Posts Tagged ‘William Morris’

Ditchling Beacon and Ditchling village

January 25, 2017

During our trip to London, we ventured south from Thames Ditton, where our rellies stay, to the village of Ditchling, an hour’s drive away. Before going into the village, we headed up the steep hill, passing a few cyclists straining hard, to Ditchling Beacon (good photos). This historical site – a hill fort was found by archaeologists – has 360 degrees views across Sussex. On the day we visited, we could see the sea behind Brighton to the south but we couldn’t see the coast of France. The Beacon is on the South Downs and you can see for miles across the rolling countryside. The Downs are made mainly of chalk and it was a new experience for us to walk on the creamy coloured clay. It had been snowing the previous day and there were quite large – but headless – snowmen to be seen next the icy path. The bitterly cold wind ensured that we didn’t stay long as, unlike the groups of walkers we saw, we were not dressed for the conditions. The photos show part of the Beacon and the snow still lying there.

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Ditchling Beacon paths

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Snow on Ditchling Beacon

The village of Ditchling has a long history and there are some very attractive Tudor-style houses in the main street. Our first stop was to the jewellers  Pruden and Smith where my sister in law wanted to buy a necklace. I wouldn’t normally stop for long in a “goldsmiths, silversmiths and jewellers” but we were given a short tour of the workshop below the main shop. What you find here is a small space which features a few work desks,  but also on display are the tools of the craftsmen and craftswomen who make the jewellery. The first photo shows a dazzling range of tools and it’s interesting to reflect that these tools, some of which are quite powerful, are instrumental in producing such delicate jewellery (see shop website for examples), along with the combination of the well-honed skills and artistic talents of those making the jewellery.

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Silversmiths’ tools in Ditchling

The second photo shows some of the older equipment used to roll out the silver and gold into which a variety of precious stones would be inserted. There was also an admirable display of jewellery on display in the cabinets. So an interesting visit to the shop and an excellent insight into the extensive and delicate work that goes into producing the rings, necklaces and bracelets.

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Rolling and printing equipment in the Pruden and Smith workshop in Ditchling

Our next stop was Ditchling Museum of Art and Craft which featured work by Eric Gill, whom I knew as a famous typographer from the 1920s and 1930s. Some of Gill’s typography is on display and I’d like to have seem more. I learned that Gill was also an accomplished sculpture and one of his works, with its beautiful flowing lines and delicate depiction of the woman’s face, is shown below.

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Eric Gill sculpture in Ditchling Museum

Also on display were examples from the Kelmscott Press founded by William Morris. There was an example of an old press, along with typefaces on display and you could see how intricate a task it was to put in letters individually – and upside down – to make a page of a book or newspaper.

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Printing press at Ditchling Museum

We had an excellent lunch at The Bull pub in the village. The pub has some very good examples of local beer from its own Bedlam Brewery. The food was impressive and I had a very tasty venison pie with chestnut mash and broccoli. It rained on and off on our stay in Ditchling but we managed a walk around this very attractive village, which is well worth a visit.

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V&A exhibition and TS Eliot Prize readings

January 19, 2017

A delay in the blog this week as we were in London for a few days. We both went to the outstanding Victoria and Albert Museum to see the exhibition entitled You Say You Want a Revolution? Records and Rebels 1966 – 1970 . This is a fascinating exhibition, particularly for people who remember the 1960s and the bands such as The Beatles, The Animals and The Who, amongst many others. When you go into the exhibition, there is a free audio provided. This is not your usual audio guide to exhibits, but is a soundtrack  (list of songs here)of the music of the middle and late 1960s. Some people found this distracting e.g. looking at John  Lennon’s written lyrics to Help while the soundtrack is playing Barry McGuire’s Eve of Destruction. The exhibition covers the 1960s revolutions in music, protest, fashion and consumption. It has a vast number of exhibits, perhaps too many to take in during one visit, including photographs, letters, TV coverage, film, clothes and consumer items. It is a very stimulating exhibition, taking in the trivialities of some pop music to the horrors of the Vietnam war and civil rights violence. The V&A of course is always a pleasure to visit, with its numerous rooms and hallways full of statues. Even if you only visit the ornately decorated tea room (good photos), with the William Morris room adjacent to it, you are assured a superb aesthetic experience. No photos were allowed in the exhibition but I took one on my mobile phone’s (not very good) camera of the entrance.

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The Beatles’ at the entrance to the V&A

My treat on Sunday evening was to go to the Royal Festival Hall for the T S Eliot Poetry Prize readings. The competition for the best collection is worth £20,000 to the winner. One of the best things about this event is that, while the 10 poets read from their collections, the winner is not announced until later – no annoying Masterchef  pauses here. The readings were compered by the irrepressible Ian McMillan whose amusing but very perceptive introductions to each poet added much to the occasion. In one introduction, he referred to his Uncle Harry who had “sticky-out false teeth  – like a pub piano”. He also summed up the quality of the evening by pointing out that despite the vast hall and the hundreds of people in the audience, when each poet spoke, it was like being in a small room with only a few people. Two of the poets, J O Morgan and Alice Oswald (the favourite to win) recited their poems from memory and made a substantial impact on the audience. The winner, announced on Monday, was Jacob Polley’s collection Jackself which the judges called “a firecracker of a book” in which the main character can change into different shapes and things. I intend to buy this book, so more on this later.

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Jacob Polley’s collection entitled Jackself