Posts Tagged ‘horses’

Auld Year’s Night and A Walk on New Year’s Day

January 7, 2017

We had Australian friends staying over New Year. They arrived on 31st December which is known locally as Auld Year’s Day. This expression is, I think, restricted to the south eastern part of Scotland, while other parts use the term Hogmanay, the meaning of which is disputed, but it may be Scandinavian or Flemish. The term New Year’s Eve is used in other parts of Britain. Until the 1950s, New Year was the major festive event in Scotland, with people still working on Xmas Day. Bringing in the New Year in Scotland is seen as attractive by people across the world, as the cosmopolitan crowd in Edinburgh’s Princes Street on Auld Year’s Night will testify. Dunbar Running Club organise a short run on Auld Year’s Night at 7pm and my wife Val and our visitors took part, while I helped with timing. The race is known as the Black Bun Run after the tradition of giving people whisky and black bun to bring in the New Year, to ensure that people would have enough to drink and eat for the following year. I was the (non-running) President of  Dunbar Running Club for 14 years and the local paper, the East Lothian Courier would print my reports of the race – known then as The Auld Year’s Night Race, until one year the paper’s reporter used the headline Black Bun Run a Success. Thereafter, we used this title for the race. After the race, we joined the other runners (23 in total) in the nearby Masons Arms pub, for a pint of Belhaven Best ale, which is brewed just around the corner at Belhaven Brewery. Back home, we had a meal – a tasty Beef’n Beer (photo below) and brought the New Year in with rather less traditional champagne and red wine.

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Beef’n Beer done in Le Creuset pan (Click to enlarge)

On New Year’s Day, we took our friends on one of our favourite walks – to Seacliff Beach (good photos). We parked the car about a mile away from the beach. As you leave the car, just past the farm buildings, you get a magnificent view of Tantallon Castle (good photos)  and the Bass Rock and the view is enhanced (photo below) with the foreground of the emergent spring wheat’s subtle green.

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Tantallon Castle and the Bass Rock

You walk down a fairly muddy path to get to the beach but you are rewarded with a view of a long stretch of sandy beach to the right and left. We went left towards the tiny harbour – claimed to be the UK’s smallest – where there was quite a swell here with the white sea caressing the rocks.

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Swell at Seacliff Beach

On the harbourside, you can still see the remains of old iron winding gear, which, with the backdrop of Tantallon Castle (see below) makes for an intriguing view.

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Winding gear at Seacliff and Tantallon Castle

We walked back along the east side of the beach and up the sandy slope to the path/road where cars can exit. At the top of the hill, you pass under an archway and when you look back, the Bass Rock is framed by the archway. The photo below was taken on a frosty afternoon a few years ago.

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Arch at Seacliff Beach

As you walk back past the farm buildings at Seacliff Farm, you pass many horses as there’s a riding school there. I managed to catch one horse having a feed and another peering at me through the bare hawthorn hedge (see below). So, an excellent walk on a bright, sunny if cold day gave us an exhilarating start to 2017.

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Horse feeding at Seacliff

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Horse through a hawthorn hedge

 

 

 

 

 

 

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Two exhibitions – local and national

August 18, 2016

Last week, we went to two art exhibitions, one here in Dunbar and one at the National Gallery in Edinburgh.

The first exhibition was Inspiring Impressionism and featured the works of very well known artists Van Gogh and Monet. However, the main focus of the exhibition was on the man who inspired Van Gogh and Monet, with a new style of painting – Charles Daubigny. I’m sure that, like many others, I had never heard of Daubigny but he was a prolific artist and one who shifted the focus of art from strictly realistic, and often internal, painting to take in landscapes, which were often painted outside, at the scene of the painting. As Daubigny progressed as an artist, his depiction of the landscapes became more impressionistic and he was called “the father of impressionism”. There are many very impressive paintings in this exhibition – see highlights –  and among my favourites was Fields in the Month of June shown below, under the Creative Commons Licence. If you click on the painting to enlarge it, you will see what is perhaps an idyllic landscape with common elements seen in may paintings, such as the women working in the fields, the donkey nearby and the geese flying overhead. However, it was Daubigny’s use of paint to portray the poppies that was unusual at the time and he was criticised for this by the more traditional art establishment.

Fields in the Month of June by Charles Daubigny

Fields in the Month of June by Charles Daubigny

Another outstanding work is Sunset on the Sea Coast in which you can see how Daubigny influenced Monet and Van Gogh. The is one of Daubigny’s most impressionist painting and the mix of colours and the contrast between the darkening land, the vivid sunset and the evening sky are beautifully done. When you stand next to this painting and look close up, it appears to be a random succession of daubs of paint, but step back and this almost volcanic looking sunset strikes you. I felt it was real privilege to see all Daubigny’s works, as well as those of Monet and Van Gogh.

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Sunset on the Sea Coast by Charles Daubigny

The  second exhibition is a set of reproductions of the paintings of artist James Howe. The exhibition was mounted by East Lothian Archaeology Service and it takes the form of digital reproductions of Howe’s paintings, which you see as actual size and with some paintings, at first, you think you might be seeing the actual painting. The exhibition and very well produced accompanying booklet are sponsored by Rathbone Investment Management Limited. James Howe was born in 1780 in the village of Skirling in the Scottish borders and he went on to become a prolific artist – like Daubigny – specialising in the painting of horses, which he loved doing. In order to make a living, he also did portraits of wealthy people in Scotland. The first painting below (permission given) shows the helter-skelter of the horse fair in Edinburgh’s Grassmarket, which today is a major tourist attraction. The second painting focuses on the horses preparing to start a race at Musselburgh race course which is still going strong today. While the eye is drawn to the magnificent horses, there is action at the front and rear of the painting, with boys being chased by a soldier. This was a very interesting exhibition of the work of a Scottish painter of whom I had not heard.

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Horse Fair in the Grassmarket Edinburgh by James Howe

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Preparing for the Start by James Howe

 

Seaside walk and Alice Munro stories

January 9, 2015

On Sunday, my wife and I set off on a walk which takes in forest tracks, farm tracks and a wide sweep of beach. We parked the car at Tyninghame car park which was packed . You have 2 options on this walk – either straight to the beach and walk west or through the woods and farm track to the beach and walk east. The wind direction usually determines which way you go. The initial track through the woods (1st photo) gives you a pleasant, if occasionally muddy, walk, with large fields on either side. One of the fields still had its full complement of sprouts, with the thick green balls clinging to the yellowing stalks. The winding track then goes through some woods and out on to open farmland. My pals and I go on this route on our mountain bikes and there’s a downward section with a tricky corner.

Start of Tyninghame walk

Start of Tyninghame walk

The farmland near the beach, which is out of sight over the hill to your right, is used mainly for grazing horses, with the arable land further inland. To your left, in the trees, you can see some of the Harvest Moon treehouses which invites both campers and – a new word to me – glampers, who are people who  go camping, but want more upmarket accommodation e.g. a wooden cabin or treehouse i.e. no pitching of tents in the pouring rain and no external ablutions in the middle of the night for these glamour campers. There are several horses in the fields near this track and one was close enough to get two attractive photos (see below). This horse looked as if s/he took a stoical view of life, not quite posing for photographs but showing little apparent interest. Would we be as calm as this horse, if a horse was taking a photo of us? The shadow cast by the horse and fence post give the 2nd photo an added value. We get the horse as well as what looks like a black flattened metal sculpture on the ground.

Horse near Tyninghame Beach

Horse near Tyninghame Beach

Horse and shadow  near Tyninghame Beach

Horse and shadow near Tyninghame Beach

You climb over grassy dunes to the beach itself which forms an arc in front of the sea. The tide was coming in and the little waves sparkled in the winter sunshine. Philip Larkin refers to “the small hushed waves’ repeated fresh collapse” and Larkin’s repeated shhhh could be heard along the shoreline. To the west, the Bass Rock (photo below), now gannet-free and therefore  having lost its white top, dominated the view. On this part of the beach, there are few shells but I did come across two delicately coloured razor clam shells (photo below).

Razor clam shells

Razor clam shells

At the end of the beach, you can follow the forest track back to the car or you can keep going over the ridge which takes you on to a stretch of small beach and rock pools. From here, you get superb views across the sea to Dunbar on your right  and up the hills on your right. In the sunshine, the subtle green of the seaweed on the rocks contrasts well with the light blue of the rock pools and the deeper blue of the sea – as seen in the photos below. This is an intriguing walk at all times of the year.

Rock pools at Tyninghame Beach

Rock pools at Tyninghame Beach

Rock pools at Tyninghame Beach

Rock pools at Tyninghame Beach

I’ve just finished reading Alice Munro’s book of short stories Dear Life. I’ve had this book for over a year now and picked it up from my shelves again, having read some of the stories months ago. Munro is an intriguing writer. Her lead  characters  in this book are female and of various ages. Munro has that expert short story writer’s ability to sum up a middle aged person’s life in a few telling sentences. Families figure strongly in the stories  – mothers, fathers and sisters are often remembered from the viewpoint of an older woman reflecting on an incident in here childhood in Canada in the 1950s and 1960s. These are a set of compact vignettes, to be read singly and no more than one per day, by an enviably talented writer.

Alice Munro Dear Life

Alice Munro Dear Life

Weekly Photo Challenge – Yellow

December 23, 2014

A colourful topic this week – see more on Sue’s website and see my selection below.

Wallflower with raindrops

Wallflower with raindrops

Yellow stripe on fish in Dubai Aquarium

Yellow stripe on fish in Dubai Aquarium

Bumble bee in my garden

Bumble bee in my garden

London Olympics - Australian cyclist

London Olympics – Australian cyclist

Oilseed rape field at St Abb's Head

Oilseed rape field at St Abb’s Head