Posts Tagged ‘daffodils’

John Threlfall exhibition and more spring flowers

May 9, 2018

The latest exhibition at Waterston House in Aberlady features the work of John Threlfall who is a very well-respected wildlife artist. I included John’s work in a joint exhibition on the blog in 2016. This is another display of the work of a high quality artist and the variety of colours are quite stunning. I contacted John and he kindly sent me some photos of his work in the exhibition. The first example is Summer Finery (shown below) which has a dazzling array of colours on the glittering water, the serene duck and the vegetation. My ceramics teacher sister-in-law thought that John Threlfall’s style could be described as Impressionist or Fauvist. I put this to John and he replied “As to a description of my painting style I have to confess it is not something I ever think about. Others have described it is as Impressionist and as my use of brighter colours develops perhaps Fauvist maybe used increasingly”. I was unfamiliar with the term Fauvist but on looking it up, I discovered that the Tate Gallery defined it as “… the name applied to the work produced by a group of artists (which included Henri Matisse and André Derain) from around 1905 to 1910, which is characterised by strong colours and fierce brushwork”. My eye was attracted to the purples in this painting – in the water and on the duck’s back; and also to the white Sydney Opera House style white water lilies.

Threlfall SOC Summer Finery LR

Summer Finery by John Threlfall (Click on all photos to enlarge)

The second painting below is Swanlight and I think that this is a very clever title of this classic Impressionist painting. When you look at it, you can indeed see a light emanating from the swan’s plumage, as they huddle together, perhaps for safety or maybe just for a neighbourly get together. There are a number of flows to this painting – in the vertical background and patches of green, but it is the elegant flow across the plumage of the huddled swans that is particularly eye-catching.

Threlfall Swanlight LR

Swanlight by John Threlfall

In the exhibition, John Threlfall also includes many paintings of animals such as seals, hares and elephants. The exhibition is open until 23rd May, so get to see it if you can, as it is a superb collection of this most impressive (as well as Impressionist) painter.

In my last post, I noted that this year has produced a very healthy crop of spring flowers, with polyanthus and pansies much bigger and more colourful than in previous years. The daffodils and in particular, the tulips have also been magnificent. Daffodils were originally brought to Britain by the Romans according to this source but were not recognised as a garden flower until the 1600s. This year I have had, like other people I’ve talked to locally, more white daffodils than normal but I do not know why. I do like the great varieties of colours in the daffodils  I have, and depending on whether the sun is out or not, the daffodils appear to take on different shades. The photo below is one from a bowl of daffodils given to us by my sister. This flower has elegant shapes, a range of colours and shades of colour and the centre appeared to me like a piece of origami you might see in an exhibition. It gave us continuous pleasure for more than a week.


Yellow and orange hybrid daffodil

While the early stars of the show in the garden were the daffodils, polyanthus and pansies, the tulips are now out in all their magnificent pomp. It’s as if the tulips know that – unlike the pansies and polyanthus that last much longer – their time as the centre of attention is limited. In some parts of the garden, there are only tulips and it is like a fashion show and I liked the elegant, almost aloof look of the three shown below.


Elegant tulips on show in the garden

I took the 3 close-up photos after a heavy rain shower this afternoon. In the first photo, the flowing lines (a la Threlfall) on the petals, with their delicate shades of purple, draw your eye down the flower, which looked to me like hands being held out, perhaps in celebration.


Close-up of a shapely tulip just after the rain

In the 2nd photo, I make the same comment as I did when I last posted on tulips. Can you see the tarantula? There is also as dazzling light coming from the centre – like Threlfall’s swans – and the raindrops are captured on their way down to this hydra-like centre.


Spider-like centre of a tulip after the rain

The 3rd photo is the undoubted individual star of the show this year and this beautiful, multi-petalled tulip has been widely admired by neighbours and visitors. There is a lushness and an abundance in this flower, with its plethora of petals, whose colours are enhanced by the raindrops, which seem to be protecting the centre. When looking at the photo of this tulip, I wonder what an Impressionist/Fauvist painter would produce in making a representation of the flower?


Multi-petalled tulip after the rain



Planting bulbs and the East Lothian Banking Company scandal

December 4, 2017

I’ve just finished planting the last of my spring bulbs. Now, for many garden experts, this is a bit late in the day but I like my daffodils and tulips to appear in the Spring as far as possible and not in midwinter, as is happening due to climate change. There’s a certain degree of creativity in planting bulbs, as you know that the combination of what is a rather dull looking object – a daffodil bulb – will combine with the earth to produce firstly a green stem and then a piece of sculpture as the head opens up. Also, you know that when you plant the bulbs and the pansies and polyanthus, a rather bare and forlorn section of the garden – brown earth dotted with plants – will be transformed into an eye-catching and neighbour-praising object looking like this.


Spring garden (click on all photos to enlarge)

So there is a great deal of satisfaction – and anticipation – to be had in planting bulbs and I always feel better when I’ve emptied out the last bulbs from the previously filled old shoe boxes I have in the garage over summer. I’ve completed one task and can look forward to the transformation in the garden in a couple of months, from bare earth to this.


Tulip bulbs in Spring

When you are doing research of any kind – academic or personal – there’s a kind of serendipity that ensures that at some point you will come across material that is not relevant to your current research, but is very interesting. As an academic researcher or PhD supervisor, my advice was to leave this well alone, but with personal research, you have time to meander down some alleyways for a while. Recently, I was interviewing the daughter of the owner of a shop in Dunbar in the 1950s about her youthful memories of the shop and she produced a folder that her parents had left with her. Inside the folder were two nineteenth century Scottish bank notes – not your regular Bank of Scotland or Royal Bank of Scotland notes – but notes from the East Lothian Banking Company.

East Lothian Banking Company One Pound front

One pound note (front) issued by the East Lothian Banking Company

East Lothian Banking Company Five pounds front

Five pound note (front) issued by the East Lothian Banking Company

The bank notes’ design reflected the county of East Lothian’s farming and fishing communities. To the modern eye, these notes look like cheques, where the name of the recipient is to be entered, along with the date. These notes, like other 19th century bank notes, were not circulated as bank notes are now, but were issued from a book of notes. The East Lothian Banking Company was set up in 1810 here in Dunbar and its funds came from local merchants and farmers. The records show that the bank did good business for some years and it appointed William Borthwick a very young man at 22 years old as cashier – the equivalent of chief executive today. Borthwick turned out not only to be relatively inexperienced, but to be an embezzler of the banks’ funds and he took off, probably to America, in 1822 with the bank in serious debt. Thus the scandal of the county bank.

Another interesting feature of the bank notes is that (see below) on the reverse of each note, there appears “Five pence” on the one pound note and “One shilling three pence” on the five pund note, which may have been a tax to be paid, although I’ve found it difficult to find out exactly what this represents. Also, the designs on the back of the two notes are different. One the one pound note “GR IV”, presumably referring to King George IV can be seen. As George IV reigned from 1820 to 1830, this note must have been issued in the last years of the bank’s existence. There’s no reference to royalty on the back of the five pound note. As we approach a (mainly) cash society, these notes are a reminder of different times. It should of course be remembered that very few people in East Lothian society in the early 19th century would ever have seen, never mind handled, a five pound note. This was a rich man’s (and it was men in control then) business.

East Lothian Banking Company One Pound Back

Back of a one pound note issued by the East Lothian Banking Company

East Lothian Banking Company Five Pouds back

Back of a five pound note issued by the East Lothian Banking Company

Redhouse Castle, walls and daffodils, and honeywort

April 11, 2017

Sometimes you get to places by accident. Recently, we were visiting the Carol Barrett exhibition and there was a huge queue of traffic going into Aberlady (good photos), we headed west, through Longniddry  and ended up at Redhouse Castle (good photos). There is a new garden centre next to the ruin of the castle, which is a late 16th century building originally standing 4 storeys high. The first photo shows the ruin from the edge of the garden centre. It is perhaps not one of the most attractive castles which have survived but, given the technology available in the late 16th century, it is an impressive site.


Redhouse Castle., East Lothian (Click to enlarge)

The 2nd photo shows the arched entrance into what would once have been an impressive courtyard of the Douglas family who built the original castle. It was acquired by the Laings (good photos) in 1607.


Entrance to Redhouse Castle, East Lothian

The final photo is a close up of the doorway into the castle. Above the wooden door, on the pediment, can be seen the Laing family coat of arms and the initials MIL for Master John (Ioannes) Laing and RD for his wife Rebecca Dennistoun or Deenistoun. The motto on the lintel is Nisi Dominus Frustra – one translation being without the Lord, all is in vain, although like many Latin mottos, other translations exist. The stonework around the doorways is smooth, unlike the rougher – but more attractive, sandstone of the building itself.


Doorway into Redhouse Castle, with the Laing family arms

On to stonework which is on a much lesser scale but, as I built most of it myself, remains attractive and has been enhanced by the array of daffodils now in flower above the walls. The first photo is of the first wall which I built with much advice and help from former stonemason Ian Sammels. This remains – unsurprisingly – the most impressive wall.


The Sammels/Herring all and Spring flowers

The 2nd photo is of the latest – and final(?) stonewall, which I built myself. The mixture of daffodil types – white or yellow petalled – with the different shades of red sandstone, plus the shadows of the bushes behind, make this – I think – a well composed photos.


The Herring wall with a variety of daffodils

A new plant in my garden is honeywort, given to me by my lifelong friend and fellow blogger Tam Bruce and his wife Sandra. Tam gave me two cuttings from their impressive garden in Edinburgh. This plant, shown below, has the wonderful name of Cerinthe major “Purpurascens”. It is a long established plant which attracts bees – thus its name – and one source quotes Virgil as ” using this plant as an offering to swarming bees in order to entice them into a new hive”.  As the photo shows, the plant has very colourful  tubular bell flowers, and at the moment, the leaves are starting to change colour and will develop into brilliant blue leaves or, more precisely, bracts which are defined as “leaf like structures”. So there is more to come from this plant, which seeds itself vigorously and has to be controlled. Tam and I had some fun in email exchanges, suggesting a modern update of the Beatles’ song Honey Pie, with a new line of “Honeywort, you are driving me crazy..”. I like the shadow of the plant against the stone and its intriguing shapes.


Honeywort in my garden


Back to St Abbs and Spring flowers (2)

March 26, 2017

On Sunday, another visit to one of our favourite places, St Abbs Head (good photos), featured many times on this blog. It’s a small village but you can vary your walks and views nearby and always see something just a bit different from the last time. We parked at the National Trust car park and walked down past the farm on our left, which had a shed full of sheep just about to lamb. We saw some lambs in a nearby field and I managed to capture them amongst some shapely reflections of the trees.


Lambs at St Abbs (Click to enlarge)

We went up the first part of the cliff top walk – going west to east – but only wanted a short walk, so we didn’t go any further. On the way back, you look across the to village of St Abbs Head, past the ragged shaped outcrop of rock (Photo below). It made me wonder whether, in a hundred or two hundred years, that rock column, sculpted by the weather, will still be there. It’s a superb view, taking in the harbour and all the houses built on the once empty cliffs above. There was only a gentle swell on the sea that day, with the waves edging slowly around the rocks, and not crashing over them as they often do.


Rock column and St Abbs Head village

The next photo is from an angle I don’t think I’ve taken a shot from before. It is looking back across the edge of the harbour towards the clifftop walk, with the impressive Northfield House prominent on the cliff. The rock column in the photo above is just to the top right of this photo. Behind the house on the left with the red roof, with chimneys at either end (like the house to its right), there is a wooden staircase which leads you up to the impressive St Abbs Visitor Centre, which is well worth a visit.


View across St Abbs Head arbour to the cliff walk

We walked back to the car park and, at the end of the farm buildings, I came across a trailer load of neeps – see photo below. In Scotland, we call them neeps or turnips. In England, they are called Swedes. What people in other parts of Britain call turnips, which are much smaller than neeps, we call white turnips. Around Dunbar, you will also hear people referring to Tumshies, another name for neeps/Swedes/turnips. Very confusing? For your amusement, but maybe not illumination, read this excellent Guardian article on the subject.


A trailer load of neeps at St Abbs Head.


Close up of neeps at St Abbs Head

And so to the second reflection on Spring flowers. In many towns in Scotland, councils in recent years have greatly expanded the planting of Spring flowers and it is not unusual to see great swathes of bright yellow and white crocuses at the entrance to these towns. Councils also planted thousand of daffodils and it is they which now take centre stage, as the crocuses have faded. There is something uplifting about seeing large groups of daffodils and I think Wordsworth had something to say on the topic in two versions (see website). I took a photo of daffodils on a banking at The Glebe in Dunbar. This small park overlooks the sea and the harbour entrance. The photo looks towards the remains of Dunbar Castle(good photos).


Daffodils on a banking The Glebe, Dunbar

My aim every year is to take very clear close-up photos of flowers, to get to the heart of them and look at them as abstract shapes as well as attractive flowers. In the first photo below, I took two contrasting daffodils, one with white petals and one with yellow petals. They are both enchanting flowers but maybe the white petals emphasise the yellow, choir boys’ ruff of the flower’s centre more. Both have delicate stigma which thrust out to attract the pollen seekers. They are like mini corn on the cob with extensions.


Two daffodils in my garden

In the final photo, I like the delicate folds in the prawn cracker petals and the ragged edge of the flower is similar to the rock face above at St Abbs. Also, the colour in the flower is not uniformly yellow but contains various shades, making it even more attractive.


Yellow and white daffodil in my garden


The Creel Restaurant and Olhamstocks walk

April 18, 2016

We are lucky here in Dunbar (good photos) with a population of between 8ooo and 9ooo  to have a range of good local restaurants. While The Rocks has a fine reputation for excellent service and very good food, The Creel is the pick of the restaurants. The Creel is a small restaurant owned and run by award winning chef Logan Thorburn. We have visited The Creel many times with family and friends and have never had a bad meal. I contacted Logan who kindly answered my two questions and sent me the photos below. I firstly asked Logan ” What is your approach to cooking the meals you serve in the restaurant?”. His answer was “Great simple combinations using the very best of local produce that is available – season dependent – and all prepared in a true  modern-rustic artisan style”. The second question was “As a restaurant owner, what is your philosophy of service to your customers?”. The answer was ” We strive to offer relaxed, efficient and unobtrusive service that meets our customers needs and also matches our pricing bracket. We do try our very best although staffing a small restaurant in a small rural community can sometimes be a challenge”. If asked why I would recommend The Creel to locals and visitors alike, I would reply that the meals are of a  very high standard, cooked to order and with a depth of flavour often missing from other restaurants. For example, Logan’s fish and shellfish soup, served hot in a generous bowl with his own bread is as good as any bouillabaisse I’ve had in France. The two photos below show Logan’s extensive tapas dishes, including  Griddled Pork Loin with Green Peppers and Spanish Onions; Moroccan, Aubergine and Courgette Tagine,  Steamed Local Partan Crab Claws;  Classic Chic Pea Hummus; and Slow Rioja Braised Chorizo Sausage and Fennel Casserole. We haven’t tried this but it looks very enticing. The 2nd photos is  Steamed Clams with Garlic and Parsley Butter and served with Homemade Farmhouse Loaf. The Creel is a must visit restaurant if you are in the Dunbar area.

Logan 1

The Creel’s tapas dishes

Logan 4

The Creel’s clam dish

We stopped for a walk at the bonnie wee village of Oldhamstocks (good photos). This is a place with a long history. Olhamstocks (pr Old HAM stocks) is set in a valley between steep hills, one of which is a testing climb on the bike and the other is a steep, grassy slope where sheep graze. It is up the latter hill that runners strive when doing the annual hill run as part of the well-known Flower Show. There are many substantial stone buildings in the village and the one below had a grand display of daffodils on display.


Impressive stone house in Oldhamstocks

We walked along to the local church where there is a very interesting historic graveyard.  The gravestone that caught my eye was that of Philip Orkney who died aged 86 – a very long time to live in the 19th century – in November 1875. Next to his name is the word feuer. When I looked this up, I had to search beyond the German word feuer meaning fire. In this context, a feuer is one who pays a feu or rent. So Mr Orkney had “a perpetual lease granted at full rent giving the feuer a continuing right of occupancy and the granter an ongoing rental”. This probably put him in a higher status than other people who paid rent but had no life-time guarantee of occupation. The graveyard is set in an idyllic spot with the countryside in full view.


Gravestone in Oldhamstocks churchyard

Hospital, haws and spring flowers

April 2, 2016

A delay in the posting of this blog as I’ve been in hospital for the past week after a bizarre accident. I tripped and fell down the steep slope of our back garden while bringing in the washing and toppled over the 1.5m wall at the bottom of the garden. I broke 10 ribs and punctured a lung. I was rescued by golfers leaving the nearby golf course and some neighbours and taken to Edinburgh Royal Infirmary where I was treated by world class staff in the High Dependency unit and the Cardiothoracic ward. The attention and care given to me were truly outstanding and a real credit to the often criticised National Health Service. It’s a strange experience being in hospital as (in my case) you are taken there and transported into a totally different environment. Suddenly, your world shrinks to a hospital ward and you are severely restricted in your movements. You lose your privacy, your ability to make decisions (mostly) and cook for yourself. You spend your day in your pyjamas and slippers but it all seems natural, as your key concern is to lessen the pain. So, a few weeks to fully recover and get back on my bike again. I’ll get there.

Before the trauma, we drove up to the village of Stenton to take photos of the hawthorn trees which are just coming into flower. The hawthorn tree is very common in the UK but it at its most spectacular when the blossom arrives in the spring. Around here, the trees are referred to as haws although strictly speaking, this refers to the berries which appear later in the year. Siegfried Sassoon refers to the tree in his poem The Hawthorn Tree and writes “I know my lad that’s out in France/ With fearsome things to see /Would give his eyes for just one glance/At our white hawthorn tree”. The photos below show the lane in Stenton where there are numerous hawthorn trees and also a close up of the blossom.


The haws at Stenton


The haws at Stenton


Hawthorn blossom

My garden has come into full spring colour again with a lovely spread of yellow daffodils but these are outshone by the polyanthus and primroses. These two plants look very similar but there are differences, outlined in this article. The following photos are of polyanthus although I think that the second one could be a primrose. On my bookshelf is  Alice Oswald’s wonderful book Weeds and Wildflowers which has exquisite greyscale etchings by Jessica Greenman.The poem Primrose begins “First of April – new born gentle./Fleeting wakeful on a greenleaf cradle./Second of April – eyes half open,/faint light moving under the lids. Face hidden./Third of April – bonny and blossoming/in a yellow dress that needs no fastening”. I’m writing this on 1st April, so a nice coincidence. You might look at the third photo differently now.


Polyanthus in my garden


Primrose/polyanthus in my garden



Polyanthus in my garden



Stones and flowers; stones and flowers

April 24, 2015

In January, I found 2 boxes of daffodil bulbs on a garage shelf – I’d forgotten that they were there but I planted them even at this late stage. They have flowered very well and I noticed the other day that they showed off the stone wall (built with the excellent tuition and proper stonemason tools of Ian Sammels) to very good effect. That it was a warm and sunny spring day helped to enhance this photo.

Stone walls and daffodils

Stone walls and daffodils

There was more sandstone on view, this time in a natural setting, on our walk from Tyninghame Links to Ravensheugh Sands (good photo) which is often referred to as Tyninghame Beach by locals. The nearby hamlet of Tyninghame (pr Tinning him) has an excellent coffee shop. There was a strongish NE wind, so we set off into the wind to the small stretch of beach at the end of the woods. I’ve written about this here before, not least Chris Rose’s wonderful painting of dunlin. The painting’s depiction of the rocks in the sun is stunning and the photo below shows some of the other sandstone rocks near the exposed roots of a tree. The 2nd photo shows stratified rock and I liked the combination of the swirling curves of the rock, the seaweed’s greens and the sea’s sun generated blue.

Sandstone rocks at Tyninghame Beach

Sandstone rocks at Tyninghame Beach

Stratified rock at Tyninghame Beach

Stratified rock at Tyninghame Beach

At the end of the walk, there was a pleasant surprise as we came across a large bed of wild primroses, with not just the normal yellow flowers but also some with delicate purple flowers (see photos below). The poet Wordsworth wrote “Primroses, the Spring may love them; Summer knows but little of them” but come the summer, this patch of forest will be a very plain green again.

Purple primroses in Tyninghame Woods

Purple primroses in Tyninghame Woods

Yellow primroses in Tyninghame Woods

Yellow primroses in Tyninghame Woods

Forward Prizes, spring garden and free will

April 4, 2014

I have just finished reading The Forward Book of Poetry 2014. It’s an annual collection of poems submitted for various elements of the Forward Prizes. The best collection was by Michael Symmons Roberts entitled Drysalter which I’ve referred to in the blog. Taking the book off my bookshelves and opening it at random, I find Discoverers including the lines “History as layers of paint, sedimentary/ and underneath them all, spread/ like a painless contagion, stone”. The best first collection prize went to Emily Berry for Dear Boy, which includes the truly original prose poem “The International Year of the Poem” in which the poet imagines poems being seen as internationally subversive and governments taking action e.g. an Israeli prime minister stated that “We have now declared war on the poems of Gaza….we will treat the population with silk gloves/ but we will apply an iron fist to poems”. If you don’t normally buy poetry books, buy this one and read one or maybe two poems a day – your imagination will be richly stirred.

For the last 10 days, the east of Scotland and most of the east coast of  England has been covered in low cloud, with the occasional slow inrush of haar (sea mist) and the temperature has hung about 6 or 7 degrees. At times, it reminded me of Cormac McCarthy’s sentence at the beginning of his novel The Road – “Like the onset of some cold glaucoma dimming away the world”. Now in The Road, the world has suffered a disaster – possibly nuclear war – and the sun has been permanently blocked out. The sun will return next week here but the image of a “cold glaucoma” is startling. Despite the ubiquitous grey in the sky and on the sea, my spring garden provided some relief and welcome colour, in the form of wallflower. grape hyacinths, daffodils and tulips in the 1st photo below. The 2nd photo is a pot with pansies, red and white tulips and daffodils. The 3rd photo shows the aftermath of the rain on a cyclamen plant.

Spring garden

Spring garden

Spring pot

Spring pot

Cyclamen after the rain

Cyclamen after the rain

Out on my bike this week, I listened to an episode of In Our Time, the weekly radio programme hosted by Melvyn Bragg on free will. This episode is from the programme’s archives. It was a fascinating discussion and it did not get too bogged down in terminology. Proponents of free will argue that we have freedom over our actions – will we choose the chicken or the fish in a restaurant? – although this is not complete freedom as our choices will be influenced by factors such as societal pressures, our experiences and our tastes. Opponents of free will – the determinists – argue that everything we do is determined e.g. by nature or by divine intervention, so we cannot have free will. However, if everything is determined, why don’t we just act as we like, possibly irresponsibly, as what we do is determined anyway? Some philosophers argue that if we have moral responsibility for our actions, then we don’t have complete free will but they also reject determinism. As with all things philosophical, there are many arguments and counter arguments e.g. we must try to define “free” and “will” before we can discuss it. So, while it looks like you have free will with regard to reading this blog post or not, you don’t make that decision uninfluenced.

Carol Barrett, time travel and enjoy the daffodils while you can

March 22, 2014

A visit to the excellent SOC Donald Watson Gallery in Aberlady to see a stunning exhibition of paintings by Carol Barrett, entitled Under An African Sky. The exhibition features Carol’s paintings from trips to Botswana and to Tanzania. There’s a wide variety of birds and animals depicted in the exhibition and it’s only when you consider the amount of detail in many of the paintings e.g. birds such as the Crowned Crane or any of the cheetah paintings, that you realise how skilled and imaginative this artist is. I emailed Carol and she kindly sent me photos of what I thought were the two standout paintings in the exhibition and they are posted below. The first is a large painting of 3 elephants and it appears to be an affectionate family portrait, to be enjoyed by all. What I also liked about it was the abstract quality of parts of the painting e.g. the lines on the elephants’ trunks. The second painting is an extraordinary portrait of an ageing lion, and you can almost see the years of experience in his eyes. There’s also, for me, a melancholy aspect, as if the lion might be bemoaning that his best days are in the past, although there is still menace in his eyes. The detail and the delicate background in this painting are of the highest quality and I returned to the painting several times. If you are in the area, it’s a must see.

Tender Giants by Carol Barrett

Tender Giants by Carol Barrett

Fading Monarch by Carol Barrett

Fading Monarch by Carol Barrett

This week, I finished my free online Philosophy course presented by a range of expert lecturers from Edinburgh University. The final week was on time travel and it focussed not on the possibility of time travel but on the logic of time travel. Dr Alasdair Richmond posed a number of intriguing questions about the logic of time travel e.g. could you go back in history and kill Hitler before he came to power? Given that the history of the world since the 1930s has happened and is believably recorded by almost everyone, it would not be logical to argue that this could be done. However, it might be logical to suggest that a time traveller could go back and see Hitler before he came to power, as long as history was not changed. A further logical possibility – however unlikely – is that there could be multiple worlds I.e. not just our own, and that, in another world, Hitler might well have been killed and not come to power. Now, all this could be dismissed as navel gazing but what it does do, is make you think carefully about what you are listening to, what you read and what sense you make of all this.

The daffodils are out in people’s gardens, in forests and in municipal displays at roadsides and roundabouts, and they are a delight to the eye. However, this week we have had very strong winds which have tested the daffodils’ strength severely and there have been many casualties, such as the ones in the photo below, taken at the back of my house. So we have to enjoy the daffodils while we can. At least the daffodils are stronger than the crocuses shown in the previous post, all of which were blasted into oblivion by the wind.

Blasted daffodils

Blasted daffodils


Table 9, snowy run and daffoldils

March 23, 2013

When my wife and I were in Dubai, we were treated to a gourmet experience at the Table 9 restaurant. Table 9 is run by 2 young chefs who used to work for the (in)famous chef Gordon Ramsay. It’s a very pleasant restaurant, not at all pretentious, and the service is excellent, but it is the intensity of the flavours in the food that stands out. I had the taster menu and swapped the veal for scallops, plum and seaweed, which sounds an odd mixture, but the scallops were done to perfection and came on a bed of fine seaweed, on a base of intense plum sauce. While the scallops were excellent, for me the key highlights were the lobster dish – lobster, coconut and mango (see 1st photo – sent to me by Table 9) . I talked to Nick Alvis, one of the chefs after the meal and he agreed to send me a photo and a description of a couple of the dishes. The lobster dish is “Lobster marinated in chip shop curry sauce. Coated in roasted coconut with fresh mango and coconut cream puree.” All I can say is that they must have found a fabulous chip shop. The flavours in this dish hit you one after the other. An excellent culinary and artistic touch is the mango – what you think might be pasta in the photo. The other highlight for me was the lamb – “Lamb, smoked aubergine, scratchings, tomato: Smoked aubergine + raisin puree, plum tomato chutney (vinegar, sugar, shallots), large leaf spinach, lamb belly scratchings and lamb dressing (roasting juices, vinaigrette, lamb fat and lamb stock) – a range of mouth watering tastes all in one dish. This is a treat and a fairly expensive i.e. one to save up for.

Back home and from 31 degrees and wall to wall sunshine in Dubai, back to 2 degrees and a biting NE wind and snow. I took my wife Val up the hills for her morning run – slightly more sheltered up the hills. Snow here in the morning melted but a few inches up the hills (see 2nd photo), so a muddy and snowy run (see photo 3). Too cold for me to go on my bike, so I went to the gym. I do this only in desperation as I find the gym very confining and even with downloaded Guardian short stories and Thinking Allowed to distract me, it’s always a long slog.

Back at the house, with camera still in hand, I photographed some of the small daffodils which are now out in my garden (see photo 4). There’s poem I like by Alicia Ostriker called “Daffodils” and she writes ” I’m photographing the yellow daffodils/ With their outstretched arms and ruffled cups”. Daffodils always remind me of open mouthed choirboys with ruffs on their necks. They always have their heads slightly bowed, and appear to me to be diffident flowers, not wishing to be showy, despite their obvious beauty.

Lobster, coconut, mango dish from Table 9

Lobster, coconut, mango dish from Table 9

Country lane and snow

Country lane and snow

Running in the snow and mud

Running in the snow and mud

Mini daffodils

Mini daffodils