Lighthouse first shone its beams across the sea in 1901 and the light continued to shine until 2005. It was originally manned by lighthouse keepers and then automated in 1986. One of our sons’ favourite picture books when they were young, was The Lighthouse Keeper’s Lunch and you can watch it on a YouTube video (not sure about the copyright on this). It’s a great story for children, amusing and educational at the same time.

lighthouse

The Lighthouse Keeper’s Lunch by Ronda and David Armitage

The lighthouse has been recently repainted and repaired and it is one of our local icons as it stands proudly at the sea-shore. There may not be a light shining any more but it is still a very impressive and fascinating building.

Barns Ness Lighthouse

Barns Ness Lighthouse

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Barns Ness Lighthouse

In last week’s Guardian Review, there was a review of a book on twilight The Last of the Light by Peter Davidson. I very rarely read non-fiction books these days but I’m going to buy this one. Davidson refers to the fact that in 2016, there is so much unnatural light that we forget what twilight – ” the last glimmering of a way of seeing” is really like. The author looks at prose, poetry and art in discussing the time between light and dark at the end of the day and also considers twilight in a range of countries. For example, the French refer to twilight as the time between chien et loup – the dog and the wolf. The French for twilight is le crepuscule which comes from the Latin crepusculum. I’ve noted here before that one of my favourite words is crepuscular referring to the twilight. Crepuscular is a muscular word.

twilight

The Last of the Light by Peter Davidson

The Narrow Road to the Deep North, Galore paddocks and gum trees

June 17, 2015

There’s a distinctly Australian theme to this week’s post. I’ve just finished reading Richard Flanagan’s superb, Booker Prize winning novel The Narrow Road to the Deep North. The novel’s protagonist is Dorrigo Evans, a boy from rural Tasmania who becomes a doctor and later a surgeon in the army. The book is both a love story featuring Evan’s prolonged affair with his uncle’s wife and a harrowing tale of Australian POWs who are captured by the Japanese and forced to work on the building of a railway, in horrendous conditions. Flanagan tells his stories in an undramatic fashion. A lesser writer would fill this book with sentimentality and melodrama but Flanagan expertly avoids this. The sections on the POW camp focus not only on the terrible treatment of the prisoners – one scene of the beating of Darky Gardiner, which all the soldiers are forced to watch, will remain with the reader for a long time – but also on the Japanese commander Nakamura, who is forced to speed up the building of the railway by his superiors. We meet Nakamura after the war also. Flanagan takes us very cleverly into the mind of his hero, who sees himself as a weak man, despite his leadership abilities and his fame after the war. This is one of the best book I’ve read in a long time – don’t miss it.

The Narrow Road to the Deep North

The Narrow Road to the Deep North

My very good friend Paul whom I first met when I lived in Wagga Wagga 10 years ago, emailed me this week with a vivid description of helping his brother with marking lambs. Paul wrote “They were monstrous, and there were 310 of them. We laboured in the winter sunshine for almost 3 hours” and he followed this by felling, cutting, splitting and loading a ton of wood from the gum trees on his brother’s farm. Paul’s photo below shows the split red gum logs in the late sunshine. The setting is Old Man Creek.

Red gum logs near Old Man Creek, NSW

Red gum logs near Old Man Creek, NSW

The farm is in the Galore district of New South Wales and there are stunning views – of seemingly endless landscape – from Galore Hill, where my wife and I were once accosted by a sudden swarm of large flies, and had to take cover. The Australian term for fields is paddocks and Paul told me that the paddocks on his brother’s farm had been given names by his father and grandfather and included “the triangle, the pump paddock, middle creek, Big L and Little L” as well as The Piper’s Paddock, named after an ancient settler, presumably from Scotland. There’s a PhD waiting to be done on the naming of paddocks. One of my former colleagues at Charles Sturt University referred to paddocks in discussions and would say that the thought that a particular idea “should be taken out into the paddock and shot”.

One of my best memories of living in Australia is of the gum trees at the Murrumbidgee River in Wagga Wagga. Gum trees or eucalypts are impressive trees but can also be dangerous as they can discard large branches. One of the surprises you get when first going to Australia is that gum trees do not shed leaves but bark. There are many types of gum trees and the silvery bark is a most attractive feature. The photos below were taken at the Murrumbidgee in Wagga Wagga.

Gum trees at the Murrumbidgee

Gum trees at the Murrumbidgee

Gum trees at the Murrumbidgee

Gum trees at the Murrumbidgee

 

Richard Ford novel and along the Tyne in Haddington

May 1, 2015

Richard Ford, originally from Mississippi, is one of my all time favourite writers. I have bought many of his novels and short story collections in hardback over the years, as soon as they’ve been published. His novels include The Sportswriter, Independence Day and his latest work -which I’ve just finished – Let Me Be Frank With You. All of these novels feature Frank Bascombe, a former sports journalist himself and also a former realtor, the US name for someone who sells houses. Bascombe is a well meaning character who often frustrates himself and others around him, particularly his family with his attempts to mean well. The new novel is 4 interlinked stories of Frank’s ( after reading the novels, you think you know him and how you’d call him Frank if you met him) experiences and thoughts while meeting people in a nearby area, in the north eastern seaboard of the USA, which has suffered hurricane devastation. The new novel is very well written, as all of Ford’s novel are, and he produces phrases and sentences that you could not think of any other novelist writing. US troopers have “their tiny lethal riflery strapped to their chests”. The aftermath of the hurricane is described “.. as if a giant had strode out of the sea and kicked the shit out of everything”. Frank can be devastatingly sarcastic about people for whom he has no respect and he does not spare pretentious people from any walk of life, race or political or religious persuasion. In this novel, he reflects on a person with right wing views – “He’s also a personhood nutcase who wants the unborn to have a vote, hold driver’s licences and own hand guns so they can rise up and protect him from the revolution”. Ford is also a writer of precision – “Forsythia was past its rampant array”. That last phrase will come to mind now every time you see groups of flowers in bloom. For me this novel is too brief – 238 pages in fairly large print and at times, Ford tries to be too funny. I would have liked to have seen more about the characters whom Frank meets, is related to, and lives with. Now this may just be a fan of Ford’s whose expectations of a new Richard Ford novel could be too elevated. The reviews of Let Me Be Frank With You were universally excellent – try it for yourself and I guarantee that you will not be disappointed.

Let me be Frank with you

Let me be Frank with you

The town of Haddington (good photos) is 11 miles (18K) from Dunbar. It is a historic town and is known as the birthplace of the religious reformer John Knox and Samuel Smiles, the author of Self Help in 1859. Many books on this topic are still being published today but Smiles is seen as the originator of the term. We had a walk along the River Tyne which flows through part of the town on a pleasant Spring day. Our walk included going over a refurbished bridge frequented by cyclists and walkers. The sun was behind me as I took the photo below and I liked the combination of the white criss-cross of the bridge and the black criss-cross of the shadows.

Haddington Bridge

Haddington Bridge

We continued our walk eastwards and enjoyed the reflections in the water of the trees along the bank (1st photo below) and particularly of the willows – in their new green attire – near the houses (2nd photo). The serene calm of the water enhanced the walk.

River Tyne reflections

River Tyne reflections

Willows on the River Tyne

Willows on the River Tyne

At the end of this part of the walk, stands St Mary’s Church originally built in the 14th century. It is a magnificent building and you have to admire the quality of the stonework on the face of the church. Inside it is cavernous with very high ceilings and ornate woodwork. This is a building that can be admired by both the secular and religious, and it must have seemed to the 14th century peasants working the land around the town that a monumental edifice was being built, which would dominate the town and the surrounding countryside. The photo shows the front of the church and takes in some of the large gravestones erected for wealthy (and therefore seen as more important) locals, as well as some well manicured topiary.

St Mary's Haddington

St Mary’s Haddington

Another Dubai trip and Stoner the novel

March 4, 2015

Having left a very cold Scotland, where it was 3 degrees and felt much colder, on Wednesday of last week, it has been a very pleasant change to be in wall to wall sunshine and a daily temperature of c25 degrees. Our son Stuart, daughter in law Catherine and 3+ twin granddaughters Abigail and Lola live in the Arabian Ranches, which is a 25 minute drive – along a 6 lane highway – from the city. Downtown Dubai is ever expanding and with every subsequent visit, a new building seems to have leapt up toward the sky. The two photos below were taken from the car and one shows men on ropes, presumably doing repairs, or cleaning windows. For excellent views of the Dubai skyline, see here. A trip to Dubai would not be the same without yet another photo of the Burj Al Arab, perhaps the most iconic of Dubai’s stunning buildings, as in the 3rd photo below. No matter how often you see this building, you still wonder at the audacity of its design and construction.

Downtown Dubai

Downtown Dubai

Downtown Dubai building repairs

Downtown Dubai building repairs

Burj Al Arab

 Burj Al Arab

In our house in Dubai, there’s a large vase of lilies on the table. They arrived with closed flowers and have opened quickly, with large white-tongued leaves and startling cucumber shaped orange anthers, with a smaller, heart shaped, purple centre. The photos below show the whole flower top as well as a close up of the anthers, which have an abstract and possibly surreal quality.

White lily

White lily

Lily anthers

Lily anthers

I’ve just finished the much praised novel by John Williams entitled Stoner. The book was first published in the sixties, to no great acclaim but was “discovered” and republished in 2012 and became an international best seller. When you read such glowing reviews of a novel as “A great American novel” and “Rarely has the intimate detail of a life been drawn with such emotional clarity”, you can often get a feeling that it will not live up to its stunning reviews. This book does. It is by turns tragic and joyful and innocent and mature. Stoner teaches in a midsize American university and the book begins by stating that few colleagues or students remembered Stoner who remained an Assistant Professor during his long teaching career. His colleagues or students may not remember Stoner but anyone who reads this intriguing novel most certainly will. There is an excellent introduction to the book by the renowned late Irish author John McGahern – one of my all-time  favourite  novelists. The writing in Stoner is consistently of a high quality and often the reader is presented with a remarkable passage. One example is when Stoner’s father dies and he visits his bereaved mother, who shows him his father. “The body he saw was that of a stranger; it was shrunken and tiny… The dark blue suit which enfolded the body was grotesquely large, and the hands that folded out of the sleeves were like the dried claws of an animal” writes Williams, and the use of the word enfolded makes the passage even more striking. There is much sorrow in this novel but also much joy and Stoner is fiercely realistic about his (and all of our) tiny presence in life. He is relentlessly stoical. Whatever happens, he tholes it. This is a must read book, so beg, steal or borrow this book – from the library of course. Even better, buy it and I’m sure that like me, you’ll revisit it.

Winter trees and Next Generation Poets 2014

December 17, 2014

It’s only a week now until the shortest day in Scotland and the sun sets in the late afternoon at present. One of the pleasures of a cold and bright winter’s day – and we get a good share of these on the east of Scotland – is getting rugged up (an Australian expression for wrapped up), going for a long walk and enjoying the last of the sunshine. On a recent walk near Smeaton Gardens  in the village of East Linton (good photos), my wife and I enjoyed seeing the setting sun through the winter trees. The photos below show the elegant outlines of the bare trees against the blue sky and the illuminating sun. George Szirtes‘ has a poignant and humorous poem Winter Trees :

Aren’t you cold and won’t you freeze,
With branches bare, you winter trees?
You’ve thrown away your summer shift,
Your autumn gold has come adrift.

Dearie me, you winter trees,
What strange behaviour, if you please!
In summer you could wear much less,
But come the winter – you undress!

Winter tree at Smeaton Gardens

Winter tree at Smeaton Gardens

Winter trees at Smeaton Gardens

Winter trees at Smeaton Gardens

Winter trees at Smeaton Gardens

Winter trees at Smeaton Gardens

With my latest Choice from the Poetry Book Society came a booklet featuring the Next Generation Poets 2014 – see cover below. This project, subtitled Twenty Exciting Voices for the Future is a selection of what is regarded as a list of the most promising poets of 2014. Most, but not all, poets are in their 20s and 30s and have recently won prizes for their collections. On the project’s website, you can click on the names of individual poets and see examples of their work. I’m only half way through but have already enjoyed poems by Sean Borrowdale – on a honeycomb “Its tear-easy skin of skeletal reef/(Best use of space for minimal effort”; Rebecca Goss – a poignant address to her 2nd child – “So extraordinary was your sister’s/ short life, it’s hard for me to see/ a future for you…. [But]…Come and hold my hand, little one/ stand beside me in your small shoes,/ let’s head for your undiscovered life, your mother’s ready now, let’s run”; and Emma Jones – from Waking – “There was one morning/ when my mother woke and felt a twitch/ inside, like the shifting of curtains./ She woke and so did I. I was like a bird/ beating. She had not time for anaesthetic”. All the links to the poets cited include videos of them reading poems.

Next Generation Poets

Next Generation Poets

Michael Longley, Goats’ Gallop and Homesman

November 27, 2014

The Winter Poetry Book Society  Choice was put through my letter box by the postman yesterday and this reminded me that I had not yet started to read the Autumn choice – Michael Longley’s The Stairwell (cover photo below). There is a wide range of poems in this superb collection, many of which feature aspects of death – including the poet’s own – and birth – allusions to his grandchildren and their then pregnant mothers. Longley is  superb nature poet e.g. Two Otters:

“She toddles to the lake without a name,

Your two-year-old and watches an otter,

Her first otter, half expected by you

Because, when you were expecting her,

You last watched an otter from this spot,

Your body a holt for otter and child”.

The word “holt” means the den of an otter and the woman’s body being a holt for her child, protecting the child, and the otter’s protective home, is a superb metaphor. Longley loves language and cites many Irish names which are often onomatopoeic e.g. Dooaghtry, Allaran and Lackakeely. There will be more quotes from this outstanding collection in future posts.

The Stairwell by Michael Longley

The Stairwell by Michael Longley

At the weekend, my wife joined runners from Dunbar and Haddington to do the 9.5 mile (14.5K) Goats’ Gallop run. The route takes the runners over Lammer Law and down through rough heather to the Hopes Reservoir (good wintry photos on this site), followed by 2 more very steep climbs and a fierce descent through large stones back to a nearby farm. I wasn’t there this year but took photos last year – see my Photopeach page. So, a very tough run and not much time to admire the wonderful autumnal scenery around the reservoir, as in the photos below.

Hopes Reservoir

Hopes Reservoir

Hopes Reservoir

Hopes Reservoir

This week, we went up to The Filmhouse in Edinburgh to see the film Homesman. The setting is frontier society in the USA and involves 2 unlikely people transporting three women who have gone mad across wide open spaces to a destination where they can be reunited with their families. While the plot occasionally requires a stretch of the imagination, there is a powerful narrative , in which scenes of danger, humour and potential love are intermixed. There are strong elements of tragedy in the story but it is a vibrant film with a pacey script and some impressive scenery. Go and see it if you can.

 

Lisa Hooper, Start the Week and Dunbar harbour (from the west end)

October 2, 2014

At the weekend, we paid another visit to the excellent Waterstone House in Aberlady, to see an exhibition of original artist’s prints by Lisa Hooper. This is a varied exhibition, not just in the wide variety of birds on display, but in the different techniques that Lisa uses to such striking effect. The techniques, including Japanese woodblock and paper batik, present the viewer with a range of effects, including some which make the birds stand out on the canvas. This exhibition has some stunning works, such as Pinkfeet Rising in which the artist presents three pinkfooted geese taking off against a background of stark black trees and a harvest moon. Lisa has kindly sent me 2 photos of her work, Pinkfeet Rising and Oystercatchers and these are shown below. There is a new book by Lisa Hooper – First Impressions – and my wife has bought it for my upcoming birthday. As with my other bird books, I will put the book on a small lectern and turn a page every day. I find that doing this – rather than having the book lying on a table – means that I go through the book slowly and pay more attention to the individual paintings. If you can’t get to the exhibition, visit Lisa’s website and of course, buy the book!

Pinkfeet Rising by Lisa Hooper

Pinkfeet Rising by Lisa Hooper

Oystercatchers by Lisa Hooper

Oystercatchers by Lisa Hooper

Now that it’s October, some of the radio programmes which have had a summer break are back. One of my favourites, which I listen to (safely) as a podcast while out cycling, is Start the Week.  The programme has a theme each week and typically features authors who have written books on the theme. This week’s programme (available across the world, not just in the UK) featured guests Karen Armstrong, Justin Marozzi and Christopher Coker who discussed war and religion e.g. is religion to blame for most of the wars in history or is religion used as a cover for the power hungry? There are no right and wrong answers and the listener is presented with a variety views, which may or may not influence what s/he thought about the subject prior to the programme.

My wife and I regularly walk  to Dunbar Harbour, as it is just along the road from our house and I’ve featured the harbour many times on this blog. What we don’t often do, is cross the harbour bridge which separates the harbour from Lamer Island, and walk along the north side of the harbour. You get a different perspective on the harbour from the north side and, looking back from the end of the pier, just across from Dunbar Castle, you notice that the small yachts in the harbour are facing you directly, and that you can see past the harbour, giving you a view of the Lammermuir Hills. The photos below show the harbour at its best – on a warm, sunny September evening.

Yachts in Dunbar Harbour

Yachts in Dunbar Harbour

Dunbar Harbour and bridge

Dunbar Harbour and bridge

Dunbar harbour and Lammermuir Hills

Dunbar harbour and Lammermuir Hills

Harvest time, Creole Belle and Jersey Boys film

August 23, 2014

It’s late August in the south east of Scotland and that means it’s harvest time. Over the summer, I have watched the barley, wheat and oats turn from green to beige/yellow in the fields and the heads of the crops grow. Now sees the onset of the large combine harvesters which waddle into the fields clumsily and then launch a series of destructive sweeps along the field, taking out sections one by one, and where you had barley gently swaying in the wind, now there is only bare stubble. Most farmers seem to have abandoned any aesthetic sense of what a post harvest field should look like, and immediately take away the newly born bales. The field is suddenly vacant of its previously active life and the stubble gives it a shocked look. Where the farmers do leave the bales in the fields, you have a newly installed art exhibition – of round bales apparently placed haphazardly across the newly shorn crop. This is an iconic view of late summer, as there is something very peaceful about the bales resting in the field and – who knows? – perhaps in the night’s dark, when no-one is around, they unravel themselves and stretch out casually, before curling up again pre-dawn. The photos below show a combine harvester at work and bales, which appeared only yesterday, in a field about 3 miles out of Dunbar.

Combine harvester

Combine harvester in the evening

 Combine harvester in the evening

Combine harvester in the evening

Bales in a post-harvest field

Bales in a post-harvest field

Tightly bound bale

Tightly bound bale

I’ve just finished reading James Lee Burke’s novel Creole Belle. I’ve read a good number of Burke’s novels over the years and this novel shows Burke’s love for his city of New Orleans and the bayou nearby, as well as his anger at threats to that environment. This time, the background for the criminal action in an intriguing story, is the BP oil spill which threatened many livelihoods. Burke does get rather over wistful in the final chapter – the Epilogue – but the book is full of well wrought characters, including the hero Dave Robicheaux, his well meaning but violent pal Clete Purcel and Gretchen Horowitz who is trying to escape from working for the mob. You can hear an interview with James Lee Burke (scroll down for Creole Belle)  by Kacey Kowars. If you haven’t tried this novelist as yet, it’s time you did.

We went up to The Filmhouse in Edinburgh to see the Clint Eastwood directed Jersey Boys. Now, I’m not one for musicals and would not have gone to see the stage show of this film, which is about Frankie Valli and the Four Seasons. However, a film directed by Clint Eastwood is usually worth going to see. My wife loved the film – the music and the story of the group’s formation, connections with the mob and eventual break up. While I liked the music and while the film was an entertainment on a wet Thursday afternoon in Edinburgh, some parts were hard going and some of the dialogue fairly wooden. So, a mixed bag for me and certainly not the film by which Eastwood will be remembered as a director.

 

Ten Poems about Bicycles, wet cycling and Auld Year’s Day

January 1, 2014

One of the presents I received this year from my wife was Ten Poems about Bicycles. I’ve only dipped into it so far but the first poem is by the famous Australian balladeer Banjo Paterson and is entitled Mulga Bill’s Bicycle. There a very good reading of the poem on Youtube by Daryl Barclay and it’s a wild ride for Mulga Bill. There’s also an excellent poem by the American  poet Michael Donaghy. whose poem Machines has the wonderful first 3 lines: “Dearest, note how these two are alike:/ This harpsichord pavane by Purcell/ And the racer’s twelve-speed bike”. The ten poems in the pamphlet are aesthetically presented by the Candlestick Press.

There are no poems about cycling in the rain in the pamphlet, although Mulga Bill does get wet, but I could have written one myself yesterday. I looked at the weather forecast and it said heavy rain by noon. I set out at 10am and at c10.20 the first spots started to appear and it got steadily heavier and heavier. You have to be stoical to be a cyclist in a Scottish winter, so once you are out, you are out and you have to complete the course. I was only doing a short 20 mile/32K ride but by the time I got home I was drookit (soaked) – my helmet was dripping and I had to wring out my cap, gloves, leggings and socks, as well as stuffing my wet shoes with newspaper. One thing about cycling in the rain, is that the faster you go, the heavier the rain gets, but the faster you go, the quicker you’ll get home, so it’s motivational rain and good for your fitness. Well, that’s what I was telling myself on the way home and also consoling myself that it was a mildish 7 degrees – not bad hereabouts for 30 Dec.

This being the 31 December and what we in Dunbar call Auld Year’s Day and Auld Year’s Night – we eschew the word Hogmanay as being from the West and North of Scotland. However, this is very local and you are unlikely to hear these terms used even in nearby towns or in our capital city Edinburgh, 28 miles/45K away. We are going for a meal at the award winning Creel Restaurant with our son and daughter in law, and will then bring in the New Year at home, and welcome 2014 in the a nice malt whisky from Locketts, my favourite wine shop, which is in North Berwick, 13 miles/21K along the coast from Dunbar. For some of you who read this blog, 2014 will already be here, so to you and everyone else who visits the blog, I wish you an effervescent and exciting 2014.


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